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Critical analysis of shooting an elephant by george orwell
Critical analysis of shooting an elephant by george orwell
Literary analysis of Orwell’s “shooting an elephant”
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George Orwell’s “Shooting an Elephant” deals with the nature of a human’s identity and ego. The story is set during the British colonization of Burma and discusses the ordeals of an English police officer stationed in the colony, who hates both his job and the people whom he polices. He faces many challenging decisions that put him in a place where he must either follow his own beliefs or fall to the will of the citizens of Burma. Throughout the story the officer is stuck with the decision of whether to do what he thinks is right, in order to preserve his ego or to do what the majority wants, in order to preserve his public identity. This decision is one that transcends Orwell’s essay and is faced throughout life by all people. The first sentence
The elephant had killed a man earlier in the day, but did not pose a large threat when the officer finally arrived. He originally “had no intention of shooting the elephant” (Orwell, 3) and wanted to deal with the elephant non-violently if possible. A crowd began to grow as the situation began to escalate and the officer requested that an elephant gun be brought out. He requested the gun only be brought out in case it was needed for defensive purposes, but the crowd quickly built up the idea that he was planning to kill the elephant. The policeman felt that “The people expected it of me and I had got to do it.” (Orwell, 4) He allowed the natives to dictate his action through their challenges to his authority. As the situation progressed he eventually shot the elephant due to the encouragement of the natives. He did not follow his true ego and did not save the elephant, as he truly thought was appropriate. The elephant ended up suffering tremendously and he regretted going against his own beliefs and
Orwell shows readers how you must follow your ego at times or you risk the fate of becoming part of something that you hate. By turning against the judgement of his ego the officer lives a life where he hates his job and ends up brutally murdering an elephant that he could have easily pardoned. By not dictating his own actions he ends up failing to become the person that his ego would have created and henceforth feels a sense of disenchantment with society. By allowing society to mold him instead of his true ego the officer is molded into the very evil that he
Throughout the story, Orwell described how he was heavily pressured by the Burmese into shooting an elephant, stating that he became "... an absurd puppet pushed to and fro by the will of those yellow faces behind" (Capote 583). Through Orwell's diction it became known that Orwell was hated by the majority of his residing village since he upheld the position of a sub divisional police officer for the British Raj in colonial Burma. Orwell was driven to killing the animal out of desperation of the public dropping all forms of hatred towards him. Although killing the elephant was against his will, Orwell went through with the deed earning a new profound identity known as the elephant
In 1922, Orwell began working as the assistant superintendent of police in Myaungmya, Burma, and this is where his hatred toward imperialism and its tyrannical rule over the underdogs in society developed. He felt guilty torturing and flogging unwilling subjects. The community had taken too much power over the individual, and the imperialist society commanded Orwell to enforce this injustice: “I was stuck between my hatred of the empire I served and my rage against the evil-spirited little beasts who tried to make my job impossible. With one part of my mind I thought of the British Raj as an unbreakable tyranny…with another part I thought the greatest joy in the world would be to drive a bayonet into a Buddhist priest’s guts. Feelings like these are normal by-products of imperialism” (qtd. in Lewis 41). Obviously, imperialism had affected Orwell to the point where he developed animosity towards the Burmese. As a policeman doing “the dirty work of the Empire” (qtd. in Lewis 41), Orwell acquired a hatred for imperialism, a belief that is focused on dominion over other individuals.
“Shooting an Elephant” focuses on society by pressure. In “Shooting an Elephant,” Orwell is pressured by the native people to shoot and kill the elephant, even though the elephant is no longer harmless. In the beginning of the essay, the natives repeatedly attack Orwell every day. When the elephant goes insane, the natives go to Orwell for help. The natives were constantly pressuring Orwell as he said, “For it is the condition of his rule that he shall spend his life in trying to impress the “natives,” and so in every crisis he has got to do what the “natives” expect of him” (Orwell par. 7). Orwell is pressured by society to do the opposite of what he feels is morally
Although shooting the, now seemingly calm, “mad elephant” is morally wrong to George Orwell, in his narration of Shooting an Elephant, he has to do so as he is a representative, or more so a pawn, of the British authority in the occupied country of Burma. Being such, he wages a war with his inner self to seek which decision needs to be carried out. With two outcomes in mind, one being that he will be seen as a fool if he does not shoot the elephant and the other being an authority of the law by truly showing it and protecting the villagers, he has an epiphany. With such an authority, the law and someone’s moral conscience diverge. He then realizes what must be done and shoots the elephant to protect the imperialistic authority. As the excitement
The author desires to be accepted into the native's lives; no longer a social outcast. However, with this desire comes the knowledge that the group may or may not be correct in their brutal quest for blood. “Shooting an Elephant” by George Orwell demonstrates one man's moralistic battle between his own belief of preservation of life against that of the crowd of natives which spur him to kill the beast. The author is incited in his actions by the large, unanimous crowd looming eagerly behind him. The sheer size of the group of Burmese natives creates an illusion of strength in numbers that can be hard to fight.
The quest for power is one which has been etched into the minds of men throughout history. However, it can be said that true power is not a result of one’s actions but comes from the following one’s own beliefs without being influenced by others. This principle sets up the story for Shooting an Elephant by George Orwell. The protagonist, Orwell himself, is a sub divisional police officer in Burma, a British colony. Orwell must try to find and use his inner power when he is faced with the decision of whether or not to kill an elephant which has ravaged the Burman’s homes. The state of power established through the imperialistic backdrop show that Orwell, as a colonist, should be in control. As well, the perspective and ideas given by Orwell show his true character and lessen the overall power set up for him. Lastly, the symbols shown are representations of traditional forms of power, but take on different implications in the story. In Shooting an Elephant, George Orwell uses setting, characterization and symbols to show that true power comes from following the dictates of one’s conscience.
The essay “Shooting an Elephant,” was written by George Orwell. Orwell was a British author best known for his essays and novels. In “Shooting an Elephant,” the title essay of his 1950 collection, Orwell is a British Police Officer in Lower Burma. After an elephant comes rampaging through the village in must, killing an Indian man, Orwell is looked upon to take care of the problem. The intense scene causes Orwell to make a crucial decision, reflecting on the vicious imperialism with the military in Burma during this time. The author portrays his feelings through the theme of the narrative with feelings such as, guilt, hate, and pressured.
The short story by George Orwell “Shooting an Elephant” brings into sharp light the nature of humanity, the narcissism and callousness we exhibit when it comes to creatures we consider to be a rogue animal. Within the story a rogue elephant going through a bought of “must” has escaped its owner, gotten into a town and caused damage and a death. At the point that help arrives the elephant is no longer being a terror, and is peacefully eating grass, and yet finds itself shot anyway, and left to die an agonizingly slow and painful death. The narrator of the story explains that he did not want to look foolish and be laughed at as his ultimate reason for killing the animal. This leaves the audience wondering, should that elephant really have been killed, and why do we immediately kill animals before trying to help them?
In this story ,Orwell is taking part in imperialism by proving his power and dignity to the natives presenting imperialism metaphorically through the use of animals. He is using the elephant as a symbol of imperialism representing power as an untamed animal that has control over the village. He uses a large and very powerful animal to represent a significant metaphor for imperialism.. In doing so he leads to the understanding that the power behind imperialism is only as strong as its dominant rulers. Orwell?s moral values are challenged in many different ways, ironically enough while he too was the oppressor. He is faced with a very important decision of whether or not he should shoot the elephant. If he does so, he will be a hero to his people. In turn, he would be giving in to the imperial force behind the elephant that he finds so unjust and evil. If he lets the elephant go free and unharmed the natives will laugh at him and make him feel inferior for not being able to protect the...
Every day, each individual will look back on decisions he or she have made and mature from those experiences. Though it takes time to realize these choices, the morals and knowledge obtained from them are priceless. In George Orwell’s nonfictional essay, “Shooting an Elephant”, a young Orwell was stationed in Burma for the British imperial forces, tasked to deal with an elephant who destroyed various parts of the village Moulmein while its owner was away. Backed by second thoughts and a crowd of thousands, he finds himself shooting the elephant and reflecting that it was not justified; however, it was a choice pushed by his duty and the people. Written with a fusion of his young and old self’s outlook on shooting the elephant, Orwell’s essay is a sensational read that captivates his audience and leaves them questioning his decision.
The British police officer in Shooting an Elephant had never been respected by the Burman natives a day in his life. He was regularly mocked and cheated, even by the religious students of Burma, simply because he was one of the many enforcers of their imposed oppressor’s government. When the elephant went on a “must”, he found himself in an interesting position. The very natives who had always jeered and spat at him were cheering him on. Suddenly, he is faced with the choice between his personal morality and the ever so f...
When he finial find the elephant Orwell say “I knew with perfect certainty that I ought not to shoot him.” But when he lays his eyes on the crowd he changes his stance to “but I did not want to shoot the elephant.”(Orwell 199). He felt guilty for shooting the elephant when he describe that the elephant worth more alive than dead, but despite the many reason not to shoot the elephant, he took a shot. Orwell describes “when I pulled the trigger I did not hear the bang or feel the kick …I fired again into the same spot…I fired a third time. That was the shot that did it for him.”(199) the shooting of the elephant represent the Burma people trying to stay alive and over powering by the
He describes, “I was only an absurd puppet pushed to and fro” (60). He is dealing with the internal conflicts of who he should align with: himself, the British, or the Burmese. If he were to acknowledge his beliefs and align with himself, he could be the start of an uprise. Surely, others would follow. He even confirms his “thought of the British Raj as an unbreakable tyranny” and says, “Ask any Anglo-Indian official, if you catch him off duty,” referring to the hatred of the English empire (58). By expressing his dislike for the British, Orwell is finally attempting to stand up for his beliefs. The fact that his character is unable to execute his beliefs, though, highlights him trying to not look foolish in the presence of others. Clearly, he is in an unbearable circle of self-deprecation and doubt. By the end of the narrative, Orwell’s character regrets his decision to shoot the elephant. This ultimately represents Orwell’s uncertainty as he goes through life. He, like all of us, is struggling to predict which path is the best for him to go down as he ventures through his existence. Because of this, his actions for shooting the elephant are justified. He is just trying to accomplish all that he can while simultaneously dealing with his own questions of identity. This allows Orwell to be seen as a humble individual who is just trying
Orwell?s extraordinary style is never displayed well than through ?Shooting an Elephant,? where he seemingly blends his style and subject into one. The story deals with a tame elephant that all of a sudden turns bad and kills a black Dravidian coolie Indian. A policeman kills this elephant through his conscience because the Indians socially pressurized him greatly. He justified himself as he had killed elephant as a revenge for coolie.
Eric Arthur Blair, or better known by his pen name, George Orwell, was an early 20th century European writer. He lived from 1903 to 1950, where at one point he became a police officer in Moulmein, Lower Burma. He was not accepted in this anti-European society where if a woman would walk through a bazaar alone, someone was bound to spit betel juice all over her dress. Orwell then explained in his encounter with an elephant. Because he was the police officer of the town, he was told that an elephant ran rampant through the town, killing an Indian man. The town wanted Mr. Orwell to kill the elephant because it killed a person of their town! Orwell was being peer pressured by the townspeople to shoot the elephant, and he took the shot. Was the life of the elephant worth the death of one Indian man? Orwell made that decision when he pulled the trigger of his rifle. Every last bit of the elephant was gone within hours. The townspeople needed the elephant more for themselves than to commemorate the life of the Indian man. Orwell was pressured to make a decision that he did not ...