Sir Gawain is presented as a noble knight who is the epitome of chivalry; he is loyal, honest and above all, courteous. He is the perfect knight; he is so recognised by the various characters in the story and, for all his modesty, implicitly in his view of himself. To the others his greatest qualities are his knightly courtesy and his success in battle. To Gawain these are important, but he seems to set an even higher value on his courage and integrity, the two central pillars of his manhood.
Sir Gawain and the Green knight, one of the fourteenth century Middle English alliterative romances told a story of a beheading game which was used to highlight the importance of honor, chivalry and masculinity. The poem, being one of the Arthurian stories, introduced the character of Morgan le Fay who sets the story in motion (by sending the green knight) by wanting to humiliate Arthur’s court and frighten his wife Guinevere. Morgan Le fay’s Character set a story that survived years and is still revered to be one of the best poems. In Sir Gawain and the Green Knight, Morgan le Fay redefines how masculinity is viewed during the Arthurian period.
Awholly determined and brave commitment, mouthed by a gracious king. The Gawain poet, however approaches Arthur much differently in his tale. In stanza five, he describes the hot-blooded nature of the king, who makes rash demands as a rule before eating. Stanza twelve shows us a king who is overwhelmed in speech by the Green Knight, and who seems to have ignored the challenger's statement of peace completely. Finally, the court is utterly ridiculed, to a point at which Arthur accepts the challenge rashly in stanza fifteen, akin to a child taking a swing at another after so much urging. The usual grace and courtesy with which King Arthur is usually endowed is clearly subverted by these stanzas in Gawain and the Green Knight, seemingly to no purpose other than comedy. Here we shall discuss the elements of the three stanzas described above, with their uncharacterisitic treatment of Arthur, and take a deeper look into their purpose within the poem.
Sir Gawain was known as a noble and honest man who was willing to stare death in the face to protect King Arthur. However, the courtly Sir Gawain is submitted to the unexpected—not to the test he expects, but to one he does not expect (qtd. in Spearing). The underlying theme throughout the entire poem is temptation, which, is Sir Gawain’s greatest challenge because he is not aware of it.
Sir Gawain’s inner ideals and character are adequately tested and thoroughly defined throughout the poem of Sir Gawain and the Green Knight. During the course of his journey, Gawain was not only expected to maintain his honor to King Author, Lord Bertilak, Lady Bertilak, and the Green Knight, but was expected to maintain it while still loyally adhering to his chivalric and religious obligations. As a knight, it is important that he is loyal first and foremost to his God and religion just as importantly to his king. However, on his journey, Sir Gawain does not entirely live up to the integrity of a good knight as he struggles with conflicting values between his faith and knighthood. Although his honor appears to be questionable at times, Gawain’s nobility and bravery are shown in his compliance to face the Green Knight while withstanding the temptations and seduction of the lady, proving that he is truly an honorable knight.
In Gordon M. Shedd’s “Knight in Tarnished Armour: The Meaning of Sir Gawain and the Green Knight”, he argues that Sir Gawain and the Green Knight is truly about the strength and weaknesses of human nature. One particularly interesting part of his argument asserts that Gawain’s humanity broke medieval romance tradition.
Sir Gawain and the Green Knight, a fourteenth-century tale written by an anonymous poet, chronicles how Sir Gawain of King Arthur’s Round Table finds his virtue compromised. A noble and truthful knight, Gawain accepts the Green Knight’s challenge at Arthur’s New Years feast. On his way to the Green Chapel, Gawain takes shelter from the cold winter at Lord Bercilak’s castle. The lord makes an agreement with Gawain to exchange what they have one at the end of the day. During the three days that the lord is out hunting, his wife attempts to seduce Gawain. At the end of the story, it is revealed that Morgan le Faye has orchestrated the entire situation to disgrace the Knights of the Round Table by revealing that one of their best, Sir Gawain, is not perfect.
Essay with Outline Loyalty, courage, honor, purity, and courtesy are all attributes of a knight that displays chivalry. Sir Gawain and the Green Knight is truly a story of the test of these attributes. In order to have a true test of these attributes, there must first be a knight worthy of being tested, meaning that the knight must possess chivalric attributes to begin with. Sir Gawain is self admittedly not the best knight around. He says "I am the weakest, well I know, and of wit feeblest; / and the loss of my life [will] be least of any" (Sir Gawain, l. 354-355). To continue on testing a knight that does not seem worthy certainly will not result in much of a story, or in establishing a theme. Through the use of symbols, the author of Sir Gawain is able to show that Gawain possesses the necessary attributes to make him worthy of being tested. He also uses symbols throughout the tests of each individual attribute, and in revealing where Gawain’s fault lies. The effective use of these symbols enables the author to integrate the test of each individual attribute into a central theme, or rather one overall test, the test of chivalry.
In the final scenes of Sir Gawain and the Green Knight, Gawain’s encounter with Sir Bertilak allows Gawain to perceive his own flaws, manifested in his acceptance of the Green Girdle. The court’s reaction to his personal guilt highlights the disconnect between him and the other knights of the Round Table. Gawain’s behavior throughout the poem has been most noteworthy; his understanding of his sin, one that many of us would dismiss since it was propelled by his love of life, enhances his stature as a paragon of chivalry.
Though often extensive detail may be condemned as mere flowery language, in understanding Sir Gawain and the Green Knight one must make special emphasis on it. In color and imagery itself, the unknown author paints the very fibers of this work, allowing Sir Gawain to discern the nuances of ritualistic chivalry and truth. His quest after the Green Knight is as simple as ones quest toward himself. Through acute awareness of the physical world he encounters Gawain comes to an understanding of the world beyond chivalry, a connection to G-d, the source of truth. He learns, chivalry, like a machine, will always function properly, but in order to derive meaning from its product he must allow nature to affect him.
Chivalry, the medieval knightly system with its religious, moral, and social code, is the main theme throughout the poem, Sir Gawain and the Green Knight. The first hint comes of chivalry or “code” presents itself in the passage, “A warm welcome.../My name is Arthur…/Won’t you slide from that saddle…/and the business which brings…” (252-255). In this passage, King Arthur is offering provide the Green Knight a warm and safe place to sleep for the night. The moral and social code of a Knight strictly enforces this type of behavior to be courteous and respect others. A major portion of the code comes forth when Sir Gawain has an internal struggle against an ideal. The question arises of what he should do, between offending the Lord or offending
Sir Gawain is, undoubtably, the most varied of the Arthurian characters: from his first minor appearance as Gwalchmei in the Welsh tales to his usually side-line participation in the modern retelling of the tales, no other character has gone from such exalted heights (being regarded as a paragon of virtue) to such dismal depths (being reduced to a borderline rapist, murderer, and uncouth bore), as he. This degree of metamorphosis in character, however, has allowed for a staggering number of different approaches and studies in Gawain.
Sir Gawaine and the Green Knight, a poem of pitting chivalrous courage against a game of deceitful trickery, relies heavily on the symbolic messages its protagonists send through their apparel. The anonymous poet dedicates numerous lines to describing the artifacts of armor, clothing, and jewelry both characters display. Dress, designed to convey a multitude of concepts is crucial to the story's plot; the elements of garb also work in tandem to reaffirm specific personality traits. The dominant role and emphasis of apparel as portrayed by the poet is in part a logical extension of the medieval culture climate in which the poem was penned. Middle era society placed high value on cloth and textile in general, an attitude that is reflected in the poem, where the author places high value on its description and uses it to convey plot and personas. Concentrating on the description of the Green Knight when he first enters King Arthur's court and the description of Sir Gawaine's imminent departure on the quest to find the Green Knight, will show their distinct entities and the opposite roles they have assumed in the "beheading game", essential to the development of the story line. Furthermore, the poet also places emphasis on armor, particularly the shield Gawaine uses; an analysis of this will confirm that accouchements are valued as important vehicles to convey central theme in the plot. Finally, the green girdle, the piece of cloth that leads to the climax end of the poem, will be evaluated for its emblematic content.
In the fourteenth century, an unknown author wrote Sir Gawain and the Green Knight, and now this poem is one thought to be of the finest Arthurian romance that belongs to the Alliterative Revival. Sir Gawain and the Green Knight is a story about many complicated issues, and mainly it concentrates on the character of Gawain who is one of the best knights in Arthur’s kingdom. The action takes place when Arthur is still young and enjoys big celebrations in Camelot. The passage from lines 60 to 129 describes the New Year’s celebration in Arthur’s court around his famous Round Table.
According to Elspeth Kennedy, medieval knights were the primary audience for Arthurian romances like {em Sir Gawain/}. Many of these romances were intended to inspire knights towards the goals of honor and chivalry; in fact, as Kennedy points out in ``The Knight as Reader of Arthurian Romance'', later knights who codified chivalric practice often quoted Arthurian romances as a source. (Culture, 70).