Sophocles' Antigone - Antigone and Creon, the Powerful Protagonists

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The Two Protagonists of Antigone In the classic model of dramatic structure, two characters move the action of the play from introduction to climax to resolution with their conflict. One of these characters is the protagonist; the other is the antagonist. The protagonist is generally regarded as the "good guy," and the antagonist is the "bad guy." In Sophocles' play Antigone, the lines between protagonist and antagonist are blurred. In the Greek tradition, the title character is the protagonist, but in this play, the supposed antagonist Creon also displays characteristics of the protagonist. Webster's Dictionary defines protagonist as "one who takes the leading part in a drama; hence, one who takes lead in some great scene, enterprise, conflict, or the like." At a cursory glance, Antigone seems to best fit this description. Her actions and the following consequences certainly form the plot of the play. She first decides to bury her dead brother in violation of Creon's edict. When soldiers of Thebes unbury the body, she returns to bury it a second time. She is caught in the act and brought before Creon, who sentences her to die. She commits suicide in prison as a final attempt to thwart Creon's plans. ontigone's refusal to leave her brother's body unburied even after she has buried it once reveals her stubborn streak, a common trait among protagonists. The fact that Creon is on his way to release her from jail when her dead body is discovered is yet another example of stubbornness. She will not give in to adversity or strife under any circumstances, which is both admirable and, in the case of Antigone, fatal. Creon is portrayed as a strict leader who believes in adherence to his laws over those of the gods. He is not... ... middle of paper ... ...he plot, and Creon directs the consequences. Antigone has conflict with Creon the antagonist, and Creon has conflict with Antigone the antagonist. Antigone dies a tragic death because of her flaws, and Creon realizes his mistakes and suffers greatly because of his flaws. Both Creon and Antigone are protagonists. They are both main characters who are essential to the plot, and they both maintain the traditional role. Sophocles may not have intended audiences to see both characters as protagonists, but that is the logical conclusion. Now, if one were to ask for the real antagonist to come forward, one would most likely realize that the real antagonists were forward already. Works Cited: Sophocles. Antigone. Trans. Robert Fagles. Literature and the Writing Process. Elizabeth McMahan, Susan X. Day, and Robert Funk. 6th. ed. Upper Saddle River, NJ: Prentice, 2002.
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