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Robert Frost’s love of nature is expressed in the setting of his poem "Stopping by the Woods on a Snowy Evening." His elaborate description of the woody setting brings vivid images to the reader’s mind. Frost explains the setting so descriptively that the reader feels he is in the woods alsoThe setting is a very important tool Frost uses in writing this poem. The setting is obviously in the woods, but these are not just any old woods. Something caught the speaker’s eyes in these woods making them a special place for the speaker. It seems as if the speaker has associated these woods with an aspect of his "personal paradise". The peacefulness, tranquillity, darkness, and silence are all important parts of this "paradise".
These aspects help the speaker escape from reality. The snow symbolizes the purity and peacefulness the speaker feels while stopping in the woods. (4) The darkness can symbolize many different things. Some times darkness would be considered evil or dangerous, but I do not think this is the case in this poem. I believe the darkness symbolizes the undisturbed atmosphere of the woods.
Darkness may also symbolize the mystery of the yet to be discovered secrets deep within the woods. (8) The silence makes the speaker feel secluded from all other aspects of reality. (11-12) Stopping by the woods provides the speaker with a temporary escape from reality. Frost does not ever tell what business the speaker is on, but you can assume it may be very stressful. This escape from reality is very important even in today’s world. This poem was written in 1923 and still has aspects of 20th century society.
The speaker knows he can not stay in this "paradise".(14) The speaker does not want to leave this spot, but he has made other promises that he has to keep. (14) I believe Frost uses repetition of the last two lines of this poem (and miles to go before I sleep) to emphasize the importance of this promise he has made, and to support the speakers reasons for having to leave. (15-16)I am not a big fan of poetry, but this poem caught my eye because I am a fan of nature. Frost and I would have had a lot in common, his poetry reflects many of my own personal views of nature.
The voice of the speaker in “Stopping by Woods on a Snowy Evening,” is that of an individual that is stressed out or overwhelmed. He or she just needs to take a mental break from everything and, “stop by the words/to watch [them] fill with snow.” The reader knows that this person needs to take this mental break based upon how long they stay there. He or she stays in the woods so long that their horse “give his harness bells a shake/to ask if there is some mistake.” In other words, the horse is confused; here he stands in these woods “without a farmhouse near [and] the only other sound [he hears, aside from his own bells, are,] the sweep of easy wind and [a] downy flake.” This sense of being overwhelmed, and needing to take a mental break in order to remain sane, is something any reader can relate to, whether they have had a stressful day at work, a parent is using the poem as an example to show a child who has had a temper tantrum that they are being puni...
“Poetry is when an emotion has found its thought and the thought has found words,” Robert Frost once said. As is made fairly obvious by this quote, Frost was an adroit thinker. It seems like he spent much of his life thinking about the little things. He often pondered the meaning and symbolism of things he found in nature. Many readers find Robert Frost’s poems to be straightforward, yet his work contains deeper layers of complexity beneath the surface. His poems are not what they seem to be at first glance. These deeper layers of complexity can be clearly seen in his poems “The Road Not Taken”, “Fire and Ice”, and “Birches”.
This poem is a clear representation of it's theme, maybe the most clear out of all of the poems. The speaker enters the woods, deeper and deeper they go, away from the people on the outside of the woods. He walks the opposite from others, if taken in a literal sense. “Against the trees I go” (Frost, Line 2) implies that he would rather walk away from others, as walking against the trees, instead of walking with them. Just looking at the poem, you see that the speaker is happy walking into the woods alone, and that this is where they come to be alone, away from others. As the poem goes on, it gets later but the speaker does not feel the pressure to leave. They slowly make their tracks in the snow. Snow is a symbol of isolation as well, for example, when snow is fresh. The snow looks so delicate, not to be touched. But, in this poem, no one had touched the snow. The speaker made his tracks in the snow because he was the only one there to make them. No one has come to this spot, and therefore it is isolated, only for him. As the poem
Frost’s sentence structure is long and complicated. Many meanings of his poems are not revealed to the reader through first glance, but only after close introspection of the poem. The true meanings contained in Frost’s poems, are usually lessons on life. Frost uses symbolism of nature and incorporates that symbolism into everyday life situations. The speaker in the poems vary, in the poem “The Pasture”, Frost seems to be directly involved in the poem, where as in the poem “While in the Rose Pogonias”, he is a detached observer, viewing and talking about the world’s beauty. Subsequently, the author transfers that beauty over to the beauty of experiences that are achieved through everyday life.
The night is a symbol for dark moments of solitude during the speaker’s life. Through being “acquainted with the night” (line 1), the speaker is saying that he is familiar with darkness, proving how symbolism brings out a detached tone with the help of diction, saying that isolated darkness is something the speaker experiences regularly. The exertion of the night as symbolism creates an image for readers to realize that Frost did not actually mean nighttime in his poem; he used the night as symbolism to provide deeper insight and bring the image of our own dark times to describe as “the night”(line 1) just as the speaker of “Acquainted With the Night” did. Symbolism goes on to present itself in line 2, the “rain” is used as a symbol for tears and melancholy. The rain was not meant to be read literally, but rather symbolically as tears, or times of mourning over the harsh struggles in life, just as the speaker did when he “walked out in rain and back in rain” (line 2) meaning he walked into and out of life’s struggles. If the weather is cold and rainy, no one goes outside because of the gloomy clouds and cold rain. Similarly, no one reached out to the speaker in “Acquainted With the Night” during his gloomy periods of “rain”(line 2) or sadness, which expresses
Frost uses different stylistic devices throughout this poem. He is very descriptive using things such as imagery and personification to express his intentions in the poem. Frost uses imagery when he describes the setting of the place. He tells his readers the boy is standing outside by describing the visible mountain ranges and sets the time of day by saying that the sun is setting. Frost gives his readers an image of the boy feeling pain by using contradicting words such as "rueful" and "laugh" and by using powerful words such as "outcry". He also describes the blood coming from the boy's hand as life that is spilling. To show how the boy is dying, Frost gives his readers an image of the boy breathing shallowly by saying that he is puffing his lips out with his breath.
On the other side, Coleridge is raised in rural London and expresses his idea that, as a child, he felt connected to nature when looking above the sky and seeing the stars. Unlike Wordsworth, who felt freedom of mind, Coleridge felt locked up in the city. Since he did not have any experience with nature, he did not get the opportunity to appreciate nature until he became an adult. In Coleridge’s poem “Frost at Midnight,” readers see how the pain of alienation from nature has toughened Coleridge’s hope that his children will enjoy a peaceful nature.
In the poem “Acquainted with the Night” by Robert Frost, the Romantic poet explores the idea of humanity through nature. This sonnet holds a conversational tone with a depressing mood as the man walks in the dark city trying to gain knowledge about his “inner self”. The narrator takes a stroll at night to embrace the natural world but ignores the society around him. His walk allows him to explore his relationship with nature and civilization. In “Acquainted with the Night”, the narrator emphasizes his isolation from the society by stating his connectivity with the natural world.
One aspect Frost explores through his use of extended conceptual metaphor is the representation of life as a journey. The traveller, tempted by death, ultimately concludes that he has “miles to go”, where the repetition of the final line develops a sense of monotony, expressing the growing sense of enervation. Interpreted in a purely literal way the traveller is confronted by a simple conundrum: whether to stop or go. However, once read in context, Frost exposes the confrontation between “obligation and temptation” that encompasses both the poem and our lives. The traveller’s isolation from humanity and his exclusion from the woods whose owner “is in the village” perhaps mirrors Frost’s own sense of isolation. The change in rhyme scheme contributes uncertainty that, befitting of such a poe...
Not only does Robert Frost cherish nature, but he also has a love for darkness in this piece. The darkness signifies the loss of something and the dark soul. The speaker was a child in a home, but that home is no longer there. Robert Frost uses words such as night, dim, unlit place, and sad to talk about the darkness.
What appears to be "simple" is shown to be not really simple, what appears to be innocent not really innocent.... The poet is fascinated and lulled by the empty wastes of white and black. The repetition of "sleep" in the final two lines suggests that he may succumb to the influences that are at work. There is no reason to suppose that these influences are benignant. It is, after all, "the darkest evening of the year," and the poet is alone "between the woods and frozen lake.
The reader could interpret the second stanza as a continuation of the guilt that the speaker feels about enjoying the natural beauty of snow. The speaker even thinks that his horse thinks he has something wrong with him when he says, "My little horse must think it queer. " His horse must wonder why they are stopping on "the darkest evening of the year" when it is cold and snowing outside. After all, they stopped in the middle of the woods, with nothing else around them to look at but the snow. The speaker reveals more of his "unusual" tendencies in the third stanza.
Frost’s nature poetry interconnects the world of the natural and the world of human beings – Both key elements of his motivation in writing poetry. The harsh reality of nature and the thoughtless expectations in the minds of man scarcely cohere to one another. Frost usually starts with an observation in nature, contemplates it and then connects it to some psychological concern (quoted in Thompson). According to Thompson, “His poetic impulse starts with some psychological concern and finds its way to a material embodiment which usually includes a natural scene” (quoted in Thompson).
Then in the last stanza Frost mentions woods again. Even though the narrator has a long way to go he always has enough time to stop and watch the small thing in nature in detail. This goes to show that Frost’s interest in nature is very large, and he portrays this through his characters.
Frost was a rural Yankee whose writings reflect everyday experiences-his own experiences, but was one who saw metaphorical dimensions in the everyday things he encountered. These everyday encounters held ground in his subject matter, combined with the rural setting of New England nature, seasons, weather and times of day. Frost’s goal was to write his poetry in such a way that it would cover familiar ground, but in an unfamiliar way or uncommon in expression. Works Cited and Consulted Frost and Nature, www.frostfriends.org.