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Chaucer’s Knight and Squire: two models of chivalry
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In the fourteenth century, chivalry was in decline due to drastic social and economic changes. Although feudalism-along with chivalry-would eventually fall for other reasons, including a decrease in cheap human resources due to a drop in population caused by plague epidemics and the emergence of a mercantile middle class, the Gawain author perceived a loss of religious values as the cause of its decline. Gawain and the Green Knight presents both a support of the old feudal hierarchies and an implicit criticism of changes by recalling chivalry in its idealized state in the court of King Arthur. The women in the story are the poet's primary instruments in this critique and reinforcement of feudalism. The poet uses the contrast between the Virgin Mary with Lady Bertilak's wife to point out the conflict between courtly and spiritual love that he felt had weakened the religious values behind chivalry. The poem warns that a loss of the religious values behind chivalry would lead to its ultimate destruction.
Although superficially Sir Gawain and the Green Knight appears to be a romantic celebration of chivalry, it contains wide-ranging serious criticism of the system. The poet is showing Gawain's reliance on chivalry's outside form and substance at the expense of the original values of the Christian religion from which it sprang. The first knights were monastic ones, vowing chastity, poverty and service to God, and undertaking crusades for the good of their faith. The divergence between this early model and the fourteenth century knight came with the rise of courtly love in which the knights were led to their great deeds by devotion to a mistress rather than God. The discrepancy between this and the church's mistrust of women and desires of the flesh is obvious, and the poet uses women in the story to deliver this message. In contrast to reality at the time, women in the story are given great power: Mary, when properly worshiped, gives Gawain his power, Lady Bertilak operates alone in the bedroom and singlehandedly taints the chevalier, and Morgan the Fay instigates the entire plot, wielding enough power.
The author is using them as a metaphor for other anti-social forces and dangers outside the control of feudalism and chivalry, drawing upon biblical and classical examples in his audience's minds of where femininity is linked with subversiveness. Lady Bertilak is clearly seen in the Biblical role of the temptress, the Eve who led Adam astray--in Gawain, she represents the traditional female archetypes of courtly love, disobedience, lust and death.
All throughout the poem titled Sir Gawain and the Green Knight it simply seems as if it is full of male power and masculinity. Sir Gawain, a knight from King Arthur’s court who steps up and agrees to take the blow from the Green Knight’s axe when he interrupts the holiday feast. The obvious male power of King Arthur, the power and masculinity of the Green Knight to come in and demand that one knight must receive a blow from his axe, and masculinity of Sir Gawain to step up and not only agree to take the blow but to cut off the Green Knight’s head first. The male power and masculinity shining through all three of these male characters mentioned is very prominent. We later meet Lord Bertilak who also shows male power and masculinity through his
...stops him from sleeping with Bertilak’s wife, only until his finds a way to avoid death does he goes against them. What Gawain learns from the green knight’s challenge is that instinctively he is just a human who is concerned with his own life over anything else. Chivalry does provide a valuable set of rules and ideals toward which one to strive for, but a person must remain aware of their own mortality and weaknesses. Sir Gawain’s flinching at the green knight’s swinging ax, his time in the woods using animal nature requiring him to seek shelter to survive and his finally accepting the wife’s gift of the girdle teaches him that though he may be the most chivalrous knight in the land, he is nevertheless human and capable of error.
In a the story, Sir Gawain and the Green Knight, Sir Gawain is faced with many challenges. Many of the challenges have to do with him trying to maintain his chivalry. Part of him maintaining his chivalry is to stay loyal; he should not give in to Lady Bertilak, who is constantly pursuing him, but should also listen to what she tells him to do. During Gawain 's stay at Bertilak’s castle, Lord Bertilak suggests they play a game in which they will have to exchange the winnings they gained that day. In the end, the story tells us that Lady Bertilak had been following the instructions her husband had given her to try to trick Gawain into not staying true to his word during the game they played. However, Lady Bertilak did many unnecessary and sexual
Women were always viewed as weak, dependent, and powerless in the Middle Ages. Not only is it a common view during that time period, but this also is often stereotyped labeled to women today as well. In the romance Sir Gawain and the Green Knight, the hatred of women is portrayed throughout. However, while women are certainly looked down upon, they also are influential to the knights. This romance also portrays how a woman having different characteristics, could change the way she was viewed as well. Although women in the Middle Ages appeared to lack power, the women in Sir Gawain and the Green Knight have a hidden influence over the men and actually drive the action of the medieval romance.
Changing Women's Roles in The Epic of Gilgamesh, Sir Gawain and the Green Knight and The Canterbury Tales
“Culture does not make people. People make culture” said Chimamanda Ngozi Adichie, a Nigerian writer and educator, in a presentation on feminism in a TedTalk. The culture in which Sir Gawain and the Green Knight was written was misogynistic and it shows in the writing of the poem. Medieval cultural misogyny manifests itself in multiple ways in SGGK. This paper will examine the negative relationships between Sir Gawain and the Green Knight and gender by discussing: the representation of female characters, gendered violence, and Christianity in the Middle Ages.
When I observe literature works of Medieval and Renaissance period, a man success is determine by the roles of women. I heard a famous quote say "behind a great man there is a amazing woman". As I examine literature works, in the Medieval time of "Sir Gawain and Green Knight "and the Renaissance period of The Faerie Queene of Book I. We have two extraordinary Christian like figures Sir Gawain and Red Crosse who represent Christianity in their respectably time period . Both men endured several tests and have sinned against God. While these men were in the mist of their downfall, they had significant woman who guided them along way to find Christ again. I will view the roles of women like Lady Bertilak of Sir Gawain and Una of the Red Crosse
Bertilak "reads" the ominous and the disruptive in Layamon's depiction of the origins of Britain. By locating the story of Gawain's flirtation with Lady Bertilak within the context of Layamon's chronicle of treason in Troy as well as at Camelot, the Gawain-poet complicates any reading of Camelot and Hautdesert as opposed places with opposed valuations. Treason is already and always present at Camelot, named with obscure referent in the first stanza of Sir Gawain and the Green Knight--and this very obscurity points to the difficulty of reaching any conclusions surrounding gender or sexuality in the poem. The use of history shows that femininity, masculinity, normative sexuality and transgression are all difficult, perhaps impossible, to define. Gawain, of course, does not read Brut, and is therefore left floundering in search of a finality which is unobtainable within the world of this poem.
Throughout Gawain, you see Lady Bertilak is more dominant and Gawain is more feminine. You see this in the bedroom scenes the most. Bertilak is the one trying to seduce Gawain, which shows her being more forward and making her more blunt than most women were in that time.
In the poem Sir Gawain and the Green Knight by Poet Pearl, Sir Gawain, knight of the Round Table, acts chivalrously, yet his intents are insincere and selfish. It is the advent season in Middle Age Camelot, ruled by King Arthur when Poet Pearl begins the story. In this era citizens valued morals and expected them to be demonstrated, especially by the highly respected Knights of the Round Table. As one of Arthur’s knights, Sir Gawain commits to behaving perfectly chivalrous; however, Gawain falls short of this promise. Yes, he acts properly, but he is not genuine. The way one behaves is not enough to categorize him as moral; one must also be sincere in thought. Gawain desires to be valued as
After reading through the piece of literature Sir Gawain and the Green Knight, one will realize there are many elements present throughout that could be analyzed such as humility, chastity, and courage. It could be interpreted that the author meant for the main theme of the writing to be a theme of chastity. Although the element of chastity is present in that Sir Gawain is tested by many sexual temptations, the element of humility is one that is prominent and changing throughout the piece. Humility is apparent throughout the story in the way Sir Gawain displays false humility at the beginning, the way he keeps his humility during his stay at the castle, and the way he is truly learns humility after his challenges with the Green Knight are over.
The story of Sir Gawain and the Green Knight revolves around the knights and their chivalry as well as their romance through courtly love. The era in which this story takes place is male-dominated, where the men are supposed to be brave and honorable. On the other hand, the knight is also to court a lady and to follow her commands. Sir Gawain comes to conflict when he finds himself needing to balance the two by being honorable to chivalry as well as respectful to courtly love.
Sir Gawain and The Green Knight is an example of medieval misogyny. Throughout Medieval literature, specifically Arthurian legends like Sir Gawain and the Green Knight, the female characters, Guinevere, the Lady, and Morgan leFay are not portrayed as individuals but social constructs of what a woman should be. Guinevere plays a passive woman, a mere token of Arthur. The Lady is also a tool, but has an added role of temptress and adulteress. Morgan leFay is the ultimate conniving, manipulating, woman. While the three women in this legend have a much more active role than in earlier texts, this role is not a positive one; they are not individuals but are symbols of how men of this time perceive women as passive tokens, adulteresses, and manipulators.
Sir Gawain and the Green Knight fit in with the concept of a romance; it has all the elements that would make one consider the text as so. The tale holds adventure, magic, a quest and an unexpected reality check that even those who are considered “perfect” are also just humans. The author used this story as a way of revealing faults in some of the aspects of knighthood through the use of intertwining chivalric duty with natural human acts; thus showing to be perfectly chivalrous would be inhuman.
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.