Societal Lessons in Julius Caesar
Many authors try to convey different lessons that we, as individuals or a society can learn from their writings. William Shakespeare, in his play Julius Caesar, has definitely accomplished this goal. With the many lessons included in this story, society can learn from the mistakes of others made previously. It could be said that the actions of society are learned by the actions of our predecessors. In this incredible play, the major messages or societal lessons include mob mentality, respect, and wealth and power are the roots of all evil.
Shakespeare realized that people behave differently in mobs. One individual can sway the opinions of everyone present by convincing just one person in the group. This is called mob mentality. In Act III, Scene II, Brutus speaks to the masses and explains why Caesar had to be slain for the good of Rome. Then, Brutus leaves and Antony speaks to the citizens. A far better judge of human nature than Brutus, Antony cleverly manages to turn the crowd against the conspirators by telling them of Caesar's good works and his concern for the people. Another hideous act of the mob was the killing of Cinna the poet. They realize that he is the wrong Cinna, but they are so enraged, they slay him anyway.
Although revenge is a major concept in this play, respect is another important theme.
After Brutus kills himself, Antony says "This was the noblest Roman of them all: all the conspirators save only he did what they did in envy of great Caesar; he only in a general honest thought and common good to all, made one of them." This quote means that Antony regarded Brutus as an honorable man, despite the fact that he killed Caesar.
Antony also understood that Brutus killed Caesar for the good of Rome and not because of jealousy or hatred. Octavious then comments ".with all respect and rites of burial.
Within my tent his bones to-night shall lie, most like a soldier, order'd honourably." The men wish for his body to lie in their tent for the night, and then they will give him proper burial rites.
One last lesson in this tragedy is wealth and powers are the roots of all evil. This statement applies mainly to Caesar himself, but can also be stretched to custom fit the conspirators. Caesar is a high and mighty man who appeals to all the common people of Rome, but Brutus and his men feel that his power has become too great.
The second henious act Brutus commits is murder on his dear friend Caeser. After commiting the crime he said "If there be any in this assembly, any dear friend of Caeser’s, to him I say that Brutus’ love to Caeser was no less than his". Brutus killed his dear friend because of ambition. If only today’s leaders had some ambition! He said that he love Rome more than Caeser and that is why he commited one of the most dishonorable acts a humn being can commit. After the act, Antony appropriately and sarcastically called Brutus an honorable man. Unlike Brutus, Antony knew what honor was. Even though Brutus knew that Caeser had turned down the crown three times, he still felt he was to ambitious to rule over Rome. If only Brutus would have had a level head on his shoulders like Antony. If anyone can call a murderer honorable, let them be known.
Throughout the play The Tragedy of Julius Caesar, the audience constantly sees Brutus, an honorable man, go against his own beliefs because of men filled with hatred and jealousy. Brutus
Abstract: William Blake's Songs of Innocence contains a group of poetic works that the artist conceptualized as entering into a dialogue with each other and with the works in his companion work, Songs of Experience. He also saw each of the poems in Innocence as operating as part of an artistic whole creation that was encompassed by the poems and images on the plates he used to print these works. While Blake exercised a fanatical degree of control over his publications during his lifetime, after his death his poems became popular and were encountered without the contextual material that he intended to accompany them.
The Senate of the Roman Republic are the ruling power over most of the known world. Yet this powerful and influential senate is easily threatened by one man; Julius Caesar. To the senators Caesar is the catalyst for the downfall of a Republic they had worked so hard to create and protect. The playwright William Shakespeare dives into this world of betrayal and ambition with his play The Tragedy of Julius Caesar. Using his voice as a writer he takes the audience into Rome and lets them experience each riveting moment of Caesar’s fall. The play shows that Caesar is not the cause of Rome’s eventual downfall, but the senators who conspire against him and ultimately kill him are the ones reprehensible. Shakespeare introduces the characters of Brutus and Cassius: two men, both of high standing, that spearhead the conspiracy against Caesar’s life. The actions of their scheme are met with chaotic consequences, consequences so dangerous that both Brutus and Cassius flee to Asia Minor. After the Battle of Phillippi, once Octavius and Marc Antony seem to have one, the two men take their lives. This final action sends them back to a world with Caesar, a world they tried so hard to escape. At the end of both Caesar and Brutus’ lives become enlightened to a truth they had so eagerly avoided. For Caesar that truth is his over confidence in his ideals and his ignorance to the warning signs so often shown to him. Caesar’s downfall and untimely understanding makes him a tragic hero.
Tragic Hero in Julius Caesar A tragic hero is the character whose actions deeply affect the other characters and who creates a series of events that eventually lead to the character’s downfall and the downfall of his loved ones. Such a hero possesses a flaw in character that influences his actions and thinking and especially his judgments. In logically determining who the hero in Julius Caesar is, one simply must find the one character who fits the above guidelines. Marcus Brutus is the only one, and, thus, he is the tragic hero.
Julius Caesar, even though he is considered great, turns out to contain many flaws. He believes himself to be untouchable, and has a confidence that he cannot be harmed, even though that is not the case. He says so when he says, “Caesar shall forth. The things that threatened me ne’er looked but on ...
Antony also played on the people’s greed, to influence them to his side. “I found it in his closet; ‘tis his will/and they would go kiss Caesar’s dead wounds…” (III, ii, 129, 132-133). Antony is very smart in the way he does this. He knows how to talk to the people to get them to believe his side of the story and revenge Caesar’s death. Likewise, Antony is conniving. He uses this strength by flattering Brutus, and falsely befriending the conspirators into letting him speak at Caesar’s funeral. “I doubt not of your wisdom. Let each man render me his bloody hand.” (III, i, 200-201). Antony presents his case in such a way that Brutus and the other conspirators think that he is on their side, when in fact he really is going to turn the common people against them to revenge Caesar’s death by creating a war. Furthermore, Brutus is an honorable man giving him the chance to be a great leader. Brutus is an idealist man, who is optimistic about assassinating Caesar. “Grant that, and then is death a benefit. So are we Caesar’s f...
Brutus was a devious man, even though what he thought he was doing was right. Brutus told his fellow conspirators to kill Caesar “boldly, but not angerly.”(3.1.256-257) Brutus was one of Caesars right hand men, and yet Brutus kills his own friend. When Antony asks to speak at Caesars funeral, Cassius says no, but Brutus tell him that Antony will speak, but only what Brutus tells him to say. Brutus also embraces the fact that he just killed his friend, and also tells the senators who had just witnessed it to not be afraid, but to stay because ambition has paid its debt.
Julius Caesar is the leader of Rome and is seeking to become king in a matter of time. Though he is a good military strategist, he lacks knowledge in running government and is too greedy to have any concern for the peasants when he is alive. Caesar is all about conquering and power and he is afraid of nothing. Before he is murdered, he says “The things that threatened me ne’er looked but on my back. When they shall see the face of Caesar, they are vanished” (II, ii, 575). Th...
Firstly, Antony says a general statement that, “the evil that men do lives after them” (III.ii.74), when in fact he is subtly and sneeringly referring to the conspirators actions. The Roman commoners don’t realize that this general statement is swaying them, but the rest of Antony’s speech further convinces them of the evil the conspirators have done. Later, Antony talks about Brutus says that “sure, [he] is an honourable man” (III.ii.98), emphasis on the sure. Because he uses a scornful tone while sarcastically saying this statement, he is really beginning to show the audience his true feelings on the situation. Knowing that even Antony bitterly disagrees with the choices of the conspirators, it further persuades the common people of Rome to turn against Brutus and the rest of Caesar’s murderers. These occasions show Antony’s sour tone, especially towards the conspirators, and Antony’s tone also riles up the Roman citizens. His tone helps to exasperate the commoners with Caesar’s murder, and therefore assists Antony in achieving his purpose to manipulate the audience to turn against
The motif of ambition runs continuously throughout Julius Caesar, written by William Shakespeare, which originates in Ancient Rome and highlights the power struggles, politics and deceit of those vying for power. Ambition leads many of the characters such as Caesar, Cassius, and Brutus to a fate different from what they expected. The play revolves around Caesar, his ascent to power and his eventual loss of everything. Although ambition may lead these public officials to power, it is the same ambition that will be their downfall, ultimately resulting in the death of Julius Caesar, Cassius, and Brutus.
William Blake’s Songs of Innocence and Songs of Experience are collections of poems that utilize the imagery, instruction, and lives of children to make a larger social commentary. The use of child-centered themes in the two books allowed Blake to make a crucial commentary on his political and moral surroundings with deceptively simplistic and readable poetry. Utilizing these themes Blake criticized the church, attacking the hypocritical clergy and pointing out the ironies and cruelties found within the doctrines of organized religion. He wrote about the horrific working conditions of children as a means to magnify the inequality between the poor working class and the well to do aristocracy.
William Blake wrote many poems during his lifetime. He had a set of poems called The Songs of Innocence and also a set called The songs of Experience. This paper is focusing on five poems from the Songs of Innocence, which are: “The Shepherd,” “The Echoing Green,” The Little Black Boy,” “The Blossom,” and “Laughing Song.”
Relevance of Julius Caesar to Contemporary Society. & nbsp; & nbsp ; Symbolism is a major aspect of writing. Whether obvious or subtle, authors use it as a way to extend their work beyond just the time period they're writing their piece in. Also, it allows the reader the opportunity to substitute his own ideas into the story, which makes the story more personal.
In front of the people of Rome at Caesar’s funeral whilst giving his speech, Antony makes up Brutus to up to be this honorable and noble man, nonetheless Brutus is one of the conspirators who ended Caesar’s life. Caesar has been slain by, Trebonius, Cinna, Cassius, Brutus, Ligarius, Decius, Metellus and Casca. All because most had felt that he was too ambitious for their liking, Cassius has manipulated each one of them into committing the crime alongside him. Once Caesar is killed, Brutus delivers his speech, saying, “Not that I loved Caesar less, but that I loved Rome more”(lll.ii.20). Basically just trying to justify the reason he helped to kill one of the most loved Romans in all of Rome. Antony then comes out and begins his speech at Caesar’s