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the importance of Stanislavski method
the importance of Stanislavski method
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Stanlislovski's System: Concepts on Acting
The Elements of Style, as described by Sonia More in her simplified view of the Stanlislavski System, are clear rudimentary concepts designed to help actors achieve a profound and truthful portrayal of their character on the stage through personal connection with their character. These concepts are designed as tools for the actor so that he may connect to a character or situation on the stage that he otherwise would not be able to connect with.
As Sonia Moore put it, Stanlislovski knew that an actor's mind, will, and emotions must participate in the creation of a live human being on the stage.
He also understood that it is impossible for people to turn their thoughts and emotions on and off as if by a switch. He also knew that no actor coming on stage without any reason for experiencing emotions would be unable to do so without some connection, or bridge, to the personal and emotional response of their character. So Stanlislovski designed tool for the actor to use to help him connect with the emotional and physical world of his character.
Such concepts as The Magic If is a clear example of a tool an actor could use to connect himself the life of the character. The Magic If, simply guides the actor to ask the simple question: "What would I do if I were in my character position?" By asking this question of himself the actor can personalize the given circumstances of the character. The situation of the character becomes more personal, and the stakes much higher, because the actor has divulged some particular issues of himself into the character. Due to these particularities the actor will work out the given circumstance of the character in a much more truthful manner. Even in acting the old saying goes: "You cannot really know someone until you walk a mile in their shoes." This concept of The
Magic If also plays a big part in another Element of Action -Imagination.
Imagination is another tool that allows the actor to build a substantial relationship with his character by creating the very universe in which his character resides. Through this artistic imagination the actor can create the past, present, and future of the character. The actor, in essence, could play
God wherein the character is concerned apart from given circumstances or the circumstances that exist within the play. This artistic imagination is being used to give thoughts and feeling to the character being portrayed by simply infusing honesty and truthfulness into the actor's performance.
There are other Element's of Actions that guide the actor to form
has a knack for being able to portray an erratic man who in one instant is
Emotion is power. Being emotional can sometimes be paralyzing. We have seen how different characters make decisions, what they are based on, and if they sometimes falter off that path.
The use of camera positioning helps to convey the superior relationship between characters. This occurs during
plot on and pick up the pace of the novel. They are used as a means of
... help create the characters personalities and by doing this aid in the production of the themes.
The Most Useful Aspects of Stanisalvski's System Stanislavski was a Russian theatre practitioner who disliked the melodramatic style of acting that was popular at that time in Russia. Stanislavski embarked on a quest for truth in his art and devoted his life to that journey. Stanislavski method required actors to experience the feeling of living the life of another human. The basis was that actors must believe everything that is happening on stage.
“How am I supposed to portray something that is the complete opposite of me?” My voice had risen to the volume associated with anger, but I was more frustrated than angry. I squinted into the bright lights, set just below the stage. I could just make out my theater Director sitting in a chair with his arms crossed over his scrawny chest.
A person does not know a someone until they walk in his or her shoes. In the book To Kill a Mockingbird this is a major theme. A mean and grouchy teacher named Miss. Caroline in a new teacher at Scouts school. The first day when scout walked into class she was hoping for a good day, but then her teacher ruined it. Scout was thrilled to show everyone her reading skills and Miss. Caroline said that she no longer could read at home or have her dad teach her how. The teacher then patted Scout on the hand with a ruler and had her stand in the corner. This made Scout devastated because she loved to read. Later in the book Miss. Caroline had offered a boy name Walter Cunningham some money to by a lunch. He kindly declined the money and Scout told
to help the reader visualize what life must have been like for the characters. In
makes the paly thrilling to read. It keeps the reader hooked to the play and the
... also allows for deeper plot development with the characters back stories and ties two seemingly unrelated events into one flowing story removing the need to use in medias res. The shared point of view is extreamly important in connecting the story with the theme and allows for the reader to pick up on the foreshadowing and irony present throughout the story.
Once our cast had established, who was saying which lines, we then felt that we had the beginning foundation to our character. However, we were still not any closer to creating individual characters, with their own personalities. A way in which our cast approached this task was deciding an appropriate practition...
The way in which a film is written can potentially evoke specific emotional reactions, if done correctly. An example of writing is the fact the film, “Mary Poppins,” is a literary adaptation from the P.L. Travers book series, The Adventures of Mary Poppins. Walt Disney gained the rights to make a Mary Poppins film from P.L. Travers after many years of trying to negotiate with the author of the book series. Another example of a writing choice is the scene where the character of Bert directly speaks to the audience members. In this scene, Bert is taking on the narrator in the first person. Bert is informing the audience members of the who, what, when, and where’s of the film in order for the audience to have knowledge of the story and narrative.
As said by Thornton Wilder, “I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with one another the sense of what it is to be a human being,” the theatre is one of the greatest art forms. An audience collectively gathers to watch and enjoy the show of their choice, taking in the storyline, characters, and emotions portrayed by actors. Such an experience can often be described as a whirlwind of different emotions and connections, but the storm stifles to dead air once interrupted. The world of theatre is a beautiful place; however, it is easily disrupted by nuisances backstage, onstage, and in the house.
The survival of theatre lies in the very nature of humankind: its inner voyeuristic drive. The desire to watch other people dealing with their conflicts and fates challenges as well as reinforces values and the morality of society. The theatre provides an exciting opportunity to watch stories and situations as if they were real life, showing us the truth of our nature.