Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
History of gospel music
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: History of gospel music
Gospel Sister Sister Rosetta Tharpe is one of the most important Gospel female Guitar players that came out of the 1930s because in this time it wasn’t common for women to play instruments especially different for black women during the Great Depression also none as The Golden Age and Post Civil Rights Movement. The first national star for gospel music in the 1940”s, Sister Tharpe music is in the Gospel/Jazz/Rock n Roll (Jackson). You can hear some of Sister Tharpe’s most popular song Like “Shout Sister Shout”. I will be talking about the song “Shout Sister Shout” gospel/Jazz/ Rock n Roll influential artist in the 1930’s. Before going into the music I would like to give a little information about Sister Tharpe Story on how it all began. She was born on Farm in Cotton Plant, Arkansas to Katie Harper and Willis B. Atkin (Gaye). Katie and Willis both were farm laborers with strong voice that played instrument. They taught Rosetta how to sing and play the guitar. Katie played the piano and mandolin; and Willis played the guitar and the harmonica. Sister Tharpe was six when she moved to Chicago where she was discovered with her mother leaving her dad in Arkansas. …show more content…
This song has a slow to medium tempo and a chorus of what sounds like a male gospel Quote. This song share her since of humor and wisdom blinded with her country morals and christen values. The song you can tell that it was catering to a young audience but the style it was performed. Swinging while praising the Lord sounds like a great combination. The values in the song are to remember what the reasons to live and have a good time shouting your praises to God. In the bible David dances out of his clothing giving God his praise. I really enjoyed this song because it represent a type of teen gospel that brought the God in
Racism through the years has provided places around the world with a shameful past that even today, racial reconciliation is still only in its beginning phase. Legends such as Rosa Park, Martin Luther king, and Malcolm X sacrificed their own life daily to pave a brighter future for America. However there is only so much people can do to change the ways of the world, the rest is up to the moral ethics of everyday citizens. The novel, Elizabeth and Hazel: Two Women of Little Rock, makes me question society in the past and present. If today; years after racism was said to be over, two people can not move on from their horrid past, how is the rest of the world supposed to? Recent events have proven that racism still exists and will always exist
As the Great Depression and the World War came to a dramatic close during the mid 1940s, the American society prepared for a redefinition of its core ideologies and values. During this time, the idea of a quintessential “American family” was once again reinforced after two decades of social strife. Under such historical context, the 1941 novel Mildred Pierce by James M. Cain and its 1945 film adaptation by Michael Curtiz both carries a strong idea that when one, especially a female, tries to disobey their traditional family roles and social etiquettes, undesirable consequences would inevitably follow. However, the film adaptation, utilizing a slightly different narrative configuration and plot organization, further intensifies and emphasizes
Southern, Eileen. The Music of Black Americans. 2nd ed. 1971. New York: W. W. Norton & Company, 1986. 367, 404-5, 407, 430, 437. Print.
Sexual Dalliance and its Outcomes in Victorian Society: Christina Rossetti’s “An Apple Gathering” and “Cousin Kate”
Nina Simone used music to challenge, provoke, incite, and inform the masses during the period that we know as the Civil Rights Era. In the songs” Four Women”, “Young Gifted and Black”, and Mississippi God Damn”, Nina Simone musically maps a personal "intersectionality" as it relates to being a black American female artist. Kimberly Crenshaw defines "intersectionality" as an inability for black women to separate race, class and gender. Nina Simone’s music directly addresses this paradigm. While she is celebrated as a prolific artist her political and social activism is understated despite her front- line presence in the movement. According to Ruth Feldstein “Nina Simone recast black activism in the 1960’s.” Feldstein goes on to say that “Simone was known to have supported the struggle for black freedom in the United States much earlier, and in a more outspoken manner around the world than had many other African American entertainers.”
Entitled "The First Lady of Song," Ella Fitzgerald was the most famous female jazz singer in the United States for about more than half a century. In her life time, she won more than 10 Grammy Awards, and also earned the title “The First Lady of Song.”Her voice was flexible, wide-ranging, prefect and ageless. She could sing sultry ballads, jazz, blue, and imitate every several instruments. She worked with all the jazz musicians, like Duke Ellington,Frank Sinatra, Dizzy Gillespie and even Benny Goodman. She performed at top places all over the world. Her audiences were as diverse as her vocal rangeand they all loved her.
Sojourner Truth was a Civil Rights Activist, and a Women’s Rights Activist 1797-1883. Sojourner Truth was known for spontaneous speech on racial equal opportunities. Her speech “Aint I a Women? “Was given to an Ohio Women’s Rights convention in 1851. Sojourner Truth’s was a slave in New York, where she was born and raised and was sold into slavery at an early age (bio, 2016)
Women in popular music have created a tremendous history in the wake of feminism. They have made their presence visible by identifying themselves as feminists. Being a woman was hard during that stage. Women were not allowed to do many things due to gender inequality such as the right to vote and to own a property. Therefore, from that moment onwards, women decided to stand up and make some changes. During the early stage of feminism, women developed their skills in popular music to create awareness. They associate popular music with feminism. Although there were racial issues between the black and white during that time, both sides continued to establish in different ways, through different genres of music. Black women focused on ‘black genres’ such as blues, jazz, and gospel, whereas white women performed in musical theatres. Female artists such as Lilian Hardin, Sister Rosetta Tharpe, and Nina Simone were among the notable exceptions of female instrumentalists during feminism. In this essay, I will assess feminism focusing on the second-wave.
Blues music emerged as an African American music genre derived from spiritual and work songs at the end of the 19th century and became increasingly popular across cultures in America. The Blues is the parent to modern day genre’s like jazz, rhythm and blue and even rock and roll, it uses a call-and-response pattern. While Blues songs frequently expressed individual emotions and problems, such as lost love, they were also used to express despair at social injustice. Even though Blues singing was started by men, it became increasing popular among women, creating one of the first feminist movements. Ma Rainey, a pioneer in women’s
As I initially began reading Hendricks’ critique of contemporary gospel music, I found myself in agreement. I thought, yes, gospel music has transitioned and no longer is as strongly rooted in liberation, freedom, and justice. My thoughts immediately took me to the works of Kirk Franklin and Yolanda Adams whose gospel songs could be heard during primetime on hip hop radio stations. But then I asked myself, is this so bad and I continued to read further. Gospel “music today…is unmindful and uninvolved with the ongoing freedom struggle of Black people in America.” (page 556)
Amy Beach was a very famous and influential composer and pianist from New Hampshire, United States. She fought long and hard to get to where she got in her lifetime. Back in the late 1800’s, it was hard for women to get noticed because they believe that their role in society was to stay at home and take care of the family. Amy Beach defeated all the odds of a female gender role in her lifetime. She became a role model for young girls wanting to become a composer or becoming anything they wanted to be, as long as they fought for it. She has made an enormous impact on music in America. The following paper will discuss Beach’s life, her struggles, her musical training, how her music was shaped by the society she lived in and famous compositions
Whitney Houston is considered one of the greatest singers of our generation. According to the Guinness Book of World Records, she holds the record of being the most rewarded female artist of all time. I chose her as my topic, because she represents resiliency and tenacity, despite her troubled experiences with drugs and her personal life. Whitney Houston comes from a family with an amazing, musical pedigree; her mother, Cissy Houston, was a successful back-up singer for Aretha Franklin and Elvis Presley. Dionne Warwick is her first cousin, and Aretha Franklin is her godmother.
Women’s sufferage was at it’s peak with the ratification of the United States Nineteenth Amendment. Women recived more independence after the end of the First World War and took a greater part in the work force. In the 1920s, there were many famous women Jazz artists such as Lovie Austin, a piano player and band leader, Lil Hardin Armstrong, a pianist who was originally a member of King Oliver’s band, and Bessie Smith, an African-American blues singer who inspired women like Billie Holiday and Janis Joplin. Although women were also making a difference in the Jazz industry, it wasn’t until the 1930s when they were recongnized as successful artists in the music world.
Women of the blues brought the black culture to a new chapter of recognition. They made blues as a popular music, and gave an opportunity to black culture to be accepted and also gave the people a chance to do something (a job) beyond the scope of plantation. They brought the blues to a performance stage and make it more universal so they can fit in not just to black listeners but also the white. Although on their first performance their blues were not considered as the real blues, because blues was considered to be man culture and in order to be able to sing the blues, a man should experience a journey mostly a bitter journey. Actually the women also experienced a journey and it was not a merely sweet and easy journey. Women had to sing from one club to another, from one city to another, they were live on the road. Living such life was not easy at all; women also had to deal with the dark side of an entertainment world.
originally composed by Bob Dylan in 1968, "All Along The Watchtower" is one of those songs that have already passed into history, both the music and lyrics and, of course, that this woman was trying to express. It is well known that Dylan always hide "hidden" in his lyrics ... well, rather than hidden messages, songs were a critique of American society at the time, although in appearance his lyrics speak of something else. Another example is the "All Along The Watchtower" (Along the Watchtower / Watchtower) that constituted a critique of American capitalism, a call to transgression, to break the rules, and that became a myth Hippy movement. It has been covered several times by the best musicians. Many will remember the most famous of these,