Being in a position of great power can cause one to think they are in control. Oedipus and Creon, in Sophocles’ plays, The Oedipus Cycle, find out that being a king is nothing in comparison to being a god. Throughout their lives of triumph that ended in misfortune, they learned great value from changing their ways and recognizing their stubborn pride. Oedipus was able to see his faults, much sooner than Creon, though their fate was inevitable. A tragic hero is one who makes a judgement error that ultimately leads him/her to his/her own destruction while also learning from the experience. They both are deemed tragic heroes, after facing their fate, accepting the responsibilities of their actions, and recognizing that the gods are the ones in control.
Oedipus seeks the truth about who his real parents were. To do this went to visit with the oracle at Delphi, though instead of getting the truth, he was told unpleasant things that would happen to him, such as lying with his own mother, breeding children from her womb, and killing his own father. After finding this out, Oedipus leaves
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They come to accept that their actions caused the downfall in their lives. Oedipus, despite the strange destiny from the gods, is able to realize and accept the responsibility for all his acts; He says, “Do not counsel me anymore. This punishment that I have laid upon myself is just” (Sophocles, Exodos, pg. 73). Oedipus is seen as a tragic hero through his ability to admit to the acts he made and change from them. He even goes as far to exile himself out of Thebes, which he says, “But let me go, Creon! Let me purge my father’s Thebes of the pollution of my living here, and go out to the wild hills, to Kithairon, that has won such fame with me … and let me die there, as they willed I should”( Sophocles, Exodos, pg. 77). For these words and actions he is seen as a tragic
Aristotle once said, “A man cannot become a hero until he can see the root of his own downfall.” A tragic hero is defined as a literary character who makes a judgement error that inevitably leads to his or her own destruction. In the play Antigone, King Creon was perceived as a powerful, respectable, and confident king; inadvertently his confidence and arrogance had led him to the termination of his reign. Creon was confronted with a difficult situation in which he must chose to abide the law or support his niece, Antigone. While being entangled with his pride, he had not given Antigone a chance to persuade him. He had done what he deemed appropriate as king by abolishing his own niece, unaware of the consequences that the future held for him. The interactions between Antigone and Creon in this play had exploited Creon’s flaws and had influenced his decisions which eventually
The oracle tells Oedipus his fate is the death of his father by his own hands and that he will marry his mother. He does not answer the original question Oedipus asked as to who his true parents are. Upon hearing this Oedipus decides to leave the city and never return as long as his parents (Polybus, Merope) are still alive.
As once said by Aristotle, "A man doesn't become a hero until he can see the root of his own downfall". A tragic hero is often seen as someone with great stature who is noble yet imperfect, and experiences suffering due a moral flaw. In Sophocles’ Ancient Greek play The Oedipus Cycle, Creon represents the true tragic hero when his flawed actions and excessive pride create the path towards his demise.
Macbeth, Brutus from Julius Ceasar, John Proctor from The Crucible, Hercules, Sirius Black from Harry Potter, and Spiderman all have a common fate, they are all tragic heroes. A tragic hero is a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. Every hero has a downfall and a purpose; typically it is for the greater good for everyone else. In The Oedipus Plays of Sophocles, there are two characters that could be defined as tragic heroes, they are Antigone and Creon. Bounteous people do not envisage Antigone as a tragic hero, these people believe she was crazy, had no purpose, and did not help the kingdom. Although, countless people do not comprehend that she actually did save the citizens of Thebas, and tried to help Creon.
Over time, history has given society many to whom we call true heroes. There are many reasons these heroes have been looked up to such as: bravery, dedication, confidence, and inspiration. However, a tragic hero requires a few different qualities. Aristotle describes a tragic hero as a “member of royalty,” someone who “must fall from tremendous good fortune,” and someone who creates pity for him or herself (“Connections: A Theory” 2000). In Greek drama, Sophocles’ Antigone and Euripides’ Medea both contain several possible tragic heroes including Medea, Jason, and Creon. More specifically, in Antigone Creon exemplifies the qualities of a tragic hero best due to his prominent power as king of Thebes, the way he holds strong to his stubborn pride, and the sympathy felt for him in his tragic downfall.
Throughout the play, Oedipus is faced with the truth and fails to acknowledge it. He is first told by the drunk at the party, but he dismisses it as just something said by an ignorant drunk. He then visits the oracle and is told his fate determined by the gods and believes he can escape it by fleeing to Thebes. On his way he carries out the first part of the fate by killing his father. He then makes it to Thebes and marries Jocasta, unknowingly fulfilling the fate. Teiresias finally tells Oedipus the horrible truth, but Oedipus calls him a liar and fails to recognize the truth again. When Oedipus finally figures that what the oracle, drunk, and Teiresias was all true, he cannot handle it and blinds himself while Jocasta kills herself.
In the previous paragraph, he is opening up of what the problem is and now he is going to continue telling his wife about the situation that shows that he has a tragic flaw. He says, “… I can hear him cry, “You are fated to couple with your mother, you will bring a breed of children into the light no man can bear to see — you will kill your father, the one who gave you life!” (Page 1146, lines 868- 882). While going to Delphi, Oedipus has a run in with an oracle that planned his life out for him. At this point of the Oedipus is going to tell her how his father died. He continues by
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.
A tragic hero is one with a supreme pride, yet has an unfaltering sense of commitment and is a good man overall. A tragic hero has the capacity to suffer and, because of an error in judgment, will experience a dramatic transformation that evokes a profound pity. This is a tragic hero and based on this conception, Oedipus is an evident
Oedipus the King, the Anti-Tragic Tragedy Sophocles’ drama, Oedipus The King plays out the misfortune of the King of Thebes, Oedipus who kills his father and marries his mother; committing two sins of the highest order. Although this drama is a tragedy; owing to the fact that the hero comes into ruination by the end of the play, it is not tragic; in the sense that his downfall is not merely pre-dictated by destiny and the will of the Gods but is brought about by his independent decisions. Aristotle defines tragic as “misfortune [that] is brought about by some error or frailty” (17), but Oedipus exercises free will and determines to circumvent his fate. Despite the fact that he is not able to avert his destiny, he does not succumb to
The play of Oedipus is a perfect example of a tragic hero. The play written by Sophocles exemplifies that of a tragic hero because it is a story of a noble born man that has a tragic flaw. Oedipus’ tragic flaw is the he has an overwhelming desire to find the truth. He was prophesized to kill his father and bed his mother. When he first heard his prophecy he left his hometown of Corinth and fled to the far away city of Thebes.
Like most tragic heroes, his belief that rationality outweighs fate leaves him capable of suffering when he faces the possibility to discover his true parents’ heritage. When facing the opportunity to discover his parents, he becomes adamant “to bring to light [about] the secret [of his] birth”(KO 37). In pursuit of knowledge, Oedipus does not hesitate to know the origins of his lineage despite the possibilities of falling down in the social class. Trying to overpower his prophecy of committing both his marriage and the status of his father’s killer, Oedipus faces the chances of lower status or an unknown outcome. Moreover, Oedipus becomes vulnerable to humiliation and pain when he unleashes tragic actions in an effort to change his predetermined destiny.
At first glance, Oedipus and Creon are two very different people. But as time progresses their personalities and even their fates grow more and more similar. In Sophocles’s play “Oedipus the King”, Oedipus and Creon are two completely opposite people. Oedipus is brash and thoughtless, whilst Creon is wise and prudent. In “Oedipus the King”, Oedipus effectively portrays the idea of the classic “flawed hero”. He becomes arrogant and brash. He accuses Creon and Tiresias of treachery. Even worse however, Oedipus goes against the gods. This causes them to punish him severely. Creon is the exact antithesis of Oedipus. He thinks before he acts. Creon is wise and loyal. In Sophocles’ other play, “Antigone”, however, he undergoes a drastic personality change. He becomes more and more like Oedipus. Creon commits acts of hubris, kills and humiliates people for no reason whatsoever. Once he realizes the folly of his ways, he punishes himself for going against the gods and destroying all that he loved, This is strikingly similar to the story of Oedipus. At first Oedipus and Creon seem like entirely different people. But through the course of events, they share almost identical personalities and even fates.
In conclusion, Oedipus’s pride, or hubris was the tragic flaw throughout the play that ultimately led him to the state he finds himself in at the end of the play. As John Weigel puts it “The play is not a tragedy of fate. Not only does the protagonist act freely, but his own character is essential to events. The oracles set in motion a group of free mortals whose encounters are governed partly by their own choices, partly by apparent chance. As so often, causes seem to be both divine and human. “ (Weigel, p. 731) However, Oedipus is still a tragic hero because he eventually becomes aware of his faults (after great loss) and accepts responsibility for his actions.
Poor Oedipus discovers that he had killed his father and married his mother at the climax of the play when the Shepard is questioned. He states "I stand revealed at last - cursed in my birth, cursed in marriage, cursed in the lives I cut down with these hands!"³ He then finds his mother after she has committed suicide and proceeds to gouge out his own eyes with her brooches.