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Analysis of spirited away
Spirited away film analysis
Spirited away film analysis
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1. Spirited Away Spirited Away was a global hit and the first anime to win the Best Animated Feature Award at the Academy Awards. As a result, it must have universal themes that people from around the world can relate to. One of the major universal themes within Spirited Away is that it is a coming-of-age story focusing on a young girl becoming her own brave and independent person. Chihiro starts the film as a nervous and slightly annoying young girl who is told what to do by everyone and lacks confidence in her actions. However, after her parents are turned into pigs and she is employed at the bathhouse, she must take the initiative to save herself and the people that she cares about. Throughout the movie, she grows into a person who takes risks and saves her family and Haku, something that would have been unimaginable at the beginning of the film. The coming-of-age theme is popular across all cultures, such as the British Harry Potter series and the recent Disney hit, Moana, and is something all can relate to because everyone must grow up. …show more content…
In Shinto, it is believed that all things have a spirit, or kami. Everything in nature, such as rivers, trees, and rocks, all have spirits that should be respected and can be worshipped at shrines. In the film, Chihiro meets Haku, a river spirit, and a radish spirit in the bathhouse, which demonstrates the variety of spirits that exist in Shinto. Bathhouses also have a long history unique to Japan, where they have been known as staples in communities because people can come to interact and relax together. Public bathhouses are not popular in the United States, but can still be found in Japan
Moana, produced by The Walt Disney Animation Studios in 2016, inserts the watchers into the life of a teenage Polynesian girl, who goes on an adventure to save her island from an inescapable death. She does this by returning the heart to Te Fiti, the mother Island, that provides life to the other islands. She goes on this adventure with Maui, a shapeshifter and demigod of the wind and sea. Maui stole the heart of Te Fiti to try and give humans the power to create life itself, but it caused darkness to spread from island to island. Maui, is traumatized by the life events of his past, and continues to show symptoms of Antisocial Personality Disorder throughout the film. The psychodynamic, behavioral, biological, and cognitive all provide reason as to why he is diagnosed with this disorder, and will provide the necessary forms of treatment. .
Chihiro’s character may not be a likely hero, but she is a hero none the less. Spirited Away as a good example of Joseph Campbell’s hero journey model. She is transported to a new world where she is challenged and tested. In her journey she helps heal a river spirit, saves the bathhouse from No Face, and saves Haku’s life. In the end she saves her parents and returns them to their ordinary lives. She learns to be strong and brave. For all of her faults Chihiro grows as a person and finds that she is more capable and more powerful than she ever could have imagined. She mirrors that fear and doubt in all of us and shows us that even the most fearful person can rise to the occasion and be a hero.
Mythology and folk tales have a longstanding history of representing a culture’s values and traditions. As the world advances often times these stories are lost in the next generations but efforts are being made to combat that, often times bringing key elements into visual media. Two such films to do so are Spirited Away (2001) and Song of the Sea (2014). Although separated by over ten years and from two different countries both have remarkable similarities not only because of the emphasis on native folklore but also in the characters and the message they deliver.
Disney shows and shows similar to such have taught us from a young age the concept of “happily ever after". This is a fairy-tale of absolute happiness. It is a state of feeling good all the time. In fairy tales, this feeling is usually found in fulfilling marriages, royal castles, singing birds and laughing children. In real life sometimes finding that happiness isn’t as easy as a fairy tale makes it look like. Research suggests that if you focus too much on trying to feel good all the time, you’ll actually undermine your ability to ever feel good because no amount of feeling good will be satisfying to you, that is when you become a perfectionist. If feeling good all the time were the only requirement for happiness, then a person who uses cocaine every day would be extremely happy receiving the same euphoria or natural happiness. Natural happiness is what we get when we get what we wanted, and synthetic happiness is what we make when we
Washington Irving’s short story, “The Legend of Sleepy Hollow,” was adapted into a movie titled “Sleepy Hollow” directed by Tim Burton nearly two centuries after the original publication. When the story was adapted as a film, several extensive changes were made. A short story easily read in one sitting was turned into a nearly two-hour thriller, mystery, and horror movie by incorporating new details and modifying the original version of the story. The short story relates the failed courtship of Katrina Van Tassel by Ichabod Crane. His courtship is cut short by the classic romance antagonist-the bigger, stronger, and better looking Broom Bones. Ichabod wishes to marry Katrina because of her beauty but also because of the wealthy inheritance she will receive when her father, Baltus Van Tassel and stepmother, Lady Van Tassel die. However, the film tells the story of Ichabod Crane as an investigator who is sent to Sleepy Hollow to investigate the recent decapitations that are occurring. These modifications alter the original story entirely, thus failing to capture the Irving’s true interpretation of “The Legend of Sleepy Hollow.” The film and the original story have similarities and differences in the plot, characters, and setting.
In an experiment done at the University of Texas, babies pay more attention to attractive faces than unattractive faces (Newman 3). Even six-month-old babies, who have no understanding of ethical and social values, can judge appearances. Within society, beauty is a powerful force that can be used to oppress and discriminate against different groups. The “flower and willow world” of the geishas is a community that depends upon the recognition of beauty and artistic skill (Wieder 1). Geishas are female entertainers, who are highly respected and revered as “living treasures” of Japanese culture (Akita 3). Despite the differences in regions and times, all cultures value women for their beauty; thus, the role of women evolves to accommodate the changing demands that exist in the geisha community of Arthur Golden’s Memoirs of a Geisha, the ancient Chinese traditions of foot binding, and the modern workplace.
Disney has made it his life 's goal to create home entertainment for both young and old. From the creation of Mickey to his work in films, Disney had made it clear that happiness is something that everyone should have. Disney had also know that animations is not just for the imagination of the children. Early movies such as Snow White and Pinocchio have clear messages for the younger views. “In Snow White- the main characters are victims of injustice who are eventually restored to their rightful place. In Pinocchio, the characters Pinocchio, Jiminy Cricket and Geppetto are faced with dilemmas, and their own actions result in them becoming victims of ev...
The film Sen to Chihiro no Kamikakushi is a Japanese animated film. It was written and directed by Hayao Miyazaki and produced by Studio Ghibli in 2001. Sen to Chihiro no Kamikakushi is a fantasy film that addresses several themes and carries various messages. It is full of Shinto beliefs and symbolisms. Shinto elements can be found throughout the film, from character design to simple acts such as crossing a tunnel/bridge to reach another realm and eating that realm’s food in order to stay in it. This paper will focus on some of the themes presented in the film as well as some of its main characters.
kill the enemy and be a hero), but he didn't know the reality of it
I have always had an interest in drawing and animation for as long as I can remember. Like every other child growing up, I loved to draw and I was obsessed with cartoons and watched them everyday. In fact, I still do. I have such an infatuation with animation because I admire the hard work and dedication that goes into making a project that is visually appealing and has a story that people in the world can relate. I want to create characters people can connect and identify with because that is what I did as a child, and those characters are very special to me. I want to create a story with a purpose that many people can learn from and watch over again.
Spirited Away, titled Sen to Chihiro no Kamikakushi in Japan, follows a young girl named Chihiro on an adventurous, yet threatening journey into a magical realm after her parents are turned into pigs. She forms relationships with people that will help her find her way back home such as Haku, Zeniba, and Mr. Kamaji. She also encounters those like Yubaba who try to make her time in the realm of spirits difficult. Spirited Away quickly became Japan’s highest grossing film of all time. It received many great reviews in every aspect of filmmaking. It won several awards, including A Golden Bear in 2002 at the Berlin International Film Festival, and an Academy Award in 2003 for Best Animated Film. Hayao Miyazaki, the film’s writer and director, strongly encourages Japanese culture and its survival. He believes that “surrounded by high technology and its flimsy devices, children are more and more losing their roots”(Reider). Hayao Miyazaki’s aim is to present not only an animated motion picture, but a work of art. He does so by using certain animation and film techniques, applying Japanese culture, and creating in depth characters, all of which highlight key symbols in the film.
Visit and experience the truly Japanese phenomenon of an amusement park centered on bathing. There are two types of baths which are divided by gender-indoor and outdoor baths. Outdoor baths are referred as rotemburo and its water- known as onsen- is pumped from below the Tokyo bay. The iwashioyoku (hot-stone bath) and tsunaburo (hot-sand bath) cost extra, as do massages, and require
Hayao Miyazaki’s Princess Mononoke is a development of Japanese animation that can be seen as a romantic fable of two characters that were brought together through one cause; however, Miyazaki’s film can be seen as a Japanese cultural production. It is seen as a cultural production because it shows elements of Shinto through the Kami and the use of water for purification, as well as the female stereotype reversal that was quite dominant in the time of the Heian period. The characters in Princess Mononoke interact with the kami (gods or spirits) when they are in sacred sites or areas that assist in the contact. In Princess Mononoke, the mountain is the place where the characters make contact with the kami, which is their Shinto shrine because “originally there was no shrine building; rather, a shrine was simply a sacred precinct set apart in a certain area or around a sacred object such as a tree or stone” (Earhart, 1982, 34-35).
The movie Inside Out (USA): Pixar Studios is a beautiful movie for all ages that is worth watching because it has valuable lessons on the struggles of growing up and dealing with different rapidly changing emotions. The movie starts with the main character named Riley being born with her first emotion: Joy, then later Fear, Anger, Disgust and Sadness show up. All five, work together in what is called, “Headquarters”, the control center inside Riley’s mind. Pixar and Disney did a wonderful job, they made our emotions into a person that drive us, like in our own self. This is an extraordinary movie for various reasons.
“The Dream of the Rood” is a Christian dream poem written by an unknown author around the 8th century. In the dream, the cross, or rood on which Christ died, visits the poet. It tells its story of the crucifixion of Christ from its point of view. The effect of making the cross a character with its own voice in the “Dream of the Rood,” allows the author to express the cross’s heroism throughout the poem. In the biblical story of the crucifixion, Jesus is the sole protagonist and savior who died for the sins of others. Making the cross a character allows it to be the protagonist of the story, as well as the hero, alongside Jesus. Simultaneously, the poem’s style and composition suggests it is a tribute to Jesus.