Similarly, in Some Assembly Required: Black Barbie and the Fabrication of Nicki Minaj, the author reads the appropriation of Nicki Minaj’s Black Barbie image as an attempt to challenge the shared notion of white Barbie image and to make it hers—Black Barbie. This Black Barbie image promoted Nicki Minaj as “hyperfeminine and hyper-real representation of a dismembered black Barbie doll” (Whitney 141). Whitney examines whether such appropriation could eliminate the hegemonic narratives of Barbie or whether it “leaves room for liberatory, pluralistic, and feministic interpretations” (142) and questions the definition of feminine identity by insisting on the fluidity of femininity. Even though her image does not escape criticism as she was being
In The Venus Hip Hop and the Pink Ghetto, Imani Perry argues that the over-sexualized, unattainable bodies of black women in popular culture will lead to the breakdown of feminism and the positive body image of the everyday black women. As hip hop music continues to become more popular, the sexist messages presented in lyrics and music videos are becoming more common to the everyday public, including young black girls developing a self-image. Instead of these girls being exposed to healthy, positive role models who encourage individuality and that there is more to a woman than her body they are given hip hop video models whose only purpose is to look sensual on screen. The strong women that do exist in the hip hop genre are pushed to sexualize themselves or their lyrics to sell records or stay relatively unknown. Although Perry’s arguments are logical, I believe that she is creating a slippery slope of logic. A genre of music cannot destroy the self-image of black women that has existed for generations.
In the beginning of “Barbie Doll”, pleasurable and unpleasurable imagery is given so that the reader can see the extremes girls go through to be considered perfect.
In Marge Piercy’s, “Barbie Doll,” we see the effect that society has on the expectations of women. A woman, like the girl described in ‘Barbie Doll’, should be perfect. She should know how to cook and clean, but most importantly be attractive according to the impossible stereotypes of womanly beauty. Many women in today’s society are compared to the unrealistic life and form of the doll. The doll, throughout many years, has transformed itself from a popular toy to a role model for actual women. The extremes to which women take this role model are implicated in this short, yet truthful poem.
To be labeled as a feminist is such a broad classification therefore it is divided into various subsections, one such subsection is known as hip hop feminism in which Ruth Nicole closely associates herself with throughout this essay I will thoroughly discuss this form of feminism. Ruth Nicole is a black woman that categorizes herself as a girl, by her definition a girl is far from independent. Black girlhood discusses the shared experiences of the ever-changing body, which has been marked as vibrant, Black, and female, along with memories and representations of being female. As a result, Ruth Nicole wrote Black Girlhood Celebration in order to share her personal and political motivations of working with black girls within the community. A conversation that is not often articulated about due to a language barrier. In which this discussion accurately details a means to work with black girls in such a way that does not control their body or pilfer black female individuality. Under those circumstances, Brown believes that black girls are being exploited for their physique through the use of music and instructed to conform to white norms constructed by society.
Hip-Hop’s criticism of George W. Bush is a good example of hip-hop’s reflection of Black public opinion. The Republican candidate who already had a low approval rating of 57% amongst African-Americans received an even lower approval rating after his lackluster efforts to support Louisiana after Hurricane Katrina in 2005 (Jones, 2003; Cillizza & Sullivan 2013).
“If Barbie was designed by a man, suddenly a lot of things made sense to me,” says Emily Prager in her essay “Our Barbies, Ourselves” (Prager 354). Prager’s purpose for writing this essay is to explain the history of Barbie and how the doll itself has influenced and continue to influence our society today. Prager is appealing to the average girl, to those who can relate to the way she felt growing up with Barbie seen as the ideal woman. Emily Prager uses a constant shift between a formal and informal tone to effectively communicate her ideas that we view women today based upon the unrealistic expectations set forth by Barbie. By adopting this strategy she avoids making readers feel attacked and therefore
In an excerpt from Janell Hobson’s “Venus in the Dark: Blackness and Beauty in Popular Culture” Hobson argues that the “image of black women’s bodies in culture are distorted in a way resembling the morphing of a person’s figure in a carnival mirror,” a term she coins as “un-mirroring.” She continues this metaphor by saying black women artists must “fight against this process by challenging dominant culture’s representation of black women’s bodies as being grotesque and changing the discourse to being one of beauty.” One may argue that black women are too diverse to be represented by one image, rather that they should fight to be regarded as individuals devoid of stereotypes and negative historical connotations. Stereotypes, which are too broad to be accurate, have negatively affected the image of the black female body in culture. To change the trajectory of this idea in the future, the discussion must be aimed towards persuading society that stereotypes are superficial judgments, and that black women should be regarded as a diverse group of individuals, not individual elements of a stereotype.
In chapter seven of The Diva’s Mouth: Body, Voice, and Prima Donna Politics author Susan Leonardi focuses on Madonna’s freedom of expression. Madonna is a prime example the fluidity the diva holds, which is derived from the performance aspect. She is seen as an icon for challenging gender norms and specifically pushing boundaries for sexuality. Leonardi describes that while her content is mostly heteronormative, “her primary interest passion is the female body” (Leonardi 210). She holds complete control over her body and verbalization of female sexuality – which has been historically taken away from women. This can be related back to the hysteric and the oppressive misconception of female sensuality. She strives for exaggeration to make the audience uncomfortable. Specifically, “‘The Blond Ambition tour abandoned the carefully constructed ‘womanist’ promotion of women strong enough to cope with men, and it unleashed the queen of gender disorder and racial deconstruction who is so disturbing to white feminists and white heterosexual men” (219). Madonna unapologetically takes up space and demands to be heard. Because of certain privileged identities she holds, Madonna is described as a “chameleon” (213). She exploits stereotypes and appropriates culture through her status as a diva. For example, voguing is credited to Madonna when in reality it originated in queer communities of color. Throughout her
In the short story "Barbie-Q,” by Sandra Cisneros, the young girls didn't mind they did not receive other things such as new Barbie's or Ken Barbie's and the friends to go along with the dolls (206). These girls were just happy to play with their own dolls. The girls have bonded with each other and they enjoy playing with each other's dolls. A doll brings two or more children together for fun and social entertainment. Have you ever listened to a child frequently you will hear a child say " so what” that means the child really don't care, it don't matter; nothing else mattered to the two little girls. In the short story "Barbie-Q,” by Sandra Cisneros to purchase a brand new Barbie doll meant that the dolls are expensive in the store so the girls are very happy and pleased to own a second hand Barbie. When the parent places the dolls in the child's hands the dolls take on the character of the owner's beauty; culture; how girls see themselves and the future when the kids are all grown up. Barbie is a fun toy to dress up. Each child has her or his own imagination of a Barbie doll. I, too, myself, like watching all the different cultural background Barbie dolls in the malls or Macy's Department Store around Christmas times. Most large department stores dress
On September 18, 2015, the highly touted pop artist Lady Gaga released a song titled “Til It Happens to You”. This song differentiates itself from other musical creations in this genre in that it features an orchestra. Lady Gaga uses the orchestra as instrumentation in this to add a much more serious tone to the song. People often think of pop as more exciting type genre and one that does not typically carry much significance. She goes against this and creates a piece that those affected by sexual abuse can relate to and one that people stop to think about.
7) Wanless, Mary Wanless. "Barbie's Body Images." Feminist Media Studies 1.1 (2001): 125-127. Communication & Mass Media Complete. EBSCO. Web. 18 Apr. 2015.
Stone, Tanya Lee. The Good, the Bad, and the Barbie: A Doll's History and Her Impact on Us. New York: Penguin Group, 2010. Print.
Barbie, a doll manufactured by Mattel, Inc., encourages an unrealistic body image, racial insensitivity, and contradictive goals, and it is having a negative influence on young girls everywhere. Launched in March 1959 by Ruth Handler, an American business woman and president of Mattel, Inc., Barbie quickly became popular and has gone on to sell three dolls every second, in over one hundred and fifty countries. However, Barbie’s rise to success has not been wholly positive – there have been numerous controversies, parodies, and lawsuits, all addressing a number of issues. One such issue is how Barbie promotes an unrealistic and unobtainable body image. For example, to scale, Barbie is five feet, nine inches tall, has a thirty six inch chest, eighteen inch waist, and thirty three inch hips. Had Barbie been a real person, she would not be able to walk, much less hold her head up. Secondly, Barbie is racially insensitive and perpetuates stereotypes. “Mexico Barbie,” from Barbie’s “ethnic” line, comes with a passport and a Chihuahua, as well as stereotypical red lace ribbons in her hair. Lastly, Barbie portrays goals that are both unobtainable and contradictive. Barbie has had a variety of careers, such as being a doctor, astronaut, and President of the United States, but also engages in stereotypical domestic activities, such as cleaning and baking. These characteristics are affecting young girls in a time when they are most developmentally susceptible, and teaching them a number of negative lessons.
She’s tall, slim, and beautiful. She has a smile that never ceases, a body that never ages, and a wardrobe that every woman dreams of. With these great qualities under her belt Barbie has become the most popular selling woman in the world. From ”Sponge-N-Print,” “Make-up” and “Doctor” Barbie to one hundred-piece gift sets and fashion play cards to “Birthday Fun at McDonald’s” and Barbie’s “Baywatch” Rescue Boat, it could be concluded that this is no ordinary toy. She is a timeless creation who does more than smile and look pretty.
It may seem trivial and go unnoticed to most, but by assigning Barbie a real career, people are able to identify with and recognize her. The marketers also provide Barbie with a life other than modeling, such as friends and a home. The Ken doll, which is commonly known as Barbie’s boyfriend, makes her appear more real to the audience. Girls are able to identify with the idea of a boyfriend, which makes the notion of Barbie seem more realistic and desirable. The same idea is applied to the many friends Barbie has been accompanied by over the years. Lastly, and perhaps most famously, Barbie, like almost all of the girls who play with her, have a home. The Barbie Dream House is just another clever way her marketing team has presented her to society as a real person. Humanizing Barbie, and portraying her in such a manner makes her more attractive to potential buyers. The girls who engage in play with dolls do not want merely a doll; they desire something they can relate to and envision in the real world. Imaginative play is a large portion of childhood, and the ability for children to posses a doll like Barbie , who represents a real person in society, is extremely valuable. The use of social constructionism in the marketing of products such as Barbie is both brilliant and effective.