Sir Gawain and the Green Knight as Modern Fantasy
Sir Gawain and the Green Knight, written by an unknown author in the 14th century, can be called a timeless work of poetry. It exudes a certain fantastic quality that, despite its age of over 500 years, still appeals to modern audiences. Because of this application to all eras, would it be reasonable to state that this poem could be classified with modern fantasy fiction? Because of the similarities in plot and style with so much modern fantasy, Sir Gawain and the Green Knight could be placed in the same category with that genre, though the uses of doing so are questionable.
In plot, Sir Gawain and the Green Knight has elements which are similar to much modern fantasy. Its emphasis on chivalry (in the values of Sir Gawain's character through the entire poem) is similar to contemporary High Fantasy, a subgenre filled with such present top industry names as Robert Jordan and Terry Brooks. For an even greater glimpse of the popular appeal of King Arthur's court, Marion Zimmer Bradley's retelling of the Arthurian...
Sir Gawain and the Green Knight, a fourteenth-century tale written by an anonymous poet, chronicles how Sir Gawain of King Arthur’s Round Table finds his virtue compromised. A noble and truthful knight, Gawain accepts the Green Knight’s challenge at Arthur’s New Years feast. On his way to the Green Chapel, Gawain takes shelter from the cold winter at Lord Bercilak’s castle. The lord makes an agreement with Gawain to exchange what they have one at the end of the day. During the three days that the lord is out hunting, his wife attempts to seduce Gawain. At the end of the story, it is revealed that Morgan le Faye has orchestrated the entire situation to disgrace the Knights of the Round Table by revealing that one of their best, Sir Gawain, is not perfect.
The narrative artistry of Sir Gawain and The Green Knight can be attributed to the fundamental elements of chivalric life and the exploration of classic mythological elements that allows the narrative to bridge the gap between Christianity and Paganism, and allow its readers to find their own spiritual interpretation with in the text.
Though often extensive detail may be condemned as mere flowery language, in understanding Sir Gawain and the Green Knight one must make special emphasis on it. In color and imagery itself, the unknown author paints the very fibers of this work, allowing Sir Gawain to discern the nuances of ritualistic chivalry and truth. His quest after the Green Knight is as simple as ones quest toward himself. Through acute awareness of the physical world he encounters Gawain comes to an understanding of the world beyond chivalry, a connection to G-d, the source of truth. He learns, chivalry, like a machine, will always function properly, but in order to derive meaning from its product he must allow nature to affect him.
Tragic and hero may not be words that easily reveal a relationship, but throughout literature the two have been linked to create an enthralling read. The emergence of the tragic hero seemed to take shape in ancient Greece where such works as Oedipus and Antigone were popular among all classes of people. Aristotle defined a tragedy as "the imitation of an action that is serious and also, as having magnitude, complete in itself. It incorporates incidents arousing pity and fear, wherewith to accomplish the catharsis of such emotions." Though Greece may be credited with the creation of tragic heroes, the theme is seen in literary works across many different cultures, including England. Sir Gawain and the Green Knight is one such English work where the development of the main character, Gawain, follows the pattern of the classical tragic hero. In this paper, we will explore the characteristics of the tragic hero and show how these traits are demonstrated in Gawain.
Desert pavements are common landforms in arid regions. They consist of flat or sloping surfaces where stones are closely packed angular or rounded, and generally exhibit low relief (Mabbutt, 1977). Pavements tend to form on both alluvial fan toposequences and on weathering volcanic flow fields in arid regions. Soils are often found under desert pavements and they play an important role in the evolution of pavements (McFadden et. al., 1987). In the past there have been several theories as to the formation pavements and soil development beneath them. Deflation, or the erosion of finer grained particles from a surface, stone concentration by wash erosion and upward displacement of stone due to shrink and swell clay characteristics were at one time believed to be the main factors in the formation of desert pavements (Mabbutt, 1977). However, more recent research has shown that desert pavements are born and maintained at the surface, and that the soil below them is mainly eolian in origin. Slow accretion of eolian dust below the pavement is a process that eventually develops cumulate horizons. Eolian dust in environments where pavements often develop is rich in carbonate salts and clays due to the fact it often originates from nearby playa lake evaporate basins (McFadden et. al., 1987). Soils that form below the pavements over time develop calcic horizons and clay rich structure due to the influx of these eolian fines through the pavement surface. In turn the development of mature or plugged calcic horizons effects the form of the pavement surface because it alters the water drainage infiltration rate and causes pavements to decline.
Singer, M.J., and Munns, D.N., 1996, Soils: An Introduction: Upper Saddle River, New Jersey, Prentice-Hall, Inc., 480p.
8[8] Sir Gawain and the Green Knight. Trans. Marie Borroff. Norton Anthology of British Literature Vol. 1, New York: WW Norton, 1993.
The story of Sir Gawain and the Green Knight revolves around the knights and their chivalry as well as their romance through courtly love. The era in which this story takes place is male-dominated, where the men are supposed to be brave and honorable. On the other hand, the knight is also to court a lady and to follow her commands. Sir Gawain comes to conflict when he finds himself needing to balance the two by being honorable to chivalry as well as respectful to courtly love.
There are many parallels that can be drawn from the three temptations and hunting scenes and the three blows exchanged by the Green Knight. All of these scenes are interlocked together in the way that Gawain's quest is told and his trails he endures leading up to his meeting with the Green Knight to fulfill his promise made the year before.
Tidall, J.M. and J.M. Oades, 1982, Organic matter and water-stable aggregates in soil: Journal of Soil Science 33: 141-63.
Sir Gawain and the Green Knight in The Norton Anthology of English Literature, Sixth Edition, Volume One. General Ed. M.H. Abrams. New York: Norton, 1993.
Sir Gawain and the Green Knight is a poem which tells the tale of a knight who undergoes trials-testing the attributes of knighthood-in order to prove the strength and courage of himself, while representing the Knights of the Round Table. One of King Arthurs most noblest and bravest of knights, Sir Gawain, is taken on an adventure when he steps up to behead a mysterious green visitor on Christmas Day-with the green mans’ permission of course. Many would state that this tale of valor would be within the romance genre. To the modern person this would be a strange category to place the poem in due to the question of ‘where is the actual romance, where is the love and woe?’ However, unlike most romances nowadays, within medieval literature there are many defining features and characteristics of a romance-them rarely ever really involving love itself. Within medieval literature the elements of a romance are usually enshrouded in magic, the fantastic and an adventure. Sir Gawain and the Green Knight follows Sir Gawain over the course of one year, from one New Years to the next, as was the deal he and Bertilak, the green knight, struck.
Perhaps one of the most influential artists characterizing Renaissance Humanism in their work is William Shakespeare. He produced as many as thirty-seven plays, 154 sonnets, two long narrative poems and miscellaneous verse before his death in 1616 (Gaines). In studying his work, numerous authors have found that it is one of the truest representations of the Renaissance Humanism movement. This movement identifies with a shift from the medieval movement, which mostly focused on god and faith, to a more individual approach to life. The focus was more about the human experiences and the optimistic attitude about what people really understood about themselves. In "Renaissance Humanism" Michelle Lee puts together numerous quotes from many authors analyzing the work produced during the humanism movement. The cited material in the article consistently continues to refer back to Shakespeare; how most of his work embodies the humanist thought process. For a Humanist the purpose of cultivating reason was to lead a better understanding of how to act. Many of the reasons cited throughout the article focus on two subjects, divine providence and human free will. Both Paul Siegel and Richard Mallette quote that Shakespeare's work is a reflection of the Elizabethan worldview of his time. Mike Pincombe states that in the play Hamlet, the character of Hamlet is a literary humanist, a man of the theater and a Dane and all three of these traits would evoke a certain stereotype to the audience in the Elizabethan Era. To the audience they would see the man as one who had classical learning, a refinement about oneself, respectable, highly educated, kind, and urbanized. All of these traits are ones that come through the character of Hamlet. Calvinism and ...
Are you a parent caring for your child while also caring for your own parent?
In reality a underdeveloped nation agricultural system has high rates of productivity. Due to farmers crop mixtures (polyculture). Between the rows of one crop there will be another crop, or several other crops, opposed to the empty spaces usually found between crops. Utilizing this area produces something of use to the farmer rather than requiring an investment of more labor, money or herbicides (CITE HERE). Meaning the more complex farming system (polyculture) is gets more total production per area. Underdeveloped agriculture systems produce a more diverse crop set with the same amount of energy it requires a large farm to produce a single crop. The agricultural output per area is larger than developed farms.