The contributions and achievements of Indigenous role models continue to make substantial impacts upon our history in areas such as the arts, sport, education, science and more increasingly; the world of Politics. Modern Australia is recognising and celebrating the achievements of Aboriginal people more than ever before, where the social landscape is changing (albeit slowly) as a result. The gradual change of peoples ingrained preconceptions, unfounded ideas and prejudiced notions are being challenged and ultimately transformed.
Australia has the terrible condition of having an essentially pointless and prefabricated idea of “Aussiness” that really has no relation to our real culture or the way in which we really see ourselves. We, however subscribe to these stereotypes when trying to find some expression of our Australian identity. The feature film, The Castle, deals with issues about Australian identity in the 1990’s. The film uses techniques like camera shots, language and the use of narration to develop conflict between a decent, old fashioned suburban family, the Kerrigans and an unscrupulous corporation called Airlink. Feature films like The Castle are cultural products because they use attitudes, values and stereotypes about what it means to be Australian.
Ever since the 1970s, Australia has become a multicultural nation. Australia’s multiculturalism is a way to explain the variety of ethnic backgrounds within the Australian people. “It implies that there are many ways of being Australian, not just one ‘Australian way of life’” (Carter 333). Multiculturalism has majorly changed the way that people view Australian history and identity.
Samuel Wagan Watson presents an Aboriginal perspective on Australian identity, exploring the marginalization of Aboriginal culture. Watson associates
...at these several events in our nation’s history have demoralised our reputation to other countries globally. To make us known as a better country to other nations, we’ve completely abolished the White Australia Policy, gave back the aborigines their freedoms and we were also the first country in the world to give women rights. Australia today in present day is now one of the most multicultural societies on Earth, and we definitely follow our values of mateship, acceptance and freedom.
stage for the development of Australian cultural identity and the values, attitudes and beliefs of
The 2014 Walkley Award winning documentary, "Cronulla Riots: the day that shocked the nation" reveals to us a whole new side of Aussie culture. No more she’ll be right, no more fair go and sadly no more fair dinkum. The doco proved to all of us (or is it just me?) that the Australian identity isn’t really what we believe it to be. After viewing this documentary
Hannie Rayson’s play ‘Hotel Sorrento’ explores the changing nature of Australian cultural identity. Rayson successfully perpetuates and challenges common Australian stereotypes in order to establish how the Australian National Identity has changed over time. She presents these stereotypes through the characters expectations of gender roles, attitudes towards Australian culture and the theme of ownership.
Maestro by Peter Goldsworthy provides an insight into 1960s/70s Australia and helps reinforce common conceptions about Australian culture. One common conception Goldsworthy reinforces in this text is Australia’s increasing acceptance of multiculturalism. Maestro, set in the 1960s to 1970s, shows Australians growing more accepting and tolerant of other cultures. This shift in perspective was occurring near the end of the White Australia/Assimilation Policy, which was phased out in the late 1970s/early 1980s. An example of this shifted perspective in Maestro is Paul’s father’s opinion about living in Darwin:
Australia is a very unique place, along with our multiculturalism there is also a strong heritage surrounding us. At first thought of Australian heritage we think about such landmarks as Uluru, The Sydney harbour bridge and The Sydney opera house, The Great Barrier reef and other internationally recognised places. But our heritage goes much deeper than that; it is far more than outstanding icons. Along with these icons there are also unsung places like the old cattle stations, Aboriginal missions, migrant hostels, War memorials, our unique wetlands and the towns and cities we have built. Adding all of these things together, helps to tell the story of who we are and how we have shaped this land in the unique identity it has today.
Reynolds, H. (2005). Nowhere People: How international race thinking shaped Australia’s identity. Australia: Penguin Group
Through numerous poetic techniques Paterson has shown that the Australian diversity is as diverse as the country itself. The Australian identity concerns the way Australia is viewed by other people. There are a variety of different aspects that contribute to this identity of Australia which include historical icons. Paterson recognizes how lucky we are to live on a land notorious for its diverse landscape. He is signaling that we are missing out and we need to cherish the great land we were given.
The book "The Australian Legend", written by Russell Ward and published in 1958 speaks mainly of "Australian Identity". It looks at nationalism and what has formed our self-image. There are many aspects that are left overlooked however, as the Authour makes his assumptions. Significant parts of society are neglected consideration, these include those that weren't from the bush, non-British immigrants, the Aboriginal people and women. Also the use of romanticised and exaggerated evidence causes an imbalance in his conclusions.
Peter Weir’s 1981 film Gallipoli can in every sense of the phrase be called an ‘Australian classic’. The impact and effect this film has had upon the psyche and perspective of several generations of Australians has been significant. Whilst it can be argued that every Australian is aware of the ANZAC legend, and the events that occurred on the Turkish beaches in 1915, Weir’s film encapsulates and embodies a cultural myth which is now propagated as fact and embraced as part of the contemporary Australian identity. The film projects a sense of Australian nationalism that grew out of the 1970’s, and focuses on what it ‘means’ to be an Australian in a post-colonial country. In this way Gallipoli embodies a sense of ‘Australian-ness’ through the depiction of mateship and through the stark contrast of Australia to Britain. A sense of the mythic Australia is further projected through the cinematic portrayal of the outback, and the way in which Australia is presented in isolation from the rest of the world. These features combined create not only a sense of nationalism, but also a mythology stemming from the ANZAC legend as depicted within the film.
The film prevails as a reflection of the Australian culture of the 90s in all its crass, gaudy and over-the-top suburban ways. Despite this unique and iconic look at urban Australia and Australian characters, the story highlights universal themes with Hogan saying of the film’s international success, “that was a big lesson to me: if you have the right story there is no such thing as 'too parochial’.” (Lowenstein, 2000) Though the popularity of films portraying a new urban “Australian-ness” in this era influenced films like The Castle (Chocolate & Sitch, 1997) for years to come, this new cultural identity was not embraced by all. There has been significant backlash towards Australian film within Australia, with many finding the ideas of Australia portrayed on screen limited and stereotypical, rather than portraying the full breadth and multi-cultured nature of Australia.