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london by william blake critical analysis
london by william blake critical analysis
london by william blake critical analysis
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“William Blake (1757-1827) was an artist, poet, mystic, visionary and radical thinker.” (4) London comes from ‘Songs of innocence and Experience’ written by Blake in the 1790’s. The poem presents an incredibly negative view of London. In Blake’s view, the terrible living conditions are what caused physical, moral, and spiritual decay. The image of “the Chimney-sweepers cry/ Every blackening church appalls” conveys Blake’s attitude towards The Church of England. He doesn’t agree in having money spent on church buildings, while children live in poverty; forced to clean chimneys. Blake perceives this lack of compassion as a mockery of the beliefs of love and care that Christianity is founded on. In the third verse, we encounter the line, “blood down Palace walls”. This is a clear allusion to the French Revolution which took place only a few years before London was written. Blake also sees rapid urbanization as dangerous and unhealthy for humanity.
Nobody is free or happy in the poem; children are no longer free to enjoy their childhood and instead work in dangerous conditions. Charters restrict London’s streets and The River Thames, which leads to the rise of the few and the continual decline of the marginalized.
This essay will take a close reading of London, and examine the aforementioned conflicts that Blake sees in London society:
William Blake was born in London in 1757 and grew up without a formal education. The bible influenced Blake from early on, and it “was a profound influence on Blake, and remained a source of inspiration throughout his life.” (1) his love of the bible was so great, that in many occasions, he claimed to have ‘visions’. These visions manifested in he form of angels, Ezekiel, and even, god himself. ...
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...imism in the future. It states that when woman marry, their husbands will cheat on them with mistresses, and thus the women will die from the diseases their men contracted.
“blights with plague the Marriage hearse.”
In summation, William Blake’s London describes a journey through London, all the while providing an insight into the terrible conditions faced by the city’s poor. To do his, it begins with an attack on Capitalism; the custody of the streets and The Thames River. It then moves to exemplify London’s social enslavement. Blake also critiques he Church and is failure to protect he most vulnerable. Blake also describes the cry of the chimney sweeper and the blackening of the church walls, suggesting that the church neglected hose who needed it most. The poem end with a grim vision of child prostitution and the horrific consequence of sexual diseases.
He so eloquently mentions the ‘mark in every face’ connoting the similarities of those individuals around him, followed by ‘marks of weakness...woe’ portraying the depressing situation the character is surrounded with (the people around him are deeply scarred by the despair). Blake purposely uses imagery to clearly justify the feelings of the civilians around him which mirrors his own dismay, again the cold harsh reality around him. Blake takes the reader on a sensuous journey that describes the dangers of what the plutocracy has created, how it seeps through the people around him. He constantly repeats the term ‘I hear’ to emphasise the repetitiveness that surrounds him and how he is tired of it all. Overall this poem explains the poison that has befallen on him and those around him. Furthermore, this poem portrays his sickness of the streets of London and the sickness of
William Blake, was born in 1757 and died in 1827, created the poems “The Lamb,” “The Tyger,” and Proverbs of Hell. Blake grew up in a poor environment. He studied to become an Engraver and a professional artist. His engraving took part in the Romanticism era. The Romanticism is a movement that developed during the 18th and early 19th century as a reaction against the Restoration and Enlightenment periods focuses on logic and reason. Blake’s poetry would focus on imagination. When Blake created his work, it gained very little attention. Blake’s artistic and poetic vision consists in his creations. Blake was against the Church of England because he thought the doctrines were being misused as a form of social control, it meant the people were taught to be passively obedient and accept oppression, poverty, and inequality. In Blake’s poems “The Lamb,” “The Tyger,” and Proverbs of Hell, he shows that good requires evil in order to exist through imagery animals and man.
In "London", William Blake brings to light a city overrun by poverty and hardship. Blake discards the common, glorifying view of London and replaces it with his idea of truth. London is nothing more but a city strapped by harsh economic times where Royalty and other venues of power have allowed morality and goodness to deteriorate so that suffering and poverty are all that exist. It is with the use of three distinct metaphors; "mind-forg'd manacles", "blackning Church", and "Marriage hearse", that Blake conveys the idea of a city that suffers from physical and psychological imprisonment, social oppression, and an unraveling moral society.
In this poem, Blake is trying to dispel the myth of grandeur and glory associated with London and to show the 'real' people of London and how they felt. London was seen and portrayed as a powerful and wonderful city where the wealthy lived and socialised. However, Blake knew that London was really a dirty, depressing and poverty-stricken city filled with slums and the homeless and chronically sick. To reveal the truth, Blake combines description of people and places with the thoughts and emotions of the people. For example, the second stanza says:"In every cry of every Man,In every Infants cry of fear,In every voice: in every ban,The mind forg'd manacles I hear"Blake combines the descriptions of the crying baby and man with the observation that the people oppress their hopes and dreams, figuratively 'chaining up their minds' because they know that they will never be able to achieve their dreams. Another Example is in the third stanza when Blake describes the crying chimney-sweep and then the "blackning church", but is really saying that the church does not want to dirty its hands by helping the soot-covered [black] chimney sweep. Therefore, a "blackning church" is one that helps the common, dirty people, and Blake says that "every blackning church appalls", showing that the aristocracy and those in positions of power did not want the church that they supported associating with the common people.Throughout the poem, Blake uses fairly simple language, punctuated with the occasional obscure word, but generally the more common words, probably to appeal to the common people who he was supporting through this poem.In writing this poem, Blake is trying to make the reader understand the truth about London and understand about the 'real' people, and he is also encouraging the church, and the aristocracy to help the common people and to support them instead of pushing them away and disregarding them.
Blake had an uncanny ability to use his work to illustrate the unpleasant and often painful realities around him. His poetry consistently embodies an attitude of revolt against the abuse of class and power that appears guided by a unique brand of spirituality. His spiritual beliefs reached outside the boundaries of religious elites loyal to the monarchy. “He was inspired by dissident religious ideas rooted in the thinking of the most radical opponents of the monarchy during the English Civil War “(E. P. Thompson). Concern with war and the blighting effects of the industrial revolution were displayed in much of his work.
The poem "London" by William Blake paints a frightening, dark picture of the eighteenth century London, a picture of war, poverty and pain. Written in the historical context of the English crusade against France in 1793, William Blake cries out with vivid analogies and images against the repressive and hypocritical English society. He accuses the government, the clergy and the crown of failing their mandate to serve people. Blake confronts the reader in an apocalyptic picture with the devastating consequences of diseasing the creative capabilities of a society.
The theme of authority is possibly the most important theme and the most popular theme concerning William Blake’s poetry. Blake explores authority in a variety of different ways particularly through religion, education and God. Blake was profoundly concerned with the concept of social justice. He was also profoundly a religious man. His dissenting background led him to view the power structures and legalism that surrounded religious establishments with distrust. He saw these as unwarranted controls over the freedom of the individual and contrary to the nature of a God of liberty. Figures such as the school master in the ‘schoolboy’, the parents in the ‘chimney sweeper’ poems, the guardians of the poor in the ‘Holy Thursday’, Ona’s father in ‘A Little girl lost’ and the priestly representatives of organised religion in many of the poems, are for Blake the embodiment of evil restriction.
William Blake is a literature genius. Most of his work speaks volume to the readers. Blake’s poem “The Mental Traveller” features a conflict between a male and female that all readers can relate to because of the lessons learned as you read. The poet William Blake isn’t just known for just writing. He was also a well-known painter and a printmaker. Blake is considered a seminal figure in the history of poetry. His poems are from the Romantic age (The end of the 18th Century). He was born in Soho, London, Great Britain. He was the third of seven children. Even though Blake was such an inspiration as a writer he only went to school just enough to read and write. According to Bloom’s critical views on William Blake; one of Blake’s inspirations was the Bible because he believed and belonged to the Moravian Church.
William Blake's poem, "London", is obviously a sorrowful poem. In the first two stanzas, Blake utilizes alliteration and word choice to set the mournful atmosphere. Blake introduces his reader to the narrator as he "wanders" through the "chartered" society. A society in which every person he sees has "marks of weakness, marks of woe." Blake repeatedly uses the word "every" and "cry" in the second stanza to symbolize the depression that hovers over the entire society. The "mind-forged manacles" the narrator hears suggests that he is not mentally stable.
Although written prior to what became know as Marxism, William Blake’s poem London exhibits many of the qualities favored by Marxism. The poem, in its sixteen lines, centers on both the political background and the social background of London. Keeping with Marxist beliefs, it exemplifies the differences between the upper class citizens and the poverty stricken lower class. He also attacks the Church and the Palace for contributing to the plights of those on the lowest spectrum of society. Blake starts his poem with
...ions of his speaker creates and underlying tension in the poem as it appears that he can not decide whether he is chastising the rich member of society for allowing the lives of the lower class to remain in such desolate or if he is sympathizing with the lower class against the elite of London. The two moods of sympathizing and chastising are created through Blake’s use of structure and figurative language; he constructs his speakers words in such a way that there is a clear division made between the elite and the suffering lower class. Blake’s poem is unique on the grounds that it contrasts the typical idea of retelling history. With any historical situation there is always two sides to the story and it is up to the person reproducing it which side will be told; Blake’s London address both point of views and lets the audience decide which side they will agree with.
Percy Shelley is known as one of the greatest romantic poets of his time and is also noted as one of the finest lyric poets in the English language. Shelley’s work “Men of England” talks about the dispute between two classes in England, rich and the poor, and discusses how the working class should bind together to have a revolution. The poem mentions England’s government at the time and how their king, George III, is going insane. This poem will be compared and contrasted with William Blake’s “London” which talks about the disparaging situation that London is facing due to the prior generation’s mistakes made by the government. Some comparisons that will be demonstrated are the talk about the lower class of society in both poems as well as the discouraging tone that both poems present. In contrast, the speakers in the poem are on different subjects such as the speaker in “Men of England” calling for a revolution of the poor nobles and the speaker in “London” making the public realize what shambles the city of London is in.
The ending line of stanza two tells us, “The mind-forg'd manacles I hear”, this is Blake’s way of showing to us that there are no free minds in London. Everyone had been brainwashed by society and they could not think for themselves because of that. In the next stanza Blake describes the corruption of the Church of England by mentioning, “Every black'ning Church apalls” this shows the dirtiness of the buildings and shows us that there is a possibility that he is a strong catholic. This line ties in very well with the line directly above it “How the chimney-sweeper's cry”, both of the lines are discussing how dirty and filthy London is. We could also think of these lines in a different way Blake could be telling us that the priests are corrupt and dirty rather than just physically dirty. In the final line of this stanza, Blake states. “And the hapless soldier's sigh, runs in blood down palace-walls.” This could be considered as another sign of corruption, and that monarchs are to blame for the death in London a...
The poems ‘lines composed on Westminster Bridge’ and ‘London’ are created by William Wordsworth and William Blake respectively. Wordsworth’s work originated in the eighteenth century and he himself lived in the countryside, and rarely visited large cities such as London. This is reflected on his poem, making it personal to his experience in London, however William Blake on the other hand had a vast knowledge of London and was actually a London poet, which allowed him to express his views of London from a Londoner’s point of view. I therefore will be examining comparisons in both poems, as well as their contrasting views of London and the poetic devices used to express their opinions.
William Blake, one of the infamous English romantic poets, is most known for his romantic views on conventional scenes and objects, which were presented in his works The Songs of Innocence and The Songs of Experience. The first collection was published in 1789, and addresses subjects such as suffering and death from the innocent and optimistic perspective of a child. The later collection addresses these same issues, but is told from the perspective of an experienced bard. The poems contained in The Songs of Innocence often have a counter part in the second collection that reflects a darker or more corrupted take on the same subject. For example, the purity presented in the creation of “The Lamb” is dramatically contrasted with its shameful counterpart “The Tyger”. In this essay, I will argue that William Blake’s poem “The Tyger” alludes to his belief in a darker side of creation and the implications of the Industrial Revolution, my argument is based on Blake’s use of rhetorical questions, word choice, and the poem’s context; specifically in the fourth and fifth stanzas. In the beginning of the poem the tiger appears as a striking and wondrous creature, however, as the poem progresses, the tiger takes on a symbolic meaning, and comes to be a physical manifestation of the spiritual and moral problem the poem explores: creation, divine and manmade.