Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Analysis of fairy tales
Analysis of fairy tales
Analysis of fairy tales
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Analysis of fairy tales
“Geebs is coming, we’ll have to meet up with Duty another time,” said Handy. “I’ll alert Trunk and Orson as to where I’ve taken you.” In a sparking flash, Handy vanished.
“But, I need to speak to Duty,” Gilbert spoke to the smoky residue left behind by Handy. His words went unheard.
A scurry of little white rats came rushing out; led by one that in command. Gilbert couldn’t count them all.
“Hurry, Gilbert your friends need you,” said the little white rat. “Their lives are in danger.”
Frightened by the speaking white rat, Gilbert jumped.
“You must be Geebs. Is that who you are?” Gilbert asked the little rat, recalling his vision when he touched the red Phoenix feather. My friend’s in danger? This is it. Geebs…the last name from my trance, Gilbert thought. Proust and his parents momentarily stared at him after his odd question then swam off into the darkness of the lake. Proust swam back, pointed to his head while Gilbert nodded understanding to him.
“Yes, I’m Geebs, a Sprite, trapped inside this hairy body,” he replied. “Now hurry, you must come with us and save your friends. They told me to tell you about Dream Tag so you would believe me. Now hit the ground running, we’ve got little time.”
Geebs tapped on the secret message only his friends knew. The other rats scurried off. He needed to follow, but where? Where is Geebs taking me? His answer came when the tunnels widened into large dungeons filled with thousands of rats. Their little noses wiggled whilst staring at Gilbert.
It took Gilbert fifteen minutes to get to the holding cells, however, once they arrived, Gilbert flinched at the sight of his friends tied and gagged behind the barred chambers. Their mumbles were heard through the tight material over their mouths, and their ...
... middle of paper ...
...take a stand.
“Free…him,” directed Gilbert to David, tossing the keys to him. David glanced at Pamela, her hands clasped over her mouth; her eyes were wide with terror. Gilbert winked at her.
“But he’s not to be trusted,” said Stephanie. “Your sister! He’s…”
“Do it! And then get yourselves out of here. The white rats, called Sprites, will lead you out as they guided me here,” commanded Gilbert. “I have no time to explain why, just listen to me will you, please.” An inner voice told him to press on faster.
Fear steps in, Faith trickles out, the words rushed into his head. Switch the Fs! It was a command.
Gilbert followed Geebs’ small tail as it darted in and out of the underground passages into a large room that smelled of freshly baked bread. He stopped suddenly. Right in front of him were his parents. He took his wand out, tapped on the lock of the cage and uttered…
A tall black rat entered the shop holding a basket. She wore a yellow bonnet and matching dress. She walked around the shop while Oliver finished unloading the radishes. Timmy had somehow fallen into the bin.
Lars Eighner's short essay, "Dumpster Diving," reveals the stereotypes about homelessness in America. In order to confirm these known stereotypes about American culture, Eighner includes autobiographical accounts of the economically inferior class, as well as revealing his elitist rules that governs the life of a homeless person. According to Eighner, homeless people fall into the following categories, 'can scroungers', 'Dumpster divers', and 'scavengers.' (Eighner, 1993). In addition, Eighner's blatant demonstration of his superiority to the people he scavenges from reveals his true character of snobbery.
He said, “Why don’t we poison the rats? I think I might have some bottles of rat killer poison in this old rusty belt of mine.”
She replies "because I knew you'd never leave." She is telling Gilbert in a very straight
Thomas finds out that in the maze, the walls that are moving aren't just moving randomly, but they are actually spelling out letters and words which is a clue for them
“Time’s up! Let me see…” Pacing back and forth with a pressed finger against her lip, she stopped in front of the unlucky first victim. “We’ll start with you, Mr. Evans.”
Bigger's first encounter with a rat foreshadows what will happen to him later on in the story and explains his reaction to danger. ?The rat automatically becomes a natural enemy and an invader the moment it is discovered in Bigger's apartment? (Hakutani 41). Bigger's family is instantly afraid of the rat and demands its destruction. Buddy blocks the entrance to the rat's home, leaving the rat trapped in the room with no escape. Finally, the rat becomes frenzied and resorts to violence to protect itself from Bigger and Buddy. "The rat squeaked and turned and ran in a narrow circle, looking for a place to hide; it leaped again past Bigger and scurried on dry rasping feet to one side of the box and then to the other, searching for the hole. Then it turned and reared upon its hind legs" (Wright 4). Initially, the rat is shown as helpless, with no intent to hurt Bigger. The rat's fight for its survival becomes so desperate, however, that it leaps at Bigger's pant leg in an attempt to protect itself.
“Lysander!” the voice boomed, waking the lad from his peaceful trance, and sending him tumbling off his hammock. “A chariot comes near! Get goin’, ya rascal!” Lysander was dragged up off the ground by his ear. He looked up to see another scraggly boy, with flaming red hair. Lysander hurried to follow the red-haired boy, keeping sight of his freckle splattered back as he rushed to lead the way through the brush. They ran for the main road that passed through their forest.
“I couldn’t handle it David, when I found her I couldn’t handle it.” “When I saw her like that, my entire being shut down.” He put his other hand to the still painful wound on the side of his head. It was still very sore, upon putting his hand to it he could feel it throb in this thumb.
Evidence: Prior to discovering the secrets of his family history, the narrator has a dream of a man he despises being devoured by “a mighty swarm of rats” (22).
“Get out!” he yelled. “Get her out of here!” he instructed, turning to the other boys. "Hurry! I can’t hold this critter all day!”
Now about those rats, he kept saying to himself. He meant the rats that the Professor had driven crazy by forcing them to deal with problems which were beyond the scope of rats, the insoluble problems. He meant the rats that had been trained to jump at the square card with the circle in the middle, and the card (because it was something it wasn't) would give way and let the rat into a place where the food was, but then one day it would be a trick played on the rat, and the card would be changed, and the rat would jump but the card wouldn't give way, and it was an impossible situation (for a rat) and the rat would go insane and into its eyes would come the unspeakably bright imploring look of the the frustration, and after the convulsions were over and the frantic racing around, then the passive stage would set in and the willingness to let anything be done to it, even if it was something else. He didn't know which door (or wall) or opening in the house to jump at, to get through, because one was an opening that wasn't a door (it was a void, or kid) and the other was a wall that wasn't an opening, it was a sanitary cupboard of the same color. He caught a glimpse of his eyes staring into his eyes, in the and in them was the expression he had seen in the picture of the rats--weary after convulsions and the frantic racing around, when they were willing and did not mind having.
At the beginning of the novel the audience is treated to a scene of an orphan at the cemetery. The young boy is trying to remember the departed loved ones. There must have been love between Pip and his parents. This type of love between parents and the children can also be used to represent th...
From the setting of revealed information, the author shares with the reader the story of Who Moved My Cheese. The story is written in a sort of Aesop’s fable context with two small people (Hem and Haw) and two mice (Sniff and Scurry). The obvious intent is for these four to represent the different ways that people deal (or do not deal) with change. In the context of a maze, the four would each leave in search of the cheese. The two mice sniff and scurry through the maze until they find the prize; they personify their names in their behavior. The two little people use their human traits to remember the maze and make their way to where they knew the cheese was waiting. The Crisis of the story happens when the previously believed unlimited supply of cheese was depleted. Now the two humans were at the disadvantage because they operated from the presumption that what was true yesterday would be true today unlike the mice who operated by instinct. The title of the book comes from the frustration of Hem who hollers this phrase. For some time he and Hem had avoided the “rat race” by walking directly to station C and having their fill of cheese rather than searching out a new way every day. With the cheese gone, Hem could not deal with the fact that he would have to loo...
Rats are undesirable creatures that have been the symbol of death, pestilence, and disease. Rats can cause billions of dollars in damage and can start fires, spread serious diseases, and multiply rapidly to infest homes, according to the article Top Ten Fascinating Facts About Rats. Additionally, the inundation of rats in a home can cause panic and mass hysteria, with residents calling pest control companies and law enforcement as soon as they see a rat, as expressed by John Davidson in Floods See Rat Population Explosion . The trouble that the rats cause has been an issue for a very long time. The flood of rats that invade a home is believed to be caused by an increases in food sources near populated areas, and decreases in predators and dry