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The effects of World War 2 on American literature
The effects of World War 2 on American literature
Research questions on the themes of the red badge of courage
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Recommended: The effects of World War 2 on American literature
“A man said to the universe: 'Sir, I exist!' 'However,' replied the universe. 'The fact has not created in me A sense of obligation.” (Stephen Crane Quotes). This quote is from Stephen Crane, one of America’s foremost Realistic Writers. Stephen Crane (1871-1900), is one of the most influential and top writers of the American Realism time period. The Realism time period lasted from 1865 and lasted until about 1910. For those engaged in serious literary circles, the period was full of upheaval. A literary civil war went on between the romantics and the realists and later, the naturalists. American realists believed that human’s freedom of choice was limited by the power of other forces. Crane was inspired to write by his family: his father, a Methodist minister, and his mother, devout woman dedicated to social concerns, were two of his brothers were journalists. His will to write about war came from his close encounters with the a war correspondent.
Crane became a foreign war correspondent,first in Greece, then, during the Spanish-American War, in Cuba. This is important in Crane life because people thought Crane had never witnessed anything to do with the military or anything to do with battle. This helped Crane out with many of his war stories and novels. The especially helped Crane out with his Civil War story, Red Badge of Courage. Crane challenged and changed the literary world in several ways not just one specific way. Crane Challenged the literary world because this was a time when there was a literary civil war between romantics, realists, and then, naturalists. Crane challenged the romantics and naturalist beliefs with his. Crane change the literary world by using his experience, and his imagination, but at the same ti...
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Carter, Everett. Howells and the Age of Realism . Philadelphia: Lippincott, 1954.
Chase, Richard. The American Novel and Its Tradition. Garden City, NY: Doubleday, 1957 "The Literature of an Expanding Nation." The Harper American Literature. Donald McQuade, editor. New York: Harper & Row, 1987.
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Schroeder, John W. "Stephen Crane Embattled," University of Kansas City Review, XVII (Winter 1950), 119 Rpt. in
Stephen Crane firmly cemented himself in the canon of American Romanticism with the success of works such as The Red Badge of Courage and "The Blue Hotel." His writing served to probe the fundamental depths of the genre while enumerating on the themes vital to the movement's aesthetic. Such topics as heartfelt reverence for the beauty and ferocity of nature, the general exaltation of emotion over reason and senses over intellect, self-examination of personality and its moods and mental possibilities, a preoccupation with genius and the heroic archetype in general, a focus on passions and inner struggles, and an emphasis on imagination as a gateway to transcendence, as well as a predilection for the exotic, the remote, the mysterious, and folk culture are all characteristic of his stories.
Magill, Frank N. Magill's Survey of American Literature, Volume 5. New York: Marshall Cavendish Corporation, 1991. 29 Apr. 2011
Crane, Stephen. The Red Badge of Courage. United States of America, Chatham River Press, 1984. Print.
“The Red Badge of Courage” was written by Stephen Crane in 1985 as a fictional tale of a soldier of the Civil War. With its accurate depictions, readers were led to believe that Crane had at one time been a soldier. This was however not the case. Crane has a unique way of using themes and symbols in “The Red badge of Courage” to relay a very realistic portrayal of war.
...n American Literature. By Henry Louis. Gates and Nellie Y. McKay. 2nd ed. New York: W.W. Norton &, 2004. 387-452. Print.
The descriptions of war that he read in magazines were usually dry and too matter-of-fact. He also believed that they lacked connection to the real emotions that are brought about by warfare; “dates and locations of battles cannot even begin to reproduce the essence of combat” (“Naturalism”). Due to his yearning to learn more and provide a realistic representation of war, Crane researched many aspects of the battlefield and often referred to scenes he wrote about as “skirmishes on the football field” (“Biography of Stephen Crane”). Ultimately, Crane “saw the opportunity to craft the first novel that explored warfare from the point of view of the psyche” and he “attempt[ed] to show that humans were not designed to commit such atrocities on each other”
Stephen Crane's purpose in writing The Red Badge of Courage was to dictate the pressures faced by the prototypical American soldier in the Civil War. His intent was accomplished by making known the horrors and atrocities seen by Unionist Henry Fleming during the Battle of Chancellorsville, and the conflicts within himself.
A newly enlisted rookie by the name of Henry Fleming battles his own wits as well as the attacking Confederate army in the fictional novel, The Red Badge of Courage by Stephen Crane. Tormented by doubts of his own bravery, his fears come true, and he flees from battle. He runs from the scene only to be taken away to a day of weariness and struggles whilst making it back to camp. As the story progresses, he learns from his mistakes, grows out of his fears, and later turns out to be one of the bravest soldiers of all. In The Red Badge of Courage, by Stephen Crane, Henry Fleming is determined, curious, and brave although first fearful.
The Red Badge of Courage is not a war novel. It is a novel about life. This novel illustrates the trials and tribulations of everyday life. Stephen Crane uses the war as a comparison to everyday life. He is semi-saying that life is like a war. It is a struggle of warriors—the every day people—against the odds. In these battles of everyday life, people can change. In The Red Badge of Courage, the main character, Henry Fleming, undergoes a character change that shows how people must overcome their fears and the invisible barriers that hold them back from being the best people—warriors, in the sense that life is war—they can be. Henry has a character change that represents how all humans have general sense of fear of the unknown that must be overcome.
The world of Stephen Crane's fiction is a cruel, lonely place. Man's environment shows no sympathy or concern for man; in the midst of a battle in The Red Badge of Courage "Nature had gone tranquilly on with her golden process in the midst of so much devilment" (89). Crane frequently anthropomorphizes the natural world and turns it into an agent actively working against the survival of man. From the beginning of "The Open Boat" the waves are seen as "wrongfully and barbarously abrupt and tall" (225) as if the waves themselves had murderous intent. During battle in The Red Badge of Courage the trees of the forest stretched out before Henry and "forbade him to pass. After its previous hostility this new resistance of the forest filled him with a fine bitterness" (104). More omnipresent than the mortal sense of opposition to nature, however, is the mortal sense of opposition to other men. Crane portrays the Darwinian struggle of men as forcing one man against another, not only for the preservation of one's life, but also the preservation of one's sense of self-worth. Henry finds hope for escape from this condition in the traditional notion that "man becomes another thing in a battle"‹more selfless and connected to his comrades (73). But the few moments in Crane's stories where individuals rise above self-preservation are not the typically heroicized moments of battle. Crane revises the sense of the heroic by allowing selfishness to persist through battle. Only when his characters are faced with the absolute helplessness of another human do they rise above themselves. In these grim situations the characters are reminded of their more fundamental opp...
Perkins, Geroge, and Barbara Perkins. The American Tradition in Literature. 12th ed. Vol. 2. New York: McGraw Hill, 2009. Print
Perkins George, Barbara. The American Tradition in Literature, 12th ed. New York: McGraw Hill, 2009. Print
The Red Badge of Courage, by it’s very title, is infested with color imagery and color symbols. While Crane uses color to describe, he also allows it to stand for whole concepts. Gray, for example, describes both the literal image of a dead soldier and Henry Fleming’s vision of the sleeping soldiers as corpses and comes to stand for the idea of death. In the same way, red describes both the soldiers’ physical wounds and Henry’s mental vision of battle. In the process, it gains a symbolic meaning which Crane will put an icon like the ‘red badge of courage’. Stephen Crane uses color in his descriptions of the physical and the non-physical and allows color to take on meanings ranging from the literal to the figurative.
If it was not for Stephen Crane and his visionary work than American Realism would not have taken hold of the United States during the eighteen hundreds. During the years following the Civil War America was a melting pot of many different writing styles. Many scholars argue that at this time there was still no definite American author or technique. Up to this point authors in the Americas simply copied techniques that were popular in regions of Europe. Stephen Crane came onto the scene with a very different approach to many of his contemporaries. He was a realist, and being such he described actions in a true, unadorned way that portrayed situations in the manner that they actually occurred (Kaplan). He had numerous admired pieces but his most famous work was the Red Badge of Courage (Bentley 103). In this novel he illustrates the accounts of a Union soldier named Henry Fleming. At first the writing was considered too graphic and many people did not buy the book. Eventually the American people changed their opinions and began to gravitate towards Crane’s work. The readers were fascinated by the realistic environment he creates even though he himself had never fought in a war (Bentley 103). By spreading the influence of realistic writing Crane has come to be known as the first American Realist.