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The gift of the magi continues
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Many women in the early 1900 were seen to be housewives that cooked, cleaned, and tried keep their husbands and family happy. In the case of Della in the “gift of the magi” by O.Henry and The Mother in “solder’s home” by Hemingway, these women are seen to be kind and loving, however their kindness can be seen as manipulation in many ways. Both women are discrete with their emotions, smart about their communication with others, and careful on how they are perceived by others. Throughout both stories Della and The Mother are very kind and loving women, but what are they trying to get out of being this kind? In the “gift of the magi” Della a young women that lives poorly and tries to everything she can for her husband. The author presents Della to be a very caring woman, but yet still very sad about everything she does. Dellas “life is made up of sobs, sniffles, and smiles, with …show more content…
The author shows Della as being a sad woman that tries to put on a smile, but it is not real, at this point one can see that Della is not who she really is. Women put make up on to hide something, or to look different then who they really are. Della crying all the time wants to hide that from the world, so after she finishes crying “ she attend[s] to her cheeks with the powder rag” (O.Henry 19). If Della was truly a caring woman she would not have to hide anything, but she does try to hide her crying face by covering it up, in turn shows that Della isn’t who one may think. In “soldier’s home”, Hemingway shows The Mothers manipulation through emotion, when she starts to cry to Krebs. If a woman in the 1900 is suppose to keep her family happy, why would one want to cry in front of her children. The Mother looked at her son with shiny eyes and began to cry in
Prior to World War II women were expected to be housewives by cleaning, cooking, and taking care of children. Women were discouraged to work outside of the home and often judged by the rest of society. Bobbie Ann Mason gives great examples of the duties expected by women of the time period and her grandmother is a perfect model of domesticity. At one point Mason talk about a conversation between her grandmother and mom. Mason’s mom, Christy, decides to go back to work, but her grandmother disapproves and says she should be home taking care of her girls (Mason, 116). Christy on the other hand is an example of the modern woman. A woman willing to go to work outside of the home to help support her family when needed. Christy gets a job at a clothing company. Mason says that many women were leaving the farm and taking work in factories (Mason, 83). During and after World War II many women began to work outside of the home changing the idea of what it meant to be a women and the duties that accompanied.
“The Pastoralization of Housework” by Jeanne Boydston is a publication that demonstrates women’s roles during the antebellum period. Women during this period began to embrace housework and believed their responsibilities were to maintain the home, and produce contented and healthy families. As things progressed, housework no longer held monetary value, and as a result, womanhood slowly shifted from worker to nurturer. The roles that women once held in the household were slowly diminishing as the economy became more industrialized. Despite the discomfort of men, when women realized they could find decent employment, still maintain their household and have extra income, women began exploring their option.
pity in the reader by reflecting on the traumatic childhood of her father, and establishes a cause
O. Henry is a very inspirational person, in “The Gift of the Magi,” he makes the story go a lot deeper than the words on the page, with a little something called symbolism. One thing he really specializes in is symbolism, certainly with adolescence, worriness, and timelessness in this story. Symbolism plays a huge role in the narrative, a role so big that without it, the story would be quite dull. Without symbolism, this story would not have half the meaning it does now, when you dig into the story, you discover how much Della and Jim really love one
Patmore wrote that “Man must be pleased; but him to please is woman's pleasure.” This common concept of the nineteenth century reveals itself in this stanza. Women held one position in society, and it held constant throughout the eighteen hundreds: Please man. Ma, in The Little House series, is a prime example of the “Angel in the House.” Ma is always there for Pa. She realizes that he provides and she obeys. Ma, in The Little House in the Big Woods, had a schedule for each week. .She washed on Monday, Ironed on Tuesday, Mended on Wednesday, Churned on Thursday, Cleaned on Friday, and Baked on Saturday. On top of those chores, Ma prepared food and tended to Pa and the children. There wasn’t a day for Ma’s needs and desires. Ma presents herself as the stereotyp...
The daughter alludes to an idea that her mother was also judged harshly and made to feel ashamed. By the daughters ability to see through her mothers flaws and recognize that she was as wounded as the child was, there is sense of freedom for both when the daughter find her true self. Line such as “your nightmare of weakness,” and I learned from you to define myself through your denials,” present the idea that the mother was never able to defeat those that held her captive or she denied her chance to break free. The daughter moments of personal epiphany is a victory with the mother because it breaks a chain of self-loathing or hatred. There is pride and love for the women they truly were and is to be celebrated for mother and daughter.
In the article, Cult of True Womanhood, the underlying theme is of what society thought was the ideal woman. Women of that time where thought of as homemakers “deeply shaped by the so called “cult of womanhood” a collection of attitudes that associated “true” womanhood with home and family.” Women were supposed to stay home and clean and take care of the children while men worked and provided for their families. The misconception that housework was not hard and that even these women didn’t work as hard as paid labors was a strong opinion of the time. “With economic value calculated more and more exclusively in terms of cash and men increasingly basing their claims to “manhood” on their role as “breadwinners,” women’s unpaid household labor went largely unacknowledged.” Many married women ran their households and took on extra work to support their families and many in underpaid positions. Many of these were even in the service of other’s houses working in “true womanhood”
In this chapter Reyna is reunited with her father, however she is disappointed of their detachment. Even though, she has complicated relationships with both of her parents with the inclusion of this scene the reader learns of the relationship between her and Mago. To Reyna this sisterhood bond is valuable and fundamental to Reyna’s growth. Due to the emotional distance between Reyna and her parents the siblings foster a stronger bond as an act of resilience against their complex relationships with their parents. Taking in consideration the achievements of Reyna Grande as an author, aside of growing up in poverty and the difficult relationship with her parents is an act of personal resilience. By sharing her story Grande can foster community resilience for those that find representation in her work. Also, due to her vulnerability and act of letting the reader into her healing process, her narrative creates a sense of empathy in the reader and for those with similar experiences solidarity and
Before I watched 'A Midwife's Tale', a movie created from the diary found by Laurel Ulrich chronicling the life of a woman named Martha Ballard, I thought the women in these times were just housewives and nothing else. I pictured them doing the cleaning and the cooking for their husbands and not being very smart because of the lack of education or them being unable to work. My view on the subject changed however when I watched this specific woman's life and her work.
First, the 1900’s is a time where women are trying to put away the homemaker image and obtain work. This causes many hardships between husbands and wives. Jane is on the verge of beginning to leave her homemaker image and begin a career in writing. “I am sitting by the window now, up in the atrocious nursery, and there is nothing to hinder my writing much as I please, save lack of strength” (Gilman, 1599). Jane is starting to recognize that she is loosing her feminism. John recognizes this and tries to do everything he can to stop Jane. John knows that Jane is putting aside her role as being a wife, homemaker and mother. In these times, husbands’ do not believe that women could balance both home and work responsibilities. Jane decides to oppose the homemaker life and branch out into writing. The feminist role is “The concept of "The New Woman," for example, began to circulate in the 1890s-1910s as women are pushing for broader roles outside the home-roles that could draw on women's intelligence and non-domestic skills and talents” (http:/...
Women were perceived as either being a housewife, a nurturer, or a person for company. They did not have the right to vote till later on, work, and if they had an opinion that a male do not agree with, women are considered “wicked”; not savvy, not prudent but wicked to the core. It is unfair, unethical, atrocious, but through it all there was one female who dared to challenge the mind of men and the notion that women can be more than what men perceive them as being. Her name is Margaret Fuller. The goals of Margaret Fuller were precise. Men should realize that women are not an epitome of a statue but human beings, just as men, women can achieve full adulthood and citizenship, but most vitally Margaret aimed to change the assumptions about
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
Many women in modern society make life altering decisions on a daily basis. Women today have prestigious and powerful careers unlike in earlier eras. It is more common for women to be full time employees than homemakers. In 1879, when Henrik Ibsen wrote A Doll's House, there was great controversy over the out come of the play. Nora’s walking out on her husband and children was appalling to many audiences centuries ago. Divorce was unspoken, and a very uncommon occurrence. As years go by, society’s opinions on family situations change. No longer do women have a “housewife” reputation to live by and there are all types of family situations. After many years of emotional neglect, and overwhelming control, Nora finds herself leaving her family. Today, it could be said that Nora’s decision is very rational and well overdue.
In The Gift of the Magi, Della is not proud of living in poverty but
Friedan frustratingly explains how women’s choices to revert back to domestic roles after World War II compromised women’s independence and identity. Friedan uses this frustration to revive modern feminism and extinguish the prison that gender roles had imprisoned women in. In The Feminine Mystique, Friedan illustrates how women fell into the common portrayal of a housewife just fifteen years after the war and how “millions of women lived their lives in the image of those pretty pictures of the American suburban housewife, kissing their husbands goodbye in front of the picture window, depositing their stationwagonsful of children at school…their only dream was to be perfect wives and mothers…”(Friedan 61) and other description that fit the occupation of “housewife”.