Do you like the movies? have you ever gone to the cinema? '' The cinema is a peculiarly violent from of entertainment, developed in and catering for what we have come to think of as age of violence. (Philip French, 'Violence in the Cinema' (1968:59). Do you agree or disagree with him? Because there is someone, he achieved his greatest triumph in 1982 by E.T. and he have had the most successful film careers to date. Also, he won 3 Oscars. Spielberg is Hollywood's best known director, the wealthiest filmmakers in the world and the greatest ever figures in entertainment. 1947, Steven Spielberg was born in 18 December in Cincinnati, Ohio, eldest child of Arnold and Leah Posner Spielberg of Jaws that a 1975 American thriller film directed
Steven Spielberg, a screenwriter, Director, and producer born on December 18th, 1946 in Cincinnati, Ohio. Growing up Steven was an amateur filmmaker. He became one of the youngest television
2. According to Sobchack, contemporary screen violence greatly differs than portrayals of violence in years past. Today, violent scenes are careless and lack significance because we as audiences have become calloused and desensitized to any acts of violence. She states that there is “no grace or benediction attached to violence. Indeed, its very intensity seems diminished” (Sobchack 432). Senseless violence, gruesome acts, and profound amounts of gore are prevalent in movies today, and because even this is not enough, it must be accompanied by loud blasts and noise, constantly moving scenes to keep audiences stimulated and large quantities of violence for viewers to enjoy what they are watching. Decades ago, it was the story that was engaging to audiences and filmmaking was an art.
Steven Spielberg, the only child of Leah and Arnold Spielberg, was born on December 18, 1946 at the beginning of the Baby Boom years in Cincinnati, Ohio. It does not take a great stretch of the imagination to see that Steven’s film influences were derived from his father’s experience as a World War II veteran and computer technician and his mother’s past profession as a concert pianist. The love and amount of technology, history, and music within Steven’s films can all be traced back to his early life with his family.
In partial agreement of Medved’s claims, I too see that the overall quality of American films is continuously dropping. I have seen many recent films in which the only element that could possibly keep the viewer interested are the constant actions of violence. One particular film that falls into this category is the 1999 release, The Matrix. This science fiction/action film is about a group of technologically advanced pioneers who venture into a parallel world to stop an unnamed enemy from doing some unnamed bad thing. The film was a series of chasing and fighting scenes in which they just kept coming up with new ways for the good guys to escape or shoot the enemy and new ways for the enemies to die. The climax of the story was at the end when the main good guy, Neo, had one last fight with the main bad guy. The fight ends when Neo is finally killed but then he is suddenly resurrected and he kills the bad guy; the world is safe again. The plot was nothing more than the overdone myth of "good verses evil," in which after a long struggle, good wins.
Spielberg was born in Cincinnati on December 18th, 1946. His father was an electrical engineer, and his mother a concert pianist. Steven seemed to get the best elements from both of them. Spielberg had an early fascination with cinema and began making amateur films at a very young age. At 13, he won a local contest for his 40-minute film, Escape to Nowhere. Ironically, Steven was unable to get into a film school, so he settled for majoring in English Literature at California State University. After graduation, he set out to Hollywood, where he was determined to be successful. In 1974, he received his first break for The Sugarland Express. The film went on to win a Cannes Film Festival Award for best screenplay. The following year saw JAWS explode. This very successful horror film, depicting a man-eating shark, captured the attention of the world and has become part of contemporary pop culture. The movie was nominated for Best Picture at the Oscars and won several Oscars for technical categories and for its very distinctive score.
In recent times, such stereotyped categorizations of films are becoming inapplicable. ‘Blockbusters’ with celebrity-studded casts may have plots in which characters explore the depths of the human psyche, or avant-garde film techniques. Titles like ‘American Beauty’ (1999), ‘Fight Club’ (1999) and ‘Kill Bill 2’ (2004) come readily into mind. Hollywood perhaps could be gradually losing its stigma as a money-hungry machine churning out predictable, unintelligent flicks for mass consumption. While whether this image of Hollywood is justified remains open to debate, earlier films in the 60’s and 70’s like ‘Bonnie and Clyde’ (1967) and ‘Taxi Driver’ (1976) already revealed signs of depth and avant-garde film techniques. These films were successful as not only did they appeal to the mass audience, but they managed to communicate alternate messages to select groups who understood subtleties within them.
Recently, both the founding pioneers of the New Hollywood era - Steven Spielberg and the American film director and producer - Zack Snyder caused some controversy with their comments about the superhero movie classification.
By now, you’ve all probably seen a PG-13 movie with violence in it. You could have not even batted an eye at the violence. Violence in movies is common these days. We’re used to it. A recent survey done by professor Brad Bushman, at Ohio State University even found movie violence has doubled since the 50’s and for PG-13 movies gun violence is shown to have tripled since 1985. Some say this is going to have a negative impact on our society and that the MPAA should change their ratings system so that violence is a theme that is only allowed in R-rated movies. Still, their claims have no evidence of media violence harming people in the real world. Violence in movies does not have long-term negative effects on our society proving that the MPAA shouldn’t have to restrict violence in PG-13 movies.
What is it about violence that is so attractive to the general public? There are so many people who would rather see a violent movie than a movie filled with romance or adventure. If you were to compare the revenues from box office earnings I'm almost positive the movies filled with blood and guts earn much more than other movies. Naturally, if a person in the movie industry knows this will make them mega bucks , they will continue to make movies like this to make more money.
The author of “Hollywood, Stop Exposing Our Kids to Violence” claims that filmmakers need to stop producing violent movies. The article argues that many children pick up bad habits from watching violent
Steven Spielberg is one of the most respected directors of all time. He has made so many great movies over the years. With his strong imagination and his humongous love for movies, there is no doubt that he stands out from most directors.
...ith a hero to idolize. Action movies basically have no mysteries or brain teasers, just clarity and action accord fun for all watchers to enjoy it. And that another secret lies behind why people adore action movies. The more interesting thing about action movies that audience never feel uninspired while watching it, because it creates a totally different impacts on the viewers compared to any other genres of movies. An expert opinion about violent media he said, despite the arguments that violent media creates aggression, but it affects certain types of people in different ways, said by Dolf Zillmann on of a psychological researcher pioneer in University of Alabama. Therefore, I believing action movies have a positive attract method on all aged of people who watch it, more than a negative once according to their excitements every time they watch it.
Movies are an unbelievably important escape for many people across the world. Films can take a viewer to another place or time and since the beginning of society, performances have been a staple of cultural. Films show a perception of reality, for better or for worse. Many see films and the cultural that it is in and think that it must be a accurate depiction, which sometimes unfairly puts a stigma on a group of people or a cultural. Hollywood has been able to expand all over the world, and many think The objective of promoting American culture through Hollywood movies is to dominate the other cultural communities around the world and become the universal culture of the world.
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
Across the globe watching movies started as an asylum for the working class, but slowly the ideas being portrayed onscreen have evolved resulting in movie going to become almost religious. Movies have the ability to leave us in awe as a result of their ability to give us a glimpse of a dream, however unrealistic. I myself am a huge fan of the film industry. I started to feel a certain reverence for it because of the way it inspired me to dream and gave birth to my ambitions. This ultimately led to me to go into an in depth investigation of whether I was the only one who felt this way and what affects had been created because of this feeling.