"The Legend of Sleepy Hollow", by Washington Irving, is an amazing, humorous, and dark story to read. This story was published in 1820, and it's still being told today. This short story was being made during the Dark Romanticism era: however this story is based on humor, dark humor. The author Washington Irving, was an American short story writer, essayist, biographer, historian, and diplomat of the early eighteenth century. Mr. Irving made his literary debut in 1802,most of Irving's work were dark short stories. Why? Because Irving was alive during the eighteenth century, such as Edgar Allan Poe, and other great authors. The story is a great representation of dark. A perfect example is the setting of the story itself, it is dark, gloomy, and a bit creepy. The characters are madly in love, which brings in the romanticism. Dark Romanticism was, and still is today, very popular. It is filled with euphoria and sublimity with equally intense fascination with melancholia, crime, the grotesque, and the irrational. Many dark short stories are made up …show more content…
Another difference is the fact that in the book Brom Bones confronts Ichabod Crane one time, and in the movie Brom Bones appears to confront Ichabod on numerous occasions. In the move, Brom conducted major pranks on Ichabod. The most significant difference is the ending of the story. In the story, the horse was actually borrowed from the Van Tassels family. On the other hand, in the movie the horse is introduced as Ichabod Crane's horse. When the most anticipated scene, the one where Ichabod Cranes is being chased by the Headless Horseman in the book and movie happens, is where the most differences are apparent. In the book, the horse stays where Ichabod dies, also many important pieces are missing in the movie. In the movie, the horse was not there, his saddle was only
During the American Renaissance, writers were put into one of two categories. The categories were the Dark Romantics and the Transcendentalists. Some Dark Romantics include Edgar Allan Poe, Nathaniel Hawthorne and Washington Irving. The Dark Romantics stories included creepy symbols, horrific themes, and psychological effects of guilt and sin. The Devil and Tom Walker by Washington Irving gives a few examples as to why life is meaningless to some people.Humans are not all good, there are some cruel people in this world. The Pit and the Pendulum tells you exactly why.
Many evenings during the winter, Ichabod spent with the old Dutch wives. They would tell ghost stories as well as other super natural beings and demons while sitting by the fire. There was a certain story that was never left out, the legendary Headless Horseman, or sometimes known as the Hessian of the Hollow. The story went on that there was a soldier who with a cannon ball had gotten his head shot off and since roamed through Sleepy Hollow looking for his lost head while on his horse. The Headless Horseman has a jack-o-lantern that sits in replacement of his head. In addition, a love story is part of “The Legend of Sleepy Hollow” however many find it to be more of a pure lust or greed story. There was girl named Katrina Van Tassel who was
Over time the language of the original text of "The Legend of Sleepy Hollow" by Irving has been reworked to accommodate the change in audience. The Heath Anthology of American Literature has an unabridged version of the original wording (1354-1373). A complete copy of the original text of "The Legend of Sleepy Hollow" can be found in the young adolescent classic section of a bookstore or the juvenile section in the library. A juvenile edition of the text adapted by Arthur Rackham from 1928 was a replicate of the original it is filled with seven colored illustrations and numerous sketching. A young adolescent version adapted by Bryan Brown from 2001 has been abridged to accommodate the current young reader. The format is changed in Brownâs edition. The yo...
Fifteen years separate Washington Irving’s short story “The Legend of Sleepy Hollow” with Nathaniel Hawthorne’s short story, “Young Goodman Brown.” The two share an eerie connection because of the trepidation the two protagonists endure throughout the story. The style of writing between the two is not similar because of the different literary elements they choose to exploit. Irving’s “Sleepy Hollow” chronicles Ichabod Crane’s failed courtship of Katrina Van Tassel as well as his obsession over the legend of the Headless Horseman. Hawthorne’s story follows the spiritual journey of the protagonist, Young Goodman Brown, through the woods of Puritan New England where he looses his religious faith. However, Hawthorne’s work with “Young Goodman Brown” is of higher quality than Irving’s “The Legend of Sleepy Hollow” because Hawthorne succeeds in exploiting symbols, developing characters, and incorporating worthwhile themes.
?The Legend of Sleepy Hollow? is a short story by Washington Irving. Based on a well-known legend, this story tells the tale of the disappearance of the main character, Ichabod Crane. An effective ghost story, Irving leaves you guessing what the truth is behind the ending. The movie Sleepy Hollow is Hollywood?s portrayal of Irving?s original story. Although the movie is similar to the story in the beginning, the movie takes a twist that leads in another direction that strays far from the original plot.
The Legend of Sleepy Hollow (1820) by Washington Irving is a classic American tale that has evolved in contemporary media throughout the years. Irving has exemplified traditional American folklore in his characterization of Ichabod Crane, the protagonist of the tale. Ichabod Crane has remained an integral part of the tale in American contemporary media, being interpreted differently in both the film Sleepy Hollow (1999) and the television adaption Sleepy Hollow (2013). Ichabod Crane has evolved just as the story has, evolving from a fear-riddled schoolteacher to a dashing, revolutionary, time traveling hero, and throughout these adaptations he remains an exemplification of American folklore.
In examining Washington Irving’s “The Legend of Sleepy Hollow” alongside Tim Burton’s film adaption of the story, titled “Sleepy Hollow,” a number of fascinating similarities and differences emerge. Though elements of the characters and settings of Burton’s film borrow heavily from Irving’s text, the overall structuring of the film is significantly different, and representations of various elements are crucially re-imagined. Tim Burton’s “Sleepy Hollow” was released on November 19, 1999, a few months before the new millennium. Set in 1799, Burton’s film modifies the 1790 date that Irving’s text is set in, showing an acute concern with living out anxieties surrounding millennial change in the ‘safe’ formats of film and of established folk legend. Irving’s tale, written in 1820, also works with antiquity, but in a different manner: it lives out colonial cultural anxieties of Irving’s present, as he seems to be concerned with constructing archetypes of folk and with placing folk culture in the new American literary landscape. Examining the two versions of the tale, then, provides a fascinating peek into the transformation of concerns and values in America from Irving’s nineteenth century landscape to Burton’s twentieth (on the verge of twenty-first) century.
... of blood and gore, but rather a clear account of the encounter between Ichabod and the headless horseman. The film on the other hand, gives gory detail after detail to the fight scenes and encounters with Ichabod and other characters as they try to escape the headless horseman.
Greed and superstition play a vital role in Washington Irving’s short story the Legend of Sleepy Hollow, none the less, there seems to be a deeper message that Washington Irving is, trying to convey to his readers. Sleepy Hollow is a fictional story set shortly after the American Revolutionary War. Irving brings his town of Sleepy Hollow alive with vivid description of a small, quaint town where time stands still set near the Hudson River. It is a quiet, tranquil space set by a low valley. Only the sounds of nature make noise
Nathaniel Hawthorne was one of the first American writers to pioneer the unprecedented and unforeseen gothic genre which resulted in the American literature failed to accumulate international appreciation from the Revolutionary War period until the rise of revolutionary writer Washington Irving. Irving was perfectly positioned to live an observational, carefree life as a well-off child in New York city. Those conditions enabled Irving’s multiple trips to Europe, where he could experience the culture and eventually launch his writing career. In his collection, The Sketch Book of Geoffrey Crayon, Gent, Irving wrote “The Legend of Sleepy Hollow,” the tale of a materialistic foreigner who competed for the heart of a wealthy woman before falling
In the movie, it is told in a third person point of view and the characters look a lot more different than how they do in the book. The movie goes by much quicker than the book. Also Pony goes straight home after the church burns down.
Overall, the movie and book have many differences and similarities, some more important than others. The story still is clear without many scenes from the book, but the movie would have more thought in it.
The improbable plots and unlikely characterization showed how much they used creativity. According to a Romanticism article, “The Romantics tended to define and to present the imagination as our ultimate ‘shaping’ or creative power, the approximate human equivalent of the creative powers of nature or even deity” (“Romanticism”). They believe that imagination is an essential and amazing ability that humans possess. Romantic authors often included examples of imagination and creativity within their works. In the short story “The Legend of Sleepy Hollow,” the supernatural plot and improbable characters illustrate the imagination of Romanticism writers (Irving). Washington Irving must have used a significant amount of creativity to come up with a story that involves a headless ghost riding a horse. He thought outside of his reality and environment in order to create an impossible and fascinating character. The Romantics favored imagination and creativity because they realized how invaluable it truly
Although at times it is easy to get carried away with the adventure of a story, noticing the elements a writer has put into his work is very important. In reading “Young Goodman Brown” and “The Legend of Sleepy Hollow” you can see both similarities as well as differences of how both Nathaniel Hawthorne and Washington Irving chose to illuminate their romantic writing styles. The writers both use a mystical woodsy setting with supernatural twists to draw in readers. Underlying you will find the differing romantic themes each writer used, as well as how each writer chose to end their work.
Washington Irving’s short story, “The Legend of Sleepy Hollow,” was adapted into a movie titled “Sleepy Hollow” directed by Tim Burton nearly two centuries after the original publication. When the story was adapted as a film, several extensive changes were made. A short story easily read in one sitting was turned into a nearly two-hour thriller, mystery, and horror movie by incorporating new details and modifying the original version of the story. The short story relates the failed courtship of Katrina Van Tassel by Ichabod Crane. His courtship is cut short by the classic romance antagonist-the bigger, stronger, and better looking Broom Bones. Ichabod wishes to marry Katrina because of her beauty but also because of the wealthy inheritance she will receive when her father, Baltus Van Tassel and stepmother, Lady Van Tassel die. However, the film tells the story of Ichabod Crane as an investigator who is sent to Sleepy Hollow to investigate the recent decapitations that are occurring. These modifications alter the original story entirely, thus failing to capture the Irving’s true interpretation of “The Legend of Sleepy Hollow.” The film and the original story have similarities and differences in the plot, characters, and setting.