That man can be defeated but not destroyed. Once such novel that depicts this, as well as American values, is A Farewell to Arms. During the course of the story, the two main characters lieutenant Frederick Henry and nurse Catherine Barkley, become the victims of a cruel and hostile age. Their love story, which starts in a field hospital where the lieutenant is being treated for severe leg injuries, ends with Catherine’s death. She dies in childbirth but it is actually the war that condemns them both to destruction.
Hemingway and His Critics. Ed. Carlos Baker. New York, American Century Series: Hill and Wang, 1961. (http://members.aol.com/_ht_a/pamplonaweb/riauriau.htm) (http://www.cliffsnotes.com/WileyCDA/LitNote/id-178,pageNum-51.html)
142. Geismar, Maxwell. “Ernest Hemingway: At the Crossroads.” American Moderns: From Rebellion to Conformity. (1958): 54-8. Rpt.
Hart, James D. ed. "Hemingway" The Oxford Companion to American Literature, 364-395. New York: Oxford University Press, 1965. McDowell, Nicholas. Hemingway.
Timms, David. “Contrasts in Form: Hemingway’s The Old Man and the Sea and Faulkner’s ‘The Bear’” Modern Critical Interpretations: Ernest Hemingway’s The Old Man and the Sea. Ed. Harold Bloom. Philadelphia: Chelsea House Publishers, 1999: 45-52.
Waldmeir, Joseph. “Confiteor Hominem: Ernest Hemingway’s Religion of Man.” Hemingway: A Collection of Critical Essays. Ed. Robert P. Weeks. Englewood Cliffs, NJ: Prentice-Hall, 1962.
Ernest Hemingway: The Man And His Work. ed. John McCaffery. New York: Cooper Square 1969 Bloom, Harold. Ernest Hemingway.
Jay Gellens. Englewood Cliffs: Prentice, 1970. 54-55. Halliday, E. M. "Hemingway's Ambiguity: Symbolism and Irony." American Literature 27 (1956): 57-63.