Nien Cheng is the author of the autobiography, Life and Death in Shanghai. This book takes place in Shanghai, China, starting around the first few days into the Cultural Revolution. Nien Cheng was a widow in her 50's working as a senior partner for Shell in Shanghai. In late 1966, Nien Cheng was arrested and her house lay looted and vandalized. She was sent to the No.1 Detention House, where staying for six and one-half years, she was punished and pressured for a false confession that she was a spy for the imperialists. She consistently to confess refused and as a result, was tortured many times. She had a daughter named Mei Ping who, refusing to criticize about her mother, was murdered by the Red Guards. Nien Cheng was released in 1973 and was relocated to a house that had 2 bedrooms. (Which she had to live in with another family who spied on her) She stayed in China until 1980, and when she applied for a visa to the United States. She was accepted and she emigrated to Canada and very soon, Washington D.C.
When Nien Cheng was transferred to the No. 1 detention house, she went through a big change in her way of living. Before going to the prison, she and her daughter, Mei Ping, had a lifestyle in which only a few dozen out of 10 million back in that time could enjoy. They had a three-story house filled with all sorts of antique furniture, books, and works of art. There was a piano, much entertainment, and three servants. In the prison, however, it was a single-celled room, very old and dirty. All that was in the room was a dirty toilet, a hard bed, a dusty window, and a tightly bolted door. Even with her efforts to clean the room, the room gave off an aura of depression and loneliness. The only companion she ever had during her six and one-half years was a pea-sized spider living on the rusty bars of the cell. As a result of these years, she became more conservative to what she uses, and even when she lived a good life in Washington D.C. many years later, she never bought more than what she would need or use.
Before being sent to the No. 1 Detention House, Nien Cheng was a woman who didn't really care about the Cultural Revolution or people she didn't know.
Hung Liu was born in Changchun, China in 1948 and grew up during the Chinese Cultural Revolution, when she was sent to the countryside to be “Re-educated” by the Maoist regime. She immigrated to the US in 1984 to
Jonathan D. Spence weaves together fact and fiction in his book The Death of Woman Wang. Approaching history through the eyes of those who lived it, he tells a story of those affected by history rather than solely recounting the historical events themselves. By incorporating factual evidence, contextualizing the scene, and introducing individual accounts, he chronicles events and experiences in a person’s life rather than episodes in history. Spence pulls together the narrative from a factual local history of T’an-ch’eng by scholar Fenge K’o-ts’an, the memoir of magistrate Huang Liu-hung, and fictional stories by writer P’u Sung-ling. The book closely resembles an historical fiction while still maintaining the integrity of an historical reconstruction.
Ah Xian born in Beijing in 1960 left china following the Tiananmen Square incident in 1989, also known as tank man incident, and moved to Sydney Australia. Having moved from his native country, Ah Xian wanted his work to represent that “cultural identity is permanent and no matter what other places and influences one
In Ji-Li Jiang’s Red Scarf Girl, the story is set in Shanghai, China. In 1966, Ji-Li Jiang is a happy little girl of twelve years. She looks forward to a future working for Chairman Mao's New China and his Communist Party. However, her happy life is suddenly interrupted by the horrors of the Cultural Revolution, a movement led by Chairman Mao, to remove all parts of capitalism in Chinese society. Her family becomes the target of government persecution, since her parents and grandparents are labeled as ''Black'', which means that they are opposed to the (Red) Communist Party. Ji-Li and her family become outcasts of society as they live in fear of arrest. Ji-Li realizes that the Communist Party and Chairman Mao prevented China from improving
Ultimately, The Death of Woman Wang, by Jonathan Spence is a timeless, educational, historical novel. Spence purpose to enlighten the reader of the Chinese culture, tradition and its land were met through the use of sources, like the Local History of T'an-ch'eng, the scholar-official Huang Liu-hung's handbook and stories of the writer P'u Sung-Ling. The intriguing structure of The Death of Woman Wang will captivate any reader's attention.
The Cultural Revolution in China was led by Mao Zedong, due to this Liang and many others faced overwhelming obstacles in many aspects of their life such as work, family and everyday encounters, if affected everyone’s families life and education, Liang lets us experience his everyday struggles during this era, where the government determined almost every aspect of life. The beginning of the book starts out with Liang’s typical life, which seems normal, he has a family which consists of three children, two older sisters and him the youngest, his two sister’s reside in Changsha 1. his father has an everyday occupation working as a journalist at a local newspaper. Things start to take a turn early in life for Liang Heng, his family politics were always questioned, the mistake made by one of his family members would impact his entire family and it would be something they would have to suffer through, it was impossible for them to live down such a sin.... ...
The setting of this story is described as an old nursery that is located on the top floor of an old isolated mansion that is several miles off of the main road. The narrator’s treatment is “prescribed” by her husband, John, who orders her to stay in bed and separate herself from the outside world in a bedroom that previously had several different identities. “It was a nursery first, and then a playroom and gymnasium, I should judge, for all the windows are barred for little children, and there are rings and things in the wall”(730). The feeling the room creates around her slowly begins to alter her mindset. The barred windows create the sense of being trapped within the walls around her which slowly starts to transform the room into the identity of not just any prison, but the narrator’s prison.
There is no better way to learn about China's communist revolution than to live it through the eyes of an innocent child whose experiences were based on the author's first-hand experience. Readers learn how every aspect of an individual's life was changed, mostly for the worst during this time. You will also learn why and how Chairman Mao launched the revolution initially, to maintain the communist system he worked hard to create in the 1950's. As the story of Ling unfolded, I realized how it boiled down to people's struggle for existence and survival during Mao's reign, and how lucky we are to have freedom and justice in the United States; values no one should ever take for
“She grieved over the shabbiness of her apartment, the dinginess of the walls, the worn-out appearance of the chairs, the ugliness of the draperies. All these things, which another woman of her class would not even have noticed, gnawed at her and made her furious.”
This article is a good example of how life would be like for a foreigner in a different country. Because the author talks about the Chinese culture, living space and funeral. The author uses a humorous tone to talk about her living in China. This story has great balance between humor and emotions. “The Old Man Isn’t There Anymore”, by Kellie Schmitt tells a beautiful tale of her experience of life in China.
We have all heard the African proverb that says, “It takes a village to raise a child.” The response given by Emma Donoghue’s novel Room, simply states, “If you’ve got a village. But if you don’t, then maybe it just takes two people” (Donoghue 234). For Jack, Room is where he was born and has been raised for the past five years; it is his home and his world. Jack’s “Ma” on the other hand knows that Room is not a home, in fact, it is a prison.
Long story short, let me be honest and say that the longer essay stapled to the back of this one is the one I wrote first, because I read the instructions wrong. I thought I would attach that paper also and turn it in, since I took the time to write it, and finished it before realizing it was not what you were looking for. It does, however, relate to this paper, because in this paper I will (indirectly) give the reasons why I wanted to write that paper in the first place.
left China in 1944. Her mother was married to another man at the time and had two twin
“Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strengths to establish realities”(5). In the book “The Woman Warrior,” Maxine Kingston is most interested in finding out about Chinese culture and history and relating them to her emerging American sense of self. One of the main ways she does so is listening to her mother’s talk-stories about the family’s Chinese past and applying them to her life.
Cheng, Nien. Life and Death in Shanghai. New York, New York: The Penguin Group, 1986.