In the myth of Cupid and Psyche there are different versions which have similarities and differences. Three of the writers are Padraic Colum, Edith Hamilton, and W.H.D. Rouse.
There are many similarities between the different versions of Cupid and Psyche. There was a king who had three daughters, but out of all three of them Psyche was the most beautiful person that seemed like a goddess. Her beauty spanned the earth and men from all over the earth wandered to admire her beauty. Venus’ temples were abandoned and no one gave a thought of her. Venus called for her son, Cupid, to help her ruin Psyche by making her fall in love with the meanest and hateful man in the world. When Cupid laid his eyes upon Psyche he fell in love with her. Psyche was only admired but was never loved. Her father went to an oracle of Apollo and asked for his advice. Psyche was on the high hilltop when Zephyr lifted her up and laid her down in a valley. She heard voices inside her head even though she couldn’t see them saying, “We are your servants. Ready to do whatever you desire.” Cupid told Psyche that the...
...s talk and the two sisters become awfully jealous of her. After they try to find out the truth of Psyche and her husband, they leave with some jewels. The night after the two sisters leave, Psyche can’t sleep at night and order her servants to bring her a lamp. She sneaks into her husband’s room, to find a beautiful creature with great, white folded, feathered wings. He is the son of Aphrodite’s, Eros – she says. As she quietly moves away, her oil lamp drops oil on Eros burning him and waking him up. He explains to Psyche that “mortals and gods are forbidden to marry” (p.137) that’s why she couldn’t see him and now he must go away from her. In this play we see that Pandora should’ve listened to her husband, Eros, and it caused herself bad in not listening to Eros, but we see that things can work out after something terrible occurs, such as the birth of a child.
"PSYCHE : Greek Goddess of the Soul | Mythology, Psykhe, W/ Pictures." THEOI GREEK MYTHOLOGY, Exploring Mythology & the Greek Gods in Classical Literature & Art. Web. 8 Oct. 2011. .
In both texts "The Unfortunate Fireflies" a fiction article by Clara Dillingham Pierson and "The Discontented Rock" an Iroquois tale by Frances Jenkins Olcott, both characters believed something about themselves that is not true.Both characters believed on something that is slightly similar and slightly different. But, then learned their lesson and the characters changed.
One of the myths was, Polyphemus was in love with a sea nymph named Galateia, a sicilian nereid who had cheated on him with a man named Acis. When Polyphemus discovered this he crushed Acis under a rock. Another myth was the story of Odysseus. This story was when Polyphemus had captured Odysseus one of victorious greek leaders and twelve of his crew members when they were sailing for home from the trojan war. They became captured when they arrived to an unknown island of cyclopes. Odysseus and his men came upon the cave of Polyphemus, and went inside in hopes to steal food while Polyphemus was away tending his flock. Curiosity got the best of Odysseus as he wanted to see what a cyclops looked like. Odysseus and his men hid in the cave waiting for Polyphemus to come back.
Harris, Stephen L., and Gloria Platzner. Classical Mythology: Images and Insights. 2nd ed. Mountain View: Mayfield, 1995
From the very start we see Apuleius using references to Roman myths as similes to everyday occurrences. When Fotis, the slave, enters his bedroom to make love to him, he remarks that "she stood, transformed into a living statue: the Love-goddess rising from the sea. The flushed hand with which she pretended to screen her mount of Venus showed that she was well aware of the resemblance; certainly it was not held there from modesty." He describes a slave girl trying to seduce him as Venus rising out of the sea. Some of this description may be a hyperbole for Lucius' love of Fotis. However, Apuleius goes beyond this by linking Fotis directly to Venus. Thus, the most beautiful goddess in the Pantheon is easily seen in a slave girl. Similarly, Thelyphron, when telling the story how members of a household attacked him, describes himself as feeling "like Adonis mauled by the wild boar, or Orpheus torn in pieces by the Thracian women." This...
While in Theogony it only describes the beauty, Athena gave her. I think Hesiod does this because in Theogony, he later explains how evil women is to men. In the description of the woman he wanted to show how different women would look from man, in Theogony he is telling the background stories so he must tell his reader how this woman looks like and emphasis more on her beauty and how that would capture a man. While, in Works and Days his speaking to his brother and he probably knows how that woman looks like and so he emphasizing more on how she was created evil, how the gods and goddess design her to be evil. In this poem, Hesiod tells us her name Pandora while in the other poem he does not. I think this is like this because in Theogony women is the embodiment of evil. She is more of a symbol, Theogony is meant to tell us how things came about and what things are. While in Works and Days the woman was design as someone who will ruin mankind not exactly classifying all women as being the evil but instead being descent of the one who ruin mankind. She was the tool made to unleash all the evils in the world. I think Hesiod did this because his explaining to his brother Prometheus reckless actions leads to the
The society in which classical myths took place, the Greco-Roman society was a very patriarchal one. By taking a careful gander at female characters in Greco-Roman mythology one can see that the roles women played differ greatly from the roles they play today. The light that is cast upon females in classical myths shows us the views that society had about women at the time. In classical mythology women almost always play a certain type of character, that is to say the usual type of role that was always traditionally played by women in the past, the role of the domestic housewife who is in need of a man’s protection, women in myth also tended to have some unpleasant character traits such as vanity, a tendency to be deceitful, and a volatile personality. If one compares the type of roles that ladies played in the myths with the ones they play in today’s society the differences become glaringly obvious whilst the similarities seem to dwindle down. Clearly, and certainly fortunately, society’s views on women today have greatly changed.
According to Boutot & Hume (2012), the four common myth are: (1) “ABA and DTT
Briefly speaking, the Hymn to Demeter is similar in playing out the theme of separation and isolation by depicting Persephone picking flowers in and isolated space. In Ovid's version, the empowerment of women plays an important role by the story being told by a woman, Venus being the mastermind, and Ceres being a strong confident woman and taking swift action. Also, the roles of the gods are switched with the nymphs, and the symbolist use of the environment is seen in the abduction of Proserpine.
Finally, there are the goddesses. They represent women in all their glory. They are very human-like in that they feel the same emotions like jealousy, anger, pride, revenge, excitement, joy, compassion, etc. The exception being that they have supernatural powers. Homer even makes then human-like to the extent that they fall in love with mortals, for instance Calypso.
The main characters of each work are automatically associated with each other by their names, but they also share similar personalities and characteristics. Odysseus is a wily hero of the Trojan War who uses his deceptive...
In Till We Have Faces, C. S. Lewis retells the myth of Cupid and Psyche from the point of view of Psyche's sister, with powerful insight into the nature of human affection and the relationship between human and divine. In the original myth, Psyche is the youngest of three princesses, so beautiful that men begin to worship her instead of Venus. The goddess avenges herself by commanding that Psyche be exposed on a mountain to die, but her son Cupid secretly rescues her, having fallen in love with her. He hides her in a palace where he visits her nightly, but he forbids her to see his face for fear of his mother. After a time Psyche is granted a visit from her sisters; seeing the splendor of her palace, they are jealous. They tell her that her "husband" must be some horrible monster, and they persuade her to disobey the god's command and light a lamp while he sleeps, to see if it is not so. This she does, but he wakes and rebukes her, and she goes into exile to be tested until worthy of her husband. Lewis's retelling makes the god's palace invisible to mortal eyes; thus Psyche's sister Orual, the narrator of the tale, can insist it is not jealousy but concern for Psyche that motivates her to act as she does. Told from Orual's point of view, the story shows her journey to self-discovery and understanding--her quest to find her face, for as she learns, the gods cannot "meet us face to face till we have faces"--until we know our own selves. Faces are thus a strong source of imagery and symbolism in the book. One's face is a reflection of one's soul and true character. It is, symbolically, one's identity. The faces of Orual and Psyche, of Ungit and her son the God of the Grey Mountain, give us insight into their ...
In the story of Daphne and Apollo, the chief agent of transformation is love, represented by Venus and her youthful and mischievous son, Cupid. When the god Apollo brags to Cupid of his great might exemplified by his defeat of the python, Cupid humbles him by reducing the great god to a shameless lover with his gold-tipped arrow of love. A transformation of sorts takes place when the Cupid's arrow strikes Apollo. Apollo transforms from a bragging God who claims superiority over Cupid by saying, 'You be content with your torch to excite love, whatever that may be, and do not aspire to praises that are my prerogative,';(p. 41) to a man possessed by desire. Despite his powers of strength and domination, the God of War is humbled by Love. A lesson is being taught to Apollo by Cupid. A weakness is spotlighted and exposed, and the role of Apollo is almost completely reversed. He is transformed from a figurehead of power to a crazed lover with no power over his love.
A. A myth that I was told as a child is one version of the myth of Medusa and Athena. There was a beautiful maiden named Medusa who lived in Athens, Greece. She was very proud of her beauty, it was all she ever spoke or thought about. Medusa would also admire herself in a mirror for quite a long time. One day, she visited the largest temple of the goddess Athena, named the Parthenon. The temple was filled with statues and paintings of Athena. Medusa then told her friends that the sculptures and paintings should have been of her since she was prettier than Athena. Medusa was admiring her reflection from the large bronze doors, when suddenly, she was looking at Athena instead of herself. Athena was furious with Medusa, she then tells