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Essays by stanley kowalski on streetcar named desire
Literary analysis on a streetcar named desire
Literary analysis on a streetcar named desire
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The Character of Stanley in A Streetcar Named Desire
A Streetcar Named Desire, by Tennessee Williams, is a classical play about Blanche Dubois’s visit to Elysian Fields and her encounters with her sister’s barbaric husband, Stanley Kowalski. Stanley Kowalski is a very brutal person who always has to feel that he is better than everyone else. His brutish actions during the play leave the readers with a bad taste in their mouths. Stanley Kowalski’s brutality is clearly exemplified in several places during the course of the play: first, with the radio episode on poker night; next, when he beats his wife, Stella, and lastly, when he rapes Blanche.
Stanley Kowalski’s first exhibition of his brutal actions occurs on poker night. Blanche turns on the radio, but Stanley demands that she turn it off. Blanche refuses and so Stanley gets up and turns it off himself. When Stanley’s friend, Mitch, drops out of the game to talk to Blanche, Stanley gets upset and he even gets more upset when Blanche flicks on the radio. In Scene Three, “Stanley stalks fiercely through the...
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
Blanche duBois is one of the main characters in Tennessee Williams’ drama “A Streetcar Named Desire” for which he won a Pulitzer Prize in 1955. Blanche is a very complex character in this play because she has many different and opposing personality traits. Blanche has lost everything she has ever known. Her true love, parents and property are all gone. On top of that, and very important to her, her looks are fading. All she has left is her sister. She is best described as snobbish, flirtatious and manipulative. Although these appear to be her primary traits, it becomes obvious as the plot unfolds that these are a cover-up of her true self, a very insecure person. Ultimately, Blanche’s snobbery, sexually promiscuity and manipulative dealings with other characters reveal an ironic cover up due to her overpowering pride and desire to be someone that she is not.
During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings as well.
The two important female characters in the "poetic tragedy"(Adler 12), A Streetcar Named Desire, are Stella and Blanche. The most obvious comparison between Stella and Blanche is that they are sisters, but this blood relationship suggests other similarities between the two women. They are both part of the final generation of a once aristocratic but now moribund family. Both manifest a great deal of culture and sensitivity, and because of this, both seem out of place in Elysian Fields. "Beauty is shipwrecked on the rock of the world's vulgarity" (Miller 45). Blanche, of course, is much more of an anachronism than Stella, who has for the most part adapted to the environment of Stanley Kowalski. Finally, both Stella and Blanche are or have been married. It is in their respective marriages that we can begin to trace the profound differences between these two sisters.
The character Stanley represents the theme of reality. Stanley Kowalski is the simple blue-collar husband of Stella. His actions, reactions, and words show reality in its harshest most purist form. His actions are similar to a primitive human. For example he doesn’t close the door when he uses the restroom. This rudeness represents the harsh reality that Blanche refuses to accept. Moreover, when he was drunk he hit Stella. This attack on Blanches sister could be a symbolic “wake up” slap to the face of Blanche.
Tennessee Williams gives insight into three ordinary lives in his play, “A Streetcar Named Desire” which is set in the mid-1930’s in New Orleans. The main characters in the play are Blanche, Stanley, and Stella. All three of these characters suffer from personalities that differentiate each of them to great extremes. Because of these dramatic contrarieties in attitudes, there are mounting conflicts between the characters throughout the play. The principal conflict lies between Blanche and Stanley, due to their conflicting ideals of happiness and the way things “ought to be”.
Tennessee Williams’ A Streetcar Named Desire is a play wrought with intertwining conflicts between characters. A drama written in eleven scenes, the play takes place in New Orleans over a nine-month period. The atmosphere is noisy, with pianos playing in the distance from bars in town. It is a crowded area of the city, causing close relations with neighbors, and the whole town knowing your business. Their section of the split house consists of two rooms, a bathroom, and a porch. This small house is not fit for three people. The main characters of the story are Stella and Stanley Kowalski, the home owners, Blanche DuBois, Stella’s sister, Harold Mitchell (Mitch), Stanley’s friend, and Eunice and Steve Hubbell, the couple that lives upstairs. Blanche is the protagonist in the story because all of the conflicts involve her. She struggles with Stanley’s ideals and with shielding her past.
In Tennessee Williams play "A Streetcar Named Desire" two of the main characters Stanley and Blanche persistently oppose each other, their differences eventually spiral into Stanley's rape of Stella.
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At the end of A Streetcar Named Desire, Stella ‘sobs with inhuman abandon’ and Stanley kneels beside her, unsure what to do. Stella feels incredibly guilty for letting her sister, Blanche, be taken to the mental hospital, she feels as though its her duty, as her sister, to look after her. However this is impossible because Stanley raped her and Stella refuse to believe it, so, she does nothing and the play ends with Stanley's fingers finding ‘the opening of her blouse’. ………………..other reading…………….
In scene three Stanley is having his poker party (pg. 57). At this point he is very drunk. Blanche distracting Stanley by listening to the radio instigates him to grab it off the table and toss it out the window. Stella in a state of panic tells everyone to go home which angers Stanley so he chases after her and hits her. This type of behavior is not normal of any human being involved in any relationship. Stanley repeatedly gets what he wants by use of any means possible. In addition the person whoever threatens the existence of his poker game receives a beating, in this case his wife. This scene demonstrates Stanley’s viscous animal like traits with such violence. If what happened here was repeated in today’s society he would find himself in a jail cell with a pending divorce.
In the play, A Streetcar Named Desire by Tennessee Williams, a main theme was domestic violence and how women were not respected before the 1970’s. Beating your wife was considered “family matters” and many people ignored this huge issue. Women were supposed to take care of the situation by themselves or ignore it. Ruby Cohn argues that Stanley is the “protector of the family” and that his cruelest gesture in the play is “to tear the paper lantern off the light bulb” (Bloom 15). Even though critics tend to ignore the ongoing domestic violence occurring in the play, it is a huge issue that even the characters in the play choose to ignore. This issue does not surface because of the arrival of Blanche and her lunacy. While the audience concentrates on Blanche’s crumbling sanity, it virtually ignores Stanley's violence.
A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother-in-law, Stanley Kowalski. Various moral and ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true to yourself and Don’t judge a book by its cover.
A Streetcar Named Desire is a play of multifaceted themes and diverse characters with the main antagonists of the play, Blanche and Stanley infused by their polarized attitudes towards reality and society ‘structured on the basis of the oppositions past/present and paradise lost/present chaos’(*1). The effect of these conflicting views is the mental deterioration of Blanche’s cerebral health that, it has been said; Stanley an insensitive brute destroyed Blanche with cruel relish and is the architect of her tragic end. However, due to various events in the play this statement is open to question, for instance, the word ‘insensitive’ is debatable, ‘insensitive’ can be defined as not thinking of other people’s feelings but Stanley is aware of what he’s doing understanding the mental impairment he causes Blanche.
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