Introduction
When considering the extent to which Guy Richie’s 2009 film, ‘Sherlock Holmes’ fulfils the conventions of crime/murder mystery genre you must look at his plot and how he has incorporated all the conventions so the movie is portrayed in the crime/murder mystery genre. Given that Sherlock Holmes is the most famous and well – known detective character in all of history, Guy Ritchie would have needed to meet certain audience expectations of how Sherlock Holmes would be portrayed and he would have also been required to approach all the conventions from a crime/murder mystery influence. Ritchie has especially fulfilled the character and iconography conventions because of the expectations that audiences will have about their traditional
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The theme that was most prominently brought out in this movie was to look beyond the apparition. Throughout the movie all the crime scenes are formed around black magic, such as the death of Blackwood’s father is shot to look as if the water is bubbling and killing him from suffocation. Then at the climax point, Sherlock traps Blackwood on the bridge and whilst he is hanging on for his life, Sherlock explains to him how he achieved all the apparent supernatural actions. Sherlock and his close circle were the only people who questioned how he was doing these things. They looked at the smaller details which Sherlock explains earlier in the movie are the most important. By doing this throughout the film, Holmes realises that Blackwood has been using science and passing it off as black magic, Holmes has looked at the activities and actions of Blackwood and has immediately questioned the real logic and facts behind …show more content…
By strongly fulfilling the base conventions, Ritchie was then able to add his own influence and light to the film through action which successfully built up the suspense and drama within the movie. Characters had deeper personalities an understanding from the audience, the theme allowed you to see the true intellectual ability of Holmes, the iconography added suspense and excitement which are vital in a crime/murder mystery and the mood/cinematic style allowed scenes to show the audience something the characters didn’t know and to add mournfulness or suspense to the film through music. Even though Sherlock Holmes may have been a bit more of a man of action than we are used to, it did not depart from the genre crime/murder mystery it simply enhanced
The film Jindabyne, is a story about death, marriage, and race in an Australian town in New South Wales called Jindabyne. In the film, four men go fishing, and one of them discovers the dead body of a young indigenous girl. Instead of reporting what they found to the police immediately, they decide to stay and continue fishing. They decide that there is nothing they could do for her, so they tie her legs to a tree and continue with their fishing, reporting the death only when they return home. After they are done with their weekend of fishing and report the incident, conflict starts, as the men are criticized for not respecting the dead. Through the story of the town’s reaction to the four fishermen’s response to the dead girl, the movie shows Australia to be fragmented and divided over white-indigenous relations.
Bow, this is because it is packed with suspense and tension throughout. It shows drama and suspense in different places which is why I enjoy it. Crime fiction has been developed over the years with such characters as Poirot. But all the characters have been portrayed similarly to Sherlock and Holmes. Crime fiction is so popular because it helps us become more involved and able to interact with the story.
This paper entitled, Imitation of Life is based on the movie Imitation of Life. This movie is set in the 1940s. In the movie, an African American woman by the name of Annie becomes the care taker of a Caucasian woman's (Lora) daughter, Susie. In the movie, the caretaker Annie has a daughter named Sarah Jane. Sarah Jane is the product of a rape, performed by a Caucasian man, which results in her being fair skinned and able to pass as a Caucasian woman, which she does for a long time. Due to the fact this movie focuses on the themes of identity and class, I will use the following psychological views and tests to discuss how psychology can be demonstrated every day. The Kenneth
Dashiell Hammett’s novel, The Maltese Falcon, is a hard-boiled detective novel; a subset of the mystery genre. Before the appearance of this sub-genre, mystery novels were mainly dominated by unrealistic cases and detectives like Conan Doyle’s Sherlock Holmes. As Malmgren states, “The murders in these stories are implausibly motivated, the plots completely artificial, and the characters pathetically two-dimensional, puppets and cardboard lovers, and paper mache villains and detectives of exquisite and impossible gentility.” (Malmgren, 371) On the other hand, Hammett tried to write realistic mystery fiction – the “hard-boiled” genre.
Halloween is rife with psychological scares that affect its audience greatly. “Symbolism, dreamlike imagery, emotional rather than rational logic” are present in Psychoanalytic criticism. Siskel and Ebert talked about how the movie makes you feel as if you are the protagonist, scared for your life and feeling every bit of suspense (Siskel and Ebert). The movie is purely fueled by emotional responses to what is happening to the characters and focuses itself purely on how the audience will respond. In the clip shown, the main protagonist talks about how she killed the killer but he is shown alive. The movie is not concerned with the logic; otherwise, the killer would have at least been slowed down by the injuries he sustained. Siskel and Ebert laud the movie on its set up of scenes, score, character development, and use of lighting to make the audience feel the terror the characters undergo.
The Bad and The Beautiful (1952) and State and Main (2000) are films within films that unmask Hollywood Cinema as a dream factory and expose the grotesque, veneer hidden by the luxury of stars. The Bad and the Beautiful, directed by Vincent Minnelli, is a black and white film narrated in flashback form. The films theatrical nature requires more close-ups than wide-screen shots to capture the character’s psychological turmoil. For example, Fred and Jonathan’s car ride is captured in a close-up to signify their friendship; however their relationship deteriorates after Jonathan’s deceit. While the camera zooms out, Fred stands alone motionless. Here, Fred is captured from a distance at eye-level and he becomes ostracized by the film industry and
How does it feel starting over in a completely new place? In the movie “The Karate Kid”, Daniel, the main character, and his mom moved to the California from New Jersey because of his mom’s new job offer. Daniel started going to school in California and met a girl named Ali, whom he started to like. He started going out with her. Daniel was getting beat up by some bullies; one of them was Ali’s ex-boyfriend. They knew karate very well, but Daniel did not. So Daniel decided to learn karate. Daniel and his mom were living in an apartment and one day he discovers that the handyman at his apartment, Mr.Miyagi, knows karate very well. He asked Mr.Miyagi to teach him karate, and Mr.Miyagi became his karate teacher. It was hard for him to make new friends in a new place and he believed that Mr.Miyagi would be the only best friend he ever met.
Amy Heckerling’s movie Clueless focuses on an upper middle class 16-year-old girl, Cher, who lives in a nice neighborhood with her father and stepbrother, Josh. Cher and her friend, Dionne, take in a new girl, Tai, to help her fit into their high school. All of the major characters in the movie are in adolescence, which ranges from 10-19 years of age. In adolescence, teenagers undergo cognitive and emotional development. According to Piaget’s cognitive developmental theory, adolescents are in formal operational period from 11-20 years of age. During this period, adolescents develop abstract thinking and rational decision making. They experience two aspects of adolescent egocentrism, imaginary audience
Mysteries have always held great fascination for the human mind, not least because of the aura that surrounds them and the realm of the Unknown into which they delve. Coupled with the human propensity of being particularly curious about aspects which elude the average mind, the layer of intrigue that glosses over such puzzles makes for a heady combination of the literary and the popular. In the canon of detective fiction worldwide, no detective has tickled the curious reader’s imagination and held it in thrall as much as Sir Arthur Conan Doyle’s Sherlock Holmes. The 221-B, Baker Street, London ‘amateur’ detective combines a rare blend of intellectual prowess and sharp wit to crack a series of baffling riddles.
The acclaimed authors, Edgar Allan Poe and Arthur Conan Doyle, formulate the characters of Auguste Dupin and Sherlock Holmes respectively, to be similar in the way that they analyze, deduce, and connect segments of desperate and often-thought “unsolvable” detective cases. Through their comparable techniques and system of deduction, Dupin and Holmes never fail to trace back their evidence to the scene of the crime. However, due to the vast difference in the writing styles of Poe and Doyle, the audience observes the main characters not as clones, but rather an analogous pair that think alike, but do not act alike. The personalities of Auguste Dupin and Sherlock Holmes, although present are recognizable differences in their actions, continue to
The birth of classic detective fiction was originated just in the mid nineteenth century, and was producing its own genre. Classical detective fiction follows a set of rules called the ‘Ten commandments of detective fiction’. The genre is so popular it can bee seen by the number of sales in any good book stores. Many of these books have been created a long time ago and there is still a demand for these types of books. The popularity is still ongoing because it provides constant entertainment, and also the reader can also have a role of detective trying to solve the crime/case committed. Classical detective fiction has a formula, the detective story starts with a seemingly irresolvable mystery, typically a murder, features the astute, often unconventional detective, a wrongly accused suspect to whom the circumstantial evidence points, and concludes with a startling or unexpected solution to the mystery, during which the detective explains how he or she solved the mystery. Formula that includes certain elements such as, a closed location to keep the number of suspects down, red hearings spread around the stories to keep the reader entertained yet interacted.
An examination of Sherlock Holmes' abilities and techniques. allied to his personal characteristics, enable him to solve crimes. There are many reasons to explain why Sherlock Holmes is one of the world's most famous fictional detectives. However, the main reason for This is that not only are the stories complex, but the actual character of Sherlock Holmes has extreme depth, with some subtle. elements of his character only becoming apparent when he is in certain situations.
The way Holmes began most investigations was by finding an alternative and providing against it. This step is comparable to the popular saying, "don't put all your eggs in one basket." Holmes never once only had one thought of what happened. What made Sherlock great was that all the possibilities were relevant to him. Nothing could ever slip by him. If something out of the ordinary did happen it was not a surprise to him.
Sir Arthur Conan Doyle’s The Adventures of Sherlock Holmes: A Scandal in Bohemia, demonstrates how a specific character can be used to expand upon the complexity of the story’s main character. Specifically in the case of Irene Adler, Conan Doyle does not go into much detail about her, as much as he uses her as a contrast to Holmes. Adler’s presence in the story is the antagonist, but seems much more than that to Holmes’. Sir Arthur Conan Doyle’s use of Adler seems to be very unique and creative compared to some of his other works, though after her appearance, Conan Doyle’s works with Sherlock all come to a similar structure, that Sherlock seems to come to adore the villains, more so the villains intellect, and put up with the people that hire him.
“The world is full of obvious things which nobody by any chance ever observes,” states Sherlock Holmes (Doyle, The Hound of the Baskervilles loc 1238). According to TV Tropes, mystery is a genre of fiction where the plot revolves a mysterious happening that acts as the driving question. With any given problem there is a solution; however, and the question is “how does one come about to that solution”? Extremely high intelligence level, keen observation, creative imagination and sensitivity to details are just some of the qualities that Holmes possesses. In the process of solving mysteries, there is always a borderline between mere guessing, a coincidence, and a scientific approach that Holmes calls deductive reasoning. In Sir Arthur Conan Doyle's 1902 novel, The Hound of the Baskervilles, Dr. Mortimer seeks advice from Holmes as he explains the curse that has been plaguing the Baskerville family. With the power of deduction, Holmes realizes that Mr. Stapleton is actually a Baskerville descendant and has been planning to get rid of the other members of the family to claim the family fortune. Conan Doyle tells the reader what their mind is capable of doing by incorporating Holmes through his novels as he uses observation, deduction and knowledge in solving his cases. One important key that makes him different from most people is that he sees everything that people often neglect to pay attention to. A remarkable proof which shows that Holmes holds an extraordinary analytical mind and is uniquely capable of solving a mystery through his great sensitivity to minute details and the ability to draw connections from it was shown as he observes and deduces information from the letter received by Sir Henry Baskerville the moment he arrived...