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My personal experience with art
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Sidney Nolan Well known for his depictions of Australian life, Sidney Nolan became one of Australia’s most recognisable artists. 2017 marks the hundredth year of his birth (22nd April 1917). This provides a rare opportunity to reintroduce some of Nolan’s work and artistic visions. The event contains a collection of artworks throughout Nolan’s life and includes part of the Ned Kelly that Nolan is most well known for. Renowned for his depictions of the Kelly Gang bushrangers, his interest in the negative aspects of life also led to depictions of shipwreck victim Eliza Fraser and the explorers Burke and Wills. It is Nolan’s iconic paintings of the Kelly Gang that led to the development of Ned Kelly as a symbol for Australian history and identity. …show more content…
In 1938 he joined a group known as the Angry Penguins, named after the radical cultural journal, which sought to influence Australian art by adopting the unique and modern ideas associated with surrealism. (Art Gallery NSW 2017) He was conscripted into the army in 1942, where he spent two years in north-western Victoria. However in 1944 he deserted the army, and Nolan lived under the fake name of Robert Murray, where he began the series he was most known for – his depiction of Ned Kelly. (Art Gallery NSW …show more content…
Having studied art in Australia, Nolan’s works featured a lot of Australian landscapes and icons. Even though in his later life he had left Australia, Nolan continued to paint the Australian outback and bushlands, and Ned Kelly (Kelly 1956). More negative emotions seemed to capture Nolan’s interests – his empathy towards the bushranger Ned Kelly, shipwreck victims and the death of explorers became his main topics and those emotions are transferred through the paintings. These themes of loss and tragedy can be seen throughout his oeuvre. Cultural movements also played a role in developing Nolan’s unique style – self-taught in surrealism and seeking to use modernism to advance Australian art and poetry, these movements can also be seen throughout his works. Modernism represents those who felt that old forms were becoming outdated in the new age of the industrialised world – characteristic of modernism is the experimentation with form, and the idea of rejecting realism. (Wikipedia
Edward Ned Kelly (1855-1880), an Australian bushranger, was born in June, 1855, at Beveridge, Victoria. He was the eldest son of John Red Kelly, an immigrant from Ireland, and Ellen, also an immigrant from Ireland. Ned Kelly was most known for stealing horses and robbing from banks. Some people think that Ned Kelly is a victim because he and his family were victimized by police. The Kelly’s were blamed for many crimes hey didn’t commit, Fitzpatrick abused Kate Kelly and got away with it and Ned’s mum (Ellen Quinn Kelly) was gaoled for a crime she didn’t commit.
Through the three pieces, the landscapes reflect a painting style is more often associated with European Romantic art, however, unlike the others, the central piece showcases the sky painted with miniscule dots, a technique common within Indigenous art (Lingard 2014, 44). However, the fact that the sky is the only piece of the composition painted with this technique and is placed in the background while more European inspired art and images are placed in the foreground is potentially symbolic of the marginalisation of Indigenous people and their culture in contemporary Australian society. Within Bennett’s own life, he was brought up without his Aboriginal heritage ever being spoken of, describing it himself as “overwhelming Euro-Australian” (McLean 1996, 20). Thus, within his artworks, a dotted circle at the top of each composition includes black footprints facing away from the circle, which matches his personal experience of Indigenous culture being ‘left behind’ in contemporary Australian society. The artist lived in a time where he was connected to a variety of Indigenous experiences including his own as well as the servitude of his mother, and thus through the combination of these varying art techniques, Bennett evokes both discord and further represents the marginalisation of Indigenous culture
Tim Storrier's artworks have been influenced by his childhood memories, dreams and myths of the Australian outback, country life, his travels to the outback, his travels to Egypt, and Dutch seascapes. Dutch artist Theo Kuijpers, English artists Constable and Turner, French artists Delacroix and Gericault, and Australian artists Russel Drysdale and Sydney Nolan have influenced Storrier's artwork as well.
On Page 66-69 of ‘The Black Snake The daring of Ned Kelly’ he took hostages but never hurt them and treated them with care. After the robberies, he took the hostages and treated them to tea and entertained them. He to treat them cruelly but chose not to out of his own will. This proves that Ned Kelly is a kind-hearted man and is very astonishing. he was also an entertainer and rode into the town with unbroken horses on pages 72-73 which shows his perseverance. Although Ned was a Hero he was also villainous.
If you think Ned Kelly was a bad guy, you’re wrong, so what if he killed a few people, he was just protecting himself! On page 52 it states that when Ned was hiding from the police, the police were looking for him and eventually they found Ned, The police started shooting at Ned and he would try to hide behind trees
Indigenous Australian artist Gordon Bennett re-contextualises the work of Colin McCahon by borrowing and transforming key visual features. Bennett’s work challenges the viewer and gives them an alternative perspective of the culture and identity of Indigenous Australians. The quote by The National Gallery of Victoria states, “Often describing his own practice of borrowing images as ‘quoting’, Bennett re-contextualises existing images to challenge the viewer to question and see alternative perspectives.” This quote is clear through analyzing the visual features as well as the meaning behind the work of Gordon Bennett’s appropriated artwork ‘Self-portrait (but I always wanted to be one of the good guys)’ (1990) and comparing it to Colin McCahon’s
The National Picture gives a completely different idea to the original, now showing instead of the Indigenous Australians being a more prominent culture and population in Australia, it instead shows a more mixed culture but a majority of white Europeans, which is true in the time of the painting, being in the 1980’s. This shows the journey of diversity in Australia, for better or for worse is debatable as to get to where we are now took a long and unfortunate process for the Aboriginal culture which was mostly lost due to the many deaths caused due to many political
Ned Kelly was a notorious bushranger in Australia. People formed thoughts on Ned Kelly after his death. Some doubted him, as a villain who committed all behaviours of crime. Some believed he was a hero who fought for the fairness of people. Whereas, many saw him as a victim with no community status. I strongly believe that Ned Kelly was indeed a victim, who suffered unjust sentence and whom police treated very unfairly. He had low economic status and he was not able to defend his rights. If you look back and read through his history, you would find the pages of evidence and the numerous reasons why Ned Kelly was the dreadful person everyone thought he was. But... there is also evidence that indicates that Ned was not a ruthless person- but
Vincent Van Gogh is one of the world’s greatest and most well-known artists, but when he was alive he considered himself to be a complete failure. It was not until after he died that Van Gogh’s paintings received the recognition they deserved. Today he is thought to be the second best Dutch artist, after Rembrandt. Born in 1853, he was one of the biggest artistic influences of the 19th century. Vincent Van Gogh created a new era of art, he learned to use art to escape his mental illness, and he still continues to inspire artists over 100 years later.
The East Kimberly region of Western Australia has been depict as a place of ‘grinding poverty, violence and racist exclusion in which so many Aboriginal people in the east Kimberley live, and yet at the same time through art it communicate the beauty and grandeur of their lives. ‘For those trying to communicate through art with the issue of death, harsh, pain and even compassion, were seen as necessary to maintain memories and record of Aboriginal historical events. The thirst for telling such companionate story is not easily interpreted, however, if we look at history we could see the influence of real tradition of aboriginal art emerge.
Unlike Gordon Bennett, who grew up struggling from his Aboriginal heritage, Tony Albert, a founding member of Queensland's Indigenous art collective proppaNOW explores political, social and cultural issues that are relevant to Indigenous Australian in today’s society. Albert’s artistic practice has a range of media and applications producing 2D wall art, sculpture and installation based works. According to Albert, he began to see the ‘problematic representations of his identity’ (Art Monthly Australia, 2015, p.55) after discovering the work of contemporary Aboriginal artists Tracey Moffat and Gordon
This is because the artist made the Aboriginal a focal point by painting him in traditional and obscure clothing in comparison with the other people in the painting. One can also see that the Aboriginal is the only one standing upright, making him the focal point of this piece. The artist made sure that people are directed to the Aboriginal holding the gun. In this piece, the Aboriginal is the only one with a gun, making the people on the ground look helpless and defenceless. It shows that he is not trying to protect himself from these people, but rather brutally hurt them, all while doing this with a straight face. This depicts him as showing little remorse for the actions taken place. Additionally, one might also say that the Aboriginal man is ruthless in killing the people in this photo. The artist, in order to do this, shows the cross of the priest flying out as he is being shot. The audience can then make religious connections. The audience would see the Aboriginal as a cruel man for killing a man of God. Due to religion being an important part of people’s lives, more so than it is today, people would become infuriated by this. The artist also added the smoke of the gun behind the Aboriginal to further make it look like a horrible incident. Overall, with the gloomy portrayal, the
The life span of 37 years saw Vincent Willem van Gogh (Vincent) in creating beautiful works he dearly loved. Painting was an avenue, which allowed him to express his inner thoughts or vent his struggles. My decision to research on Vincent’s painting, Starry Night (1889) came with the inspiration from Don Mclean’s Song, Starry Starry Night where his lyrics spoke about Vincent’s life that further intrigued me in writing this paper.
Introduction: Christian Chapman’s “Future” is a 75.5 by 96 cm mixed media piece on canvas and a part of his 2026 triptych “The Past, Present, and Future of the Anishinaabe People”. The triptych addresses the connection between the Aboriginal roots and the British royalty. Chapman combined a manipulated image of Canadian Autumn Philipps, who married Queen Elizabeth’s oldest grandson Peter Phillips, wearing a crown/head dress, and oil paint to create a Norval Morrisseau inspired piece with the flamboyant colours and Woodlands pattern. Tåhe painting consists of organic, bean-like shapes that formed the figure and features striking colours of different intensities and shades such as green, blue, and pink, which also served as the background colour.
Rosie Gascoigne, is an artist who has aspired an appreciation for undiserable remnants and utilised with them in purpose to produce an assemblage of work that sees into a reflection of the past and present landscape of Australian society. Her growing motivation has taken further interest and development as the founding layers of her work through her deliberate perception, subject to the preservation of the environment and surrounding landscape. Gascoigne’s work offers an insight into deep country outback life of an Australian individual and introduces conceptualities that mirror a focus situated about ‘re-using’, ‘ recycling’ and understanding the insightful meaning present within everyday remnants. Her work is a collective gathering of selected materials to form a composition or an