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Essays on the birth of venus
Art styles of the Renaissance
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For this writing assignment we had to choose 2 different paintings form either different regions and different time periods, I choose “The Birth of Venus” by Sandro Botticelli and “Judith Beheading Holofernes” by Michelangelo Caravaggio. Both of the artists lived similar yet very different lives which influenced their works greatly. Sandro Botticelli the artist behind “The Birth of Venus” was an Italian painter of the early Renaissance born in Florence during the mid 1400s, about 1450. Botticelli started art apprenticing in goldsmithing and then started his painting with a master painter, Filippo Lippi. His counterpart Michelangelo Caravaggio the artist behind “Judith Beheading Holofernes” was also an Italian painter, however Caravaggio …show more content…
“The Birth of Venus” is estimated to have been made in the mid 1480s, patronized by the extremely wealthy and dominant Medici family.Without a doubt the Medici family was one of the most influential dynasty of their time, which started in Florence, Italy during the first half of the 15th Century; they affected government politics, religion, and art which they affected the most and had a very long lasting effect on. “The Birth of Venus” is currently located in the “Uffizi Gallery”, a complex made by Giorgio Vasari in 1560 for Cosimo 1 de’ Medici to accomodate for the offices of the Florentine magistrates, which is how it inherited its name; uffizi meaning offices. The Uffizi Gallery was finished in 1581 becoming a gallery for family and friends of the Vasari; although it was made for private viewing it later became a public museum between the 18th and 19th century. The museum holding “The Birth of Venus” were both commissioned by the same patron, the Medici family and hangs as a tourist attraction along with many other paintings paid for by the praiseworthy Medici family. A little more than 110 years later Caravaggio would create one of his masterpieces “Judith Beheading Holofernes”, similarly to Botticelli, Caravaggio was patronized by the same person or group for large part of his lengthy career. His patron, Cardinal del Monte was an Italian Cardinal and diplomat who all throughout the 1500s …show more content…
In the scene of her art work it shows Venus arriving at the shore after her birth a fully grown adult. In the center of the artwork is the newly-born goddess Venus who is standing in the bare atop a giant scallop shell. In the story of her birth, Venus’s scallop is there but it’s size is not described however in the artwork the scallop is huge as anything a human-like being can ride on must be. Hovering above the waves to the left of Venus is a wind god, called a Zephyr who is blowing air along with a young female who the Zephyr is carrying even though they both have wings. The Zephyr is blowing a strong stream of air radiating from his mouth while his female companion is blowing less forcefully helping the Zephyr propel Venus across the waves towards the shore. The original artist Vasari was most likely trying to the women as Venus’s aura, personifying it as a light breeze which is pushing her hair and flowers while the Zephyr’s stronger stream blows the scallop shell. Since the piece was made during the Renaissance era, Venus couldn’t be drawn completely showing herself off to the world, which forced Botticelli paint Venus covering her lower genitalia with her hand which is holding her hair. Unlike Venus, the female painted off to the right is clothed in a flowing dress. The female, who is one of the three Horae or
Both Goddesses stand nude, slightly covering their genitalia; It’s as if Botticelli took on the modest look Praxiteles put forth. The only difference in the modesty shown is Venus’ long flowing locks some how managed to cover her slight indecent moment in time. Both men set forth a type of admiration for the women pictured in their pieces considering they gave them some kind of covering. When looking at the goddess’s facial expressions, we can see a very apparent deviance in their half smiles, as if they were caught. The Aphrodite represents a quite symmetrical body with even the softest features easily recognizable but, Botticelli was quite close to mimicking such. The Venus’ elongated neck with shoulders slightly sloped still can be compared to the soft features of Aphrodite. Aside from the standing contrapposto, the softness featured in both pieces is what simply draws them
Giorgione or Giorgio Barbarelli da Castelfranco was born in 1477 or 1478, the exact date is not known, in Castelfranco. Even though there were no more than about twenty paintings officially associated with him, of which only about six are attributed to him without doubt, his originality was so powerful that these few works have come to represent not only the first stage in the Venice High Renaissance, but a new trend in Italian art as well. Surviving documentation of his life and work is sparse.
It is determined the Antonine Woman as Venus is a woman of aristocratic status. The portrait is made of fine-grain marble, a medium only upper-class persons could afford. Also, only persons of wealth could afford to have such a protrait made. The woman is portrayed as Venus, a goddess who is connected to the imperial family, and members of a royal family would often have themselves depicted as a deity. (De Puma 26) We know she is being portrayed as Venus because of her bare breast and the upper-arm ring. The bare breast is a key to Venus because she is the goddess of sexuality and desirability. The upper arm ring can be an attribute of Venus as the Statue of Aphrodite (Venus) by Praxiletels displays the same jewelry on a nude body. (Fantham 175)
The Birth of Venus is a beautiful Renaissance canvas masterpiece created by Sandro Botticello. The picture illustrates the birth of Venus in a very mystical way. Venus has emerged from sea on a shell which is being driven to shore by flying wind-gods. She is surrounded by beautiful roses which are painted in a truly remarkable color. As she is about to step to land, one of the Hours hands her a purple cloak. The back drop includes the sea and a forest. The overall effect of this painting are almost overwhelming, color and beauty meet the eye in every angle.
No one knows exactly when the Italian artist, Tiziano Vecellio, was born. Over the centuries, there has been a great deal of confusion concerning the date, due to a misprint in his biography by sixteenth century art historian, Girgio Vasari. Vasari recorded the date as 1480, but the progress of Tiziano Vecellio’s work, as well as other documented sources, announce his date of birth to be sometime between 1488 and 1490. (Magill 2310) The place of his birth was Pieve de Cadore, in the Alps north of Venice. Tiziano Vecellio, also known as Titian, was a great master of religious art, a portraitist, and the creator of mythological compositions, which have been so decorative and inventive that no other artist has yet surpassed them. People such as his wife, Cecilia, Giovanni Bellini, and the Holy Roman Emperor, Charles V, influenced Titian. (Magill 2311) Titian is considered to be one of the greatest artists of the Italian High Renaissance. Titian developed an oil-painting technique during his time as an artist of successive glazes and broad paint application that influenced many generations of artists to follow along with his other various important accomplishments.
In Florence, Italy, the famous, Leonardo da Vinci started painting The Mona Lisa one of the most well known paintings in the entire world, in 1503 and finally completed it in 1517. One of the biggest reasons for the popularity of the painting is the artist himself. Leonardo is one of the most recognized artists of all time. The Mona Lisa was painted after Lisa del Giocondo, the wife of a wealthy merchant Francesco del Giocondo from Tuscany. The painting was created to be a celebration of their home's completion as well as the arrival of their second son. The Mona Lisa is one of the most well know paintings from the time of the Renaissance. This painting as well as Leonardo da Vinci, inspired and affected many of the artists and writers in the Renaissance. It also changed the way people saw and made art. During the Renaissance art was usually just what they saw. They drew people the way they were, with no real sense of freedom to be creative. The Mona Lisa's background was mainly different because of its landscape. The Mona Lisa was one of the first paintings if not the first to have an imaginary background. This means that the background was so unique, because no other artists had decided to create a piece with an Aerial view, creativity, and freedom. It opened up new possibilities for other artists to step of out their comfort zone and not only make what was expected of them.
artistic feat in Florence because it was the first portrait painted in Italy with oil and was
Located in a hallway nestled between the Art of Europe and Art of Ancient Worlds wings at the Museum of Fine Arts, Boston is the Italian Renaissance Gallery (Gallery 206). Here, Donatello’s Madonna of the Clouds and Luca della Robbia’s Virgin and child with lilies face one another, vying for museum-goers’ attention from alternate sides of the narrow gallery. Both pieces indulge ingenious techniques, original at the time of conception, to create a completely new visual experience of a very traditional biblical scene, the Virgin Mary with her child, Jesus Christ. This paper will employ close visual analysis of two 15th-century Renaissance reliefs from Florence depicting the Virgin Mary and Jesus Chris in order to show how these artists used innovative
Long, J.C., (2008). Botticelli’s Birth of Venus as wedding painting. Aurora, The Journal of the History of Art, 9, p.1. ISSN 1527-652X.
Given the accuracy of the representation of the anatomy depicted in the Venus of Willendorf, that is the way the breasts hang and the way the “fat” sags at the knees, it is very possible the image was actually made after a real person (Witcombe, sec. 4) lending credence to the belief the figurine was carved to symbolize a woman of importance. If made after a real person, that female must have had considerable significance within her community to have grown so corpulent which supports the idea of matriarchal society (Witcombe, sec. 4). Witcombe further speculates that these statuettes may have served as a representation of the Mother Goddess, also referred to as Earth Mother and that the deity may have been represented in the form of a leader or matriarch.
Long, J.C., (2008). Botticelli’s Birth of Venus as wedding painting. Aurora, The Journal of the History of Art, 9, p.1. ISSN 1527-652X.
In history, there were two paintings that were very similar yet different. One was called the “Mona Lisa” which was painted by one of the most famous artists of the renaissance, Leonardo da Vinci. The other painting was called “Portrait of a Lady” by the flemish artist, Van der Weyden. They both were a huge influence in the art world during their lifetimes. And even after their deaths, their lives and works continue to inspire the minds and hearts of each generation.
Since the first prehistoric cave painting, and perhaps much before that, the human race has always used art as a form of expression. With the passing of each historical period came new technologies and techniques and were all influenced by the unique style, characteristics, and social conditions of those periods. Even though, each period discovered new forms and unique styles of art most historical periods were influenced by an earlier period of history. In this essay, I will explore the relationship, style, and influences of the Renaissance and Baroque periods and will also compare and contrast a work of art from both periods to further explain the relationship between the two eras.
Venus’s standing inside a large pearl colored seashell with golden edges, represents female genitalia giving a symbolic birthing scene, and has been blown ashore by Zephyors and Chloris who’s floating above the sea on the right of Venus. Zephyors is the god of the west wind ,his face shows strain from the power of his breath his cheeks inflated with air ,lips puckered , forehead wrinkled with by the force he’s expelling the wind. Zephyors skin is tan with long brown hair the same as the color of his angelic wings , his body is in a bracing pose with his arms pushed back with his hand opened his chest exposed and forced forward, his blue cloak tied around his neck is blown back from the winds wrapping around his right arm and pelvis. Zephyors left hand is wrapped around Chloris. Chloris is a nymph associated with spring and blossoming flowers, her arms are wrapped around Zephyors with her fingers intertwine on his right side her right leg is hooked on his upper left pelvis down to his knee. Chloris upper body is facing Zephyors with her head nearly touching his looking towards Venus, her mouth is slightly open face relaxed her eyes focused on Venus almost in awe of her beauty .Chloris cloak tied on her left shoulder rich dark green color with gold highlights draped over her body with her left breast exposed. Her skin
Michelangelo and Caravaggio at some point in history were the most famous artists in Rome, Italy. Michelangelo a prominent architect, poet, sculptor, and painter found his success in Italy during the High Renaissance period (1490-1527). While Caravaggio was the most popular painter in Rome and spearheaded the Baroque period (1650-1750). Artists like Caravaggio in the Baroque period turned to a powerful and dramatic realism, intensified by bold contrasts of light and dark. Michelangelo’s reputation as a painter fluctuated during the High Renaissance, but his devotion to his art and his genius undoubtedly influenced artists such as Caravaggio during the Baroque Period. However, each artist had incredibly different styles, and utilized different mediums in their most popular works of art. Despite that there are also many similarities which indicate Michaelangelo’s heavy influences on Caravaggio and Baroque Period art. The comparison will be between Michelangelo, Ceiling of the Sistine Chapel, Vatican City, Rome, Fresco. c. 1508-1512 and Caravaggio, Calling of St. Matthew, Contarelli Chapel, San Luigi dei Francesi, Rome, Oil