Desdemona, the Heroine in Othello
In William Shakespeare’s Othello Michael Cassio’s praises of the richly blessed Desdemona, as he awaits her arrival on Cyprus, are well deserved. This essay will amply support this statement.
Blanche Coles in Shakespeare’s Four Giants interprets the protagonist’s very meaningful four-word greeting to Desdemona which he utters upon disembarking in Cyprus:
Othello’s four words, “O, my soul’s joy,” tell us that this beautiful Venetian girl has brought great joy, felicity, bliss to the very depths of his soul. This exquisitely beautiful love that has come to a thoughtful, earnest man is indescribably impressive. For him it is heaven on earth. And all the while, almost within arm’s length, stands Iago, the embodiment of evil, like the serpent in the Garden of Eden. (87)
In Act 1 Scene1, Iago persuades the rejected suitor of Desdemona, Roderigo, to accompany him to the home of Brabantio, Desdemona’s father, in the middle of the night. Once there the two awaken him with loud shouts about his daughter’s elopement with Othello. In response to Iago’s vulgar descriptions of Desdemona’s involvement with the general, Brabantio arises from bed and, with Roderigo’s help, gathers a search party to go and find Desdemona and bring her home. The father’s attitude is that life without his Desdemona will be much worse than before:
It is too true an evil: gone she is;
And what's to come of my despised time
Is nought but bitterness. (1.1)
So obviously the senator has great respect for his daughter, or at least for the comforts which she has afforded him up the beginning of the play. This respect is shared by her new husband Othello, who ...
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... You told a lie, an odious, damned lie;
Upon my soul, a lie, a wicked lie.
She false with Cassio! (5.2)
Then she accuses him of causing murder: “And your reports have set the murder on.” Emilia’s stunning interrogation and conviction of her own husband as the evil mastermind behind the murder results in Iago’s murder of her. Gullible Othello, grief-stricken by remorse for the tragic mistake he has made, stabs himself and dies on the bed next to his wife, his sorrow being as deep as his love for Desdemona prior to Iago’s machinations.
WORKS CITED
Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http://www.eiu.edu/~multilit/studyabroad/othello/othello_all.html No line nos.
Coles, Blanche. Shakespeare’s Four Giants. Rindge, New Hampshire: Richard Smith Publisher, 1957.
What is symbolism? According to the Merriam-Webster dictionary symbolism: is the use of symbols to express or represent ideas or qualities in literature, art. What is the writer or artistes trying to intemperate in their work? William Faulkner and Edgar Allan Poe were literary geniuses in their use of dark and subdued writing styles, but in my opinion no one takes the time to look in depth into the real meanings of there works . This paper will elaborate on the use of symbolism in “A Rose for Emily” by William Faulkner and The Tell-Tale Heart by Edgar Allan Poe.
inexperience with the evils of the world leads to her demise. One's innocence attracts all types, yet this attraction may become lethal. Her husband, Othello, will protect her at any means. He will sacrifice himself for the love of his beloved wife.
When the concept of murder is brought, it is thought of weapons being used for reasons such as crime and for justice. Nevertheless, what if a particular attribute exhibited by someone ends up being the root cause of somebody’s death? No doubt, Iago is a devious character who would get away with about anything to fulfill his obligation into acquiring a higher position of authority. The overall concept of the play can be perplexing to the reader when it comes to who is to blame for the death of several major characters – Othello’s inability to control his emotions or take other people’s feelings into account leads to death of his beloved with and himself; none of this wouldn’t happen if it weren’t for Iago who made this plan in the first place.
Othello and Desdemona are so attractive that we tend to see them only as they see each other: the noble Moor, the pure white maiden. But Shakespeare shows their love, even here at the very beginning, as dreamy, utterly defensele...
It is apparent that Othello idolizes Desdemona, through the language he uses in describing her as well as how he treats her during their interactions. While most female characters in the play are oppressed and demeaned by their male partners, Othello’s respect for Desdemona is a testament of his feeling inadequate and strive to entice her. Although he has an alterior motive of evading a conviction of witchcraft to win Desdemona’s heart, he confesses to many noblemen including Barbantio, Desdemona’s father, that Desdemona does not love him, just his war stories. Incidentally, his war accomplishments were the only way a man of his background would be able to be so close to a prestigious woman such as Desdemona in a time plagued with so much racism. In the second scene of Act V, Othello has been pushed well beyond his breaking...
Othello, the Moor of Venice is one of the major tragedies written by William Shakespeare that follows the main character, Othello through his trials and tribulations. Othello, the Moor of Venice is similar to William Shakespeare’s other tragedies and follows a set of specific rules of drama. The requirements include, following the definition of a tragedy, definition of tragic hero, containing a reversal of fortune, and a descent from happiness. William Shakespeare fulfills Aristotle’s requirements in this famous play.
Othello is a man of romantic nature. He fell in love with the beautiful Desdemona. He was accused of stealing her away from her father. Othello was of a different race and did not fit in with her family. Othello makes a plea for Desdemona and tells his story which wooed her to begin with. Othello tells of the love that her father showed him since his boyish days. This was like a match made in heaven that overcame many obstacles which got in their way. Othello could not understand why he was good enough to work and fight alongside of her father, but was not good enough for his daughter.
The crocodile was a creature thought to shed hypocritical tears. This statement that Othello made referring to a crocodile meant that the tears she shed were deceptive tears of light. Desdemona, in the eyes of Othello, was not sorry, but was rather hiding something. from him. Shakespeare’s use of animal imagery here was.
Emily Dickinson is one of the great visionary poets of nineteenth century America. In her lifetime, she composed more poems than most modern Americans will even read in their lifetimes. Dickinson is still praised today, and she continues to be taught in schools, read for pleasure, and studied for research and criticism. Since she stayed inside her house for most of her life, and many of her poems were not discovered until after her death, Dickinson was uninvolved in the publication process of her poetry. This means that every Dickinson poem in print today is just a guess—an assumption of what the author wanted on the page. As a result, Dickinson maintains an aura of mystery as a writer. However, this mystery is often overshadowed by a more prevalent notion of Dickinson as an eccentric recluse or a madwoman. Of course, it is difficult to give one label to Dickinson and expect that label to summarize her entire life. Certainly she was a complex woman who could not accurately be described with one sentence or phrase. Her poems are unique and quite interestingly composed—just looking at them on the page is pleasurable—and it may very well prove useful to examine the author when reading her poems. Understanding Dickinson may lead to a better interpretation of the poems, a better appreciation of her life’s work. What is not useful, however, is reading her poems while looking back at the one sentence summary of Dickinson’s life.
One of Emily Dickinson’s greatest skills is taking the familiar and making it unfamiliar. In this sense, she reshapes how her readers view her subjects and the meaning that they have in the world. She also has the ability to assign a word to abstractness, making her poems seemingly vague and unclear on the surface. Her poems are so carefully crafted that each word can be dissected and the reader is able to uncover intense meanings and images. Often focusing on more gothic themes, Dickinson shows an appreciation for the natural world in a handful of poems. Although Dickinson’s poem #1489 seems disoriented, it produces a parallelism of experience between the speaker and the audience that encompasses the abstractness and unexpectedness of an event.
From this point on, the characters each destroy themselves and each other over Iago’s lies. The reader can predict the disastrous unavoidable ending that is coming. It isn’t until the very end after jealousy is the weapon that kills Desdemona, Othello gives his last speech upon killing himself, and Emilia is murdered by her husband that everyone realizes what fools they all have been. The characters made each other victims of Iago’s plan. Jealousy is the emotion that overcame knowledge and truth leading to the demise of the characters in the play.
There are a few themes that are presented throughout Emily’s poems, one of themes was nature. Many poets during Dickinson time wrote about nature, but Dickinson looked at nature differently than they did, and wrote about it in a different way then they did. In a lot of her poems she writes about the mystery of nature and its qualities, while also marveling at it. Emily spent much of her time studying nature and the various aspects of it. One example of a poem where she talks about nature is “A bird came down the walk.” In this poem the bird is moving around and is in action. This bird is also oblivious to a person watching it. Emily’s point in writing this poem is to say that as the person is not seen then nature keeps moving along in its random and informal way (Borus: 44-73).
Gardner, Helen. “Othello: A Tragedy of Beauty and Fortune.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from “The Noble Moor.” British Academy Lectures, no. 9, 1955.
“Major Characteristics of Dickinson’s Poetry.” Emily Dickinson Museum. Trustees of Amherst College, 2009. Web. 23 January 2014.
William Golding is essentially the king of symbolism and covert delineation. The Lord of the Flies is a novel based around a large handful of English schoolboys becoming stranded on an island that will later become a sadistic dystopia. The boys are left unsupervised with only their ill experienced wits to survive and rule. A power struggle breaks out between two of the main characters, Jack and Ralph, Jack being the antagonist and Ralph being the protagonist of the story. In modern pop culture, Jack and Ralph would compare to an event like North Korea versus South Korea. Lord of the Flies is home to many forms of symbolism, including the importance of Piggy 's glasses, the fire on the island, the sow 's head, the beast and the conch shell; all of these items play a huge role in shaping the story, tone and the mood.