Macbeth's Dark Quality
It is obvious to the reader of Shakespeare's tragedy Macbeth that there are varying types and degrees of darkness in the drama. We shall look at this in detail within this paper.
L.C. Knights in the essay "Macbeth" describes the moral darkness into which Macbeth lowers himself:
The main theme of the reversal of values is given out simply and clearly in the first scene - "Fair is foul, and foul is fair"; and with it are associated premonitions of the conflict, disorder and moral darkness into which Macbeth will plunge himself. (95)
Charles Lamb in On the Tragedies of Shakespeare comments on the "images of night" and their impact on the audience:
The state of sublime emotion into which we are elevated by those images of night and horror which Macbeth is made to utter, that solemn prelude with which he entertains the time till the bell shall strike which is to call him to murder Duncan, - when we no longer read it in a book, when we have given up that vantage-ground of abstraction which reading possesses over seing, and come to see a man in his bodily shape before our eyes actually preparing to commit a muder, if the acting be true and impressive as I have witnessed it in Mr. K's performance of that part, the painful anxiety about the act, the natural longing to prevent it while it yet seems unperpetrated, the too close pressing semblance of reality,give a pain and an uneasiness [. . .]. (134)
Roger Warren states in Shakespeare Survey 30 , regarding Trervor Nunn's direction of Macbeth at Stratford-upon-Avon in 1974-75, how the witches represented the darkness of black magic:
Much of the approach and detail was carried over, particularly the clash between religious purity and black magic. Purity was embodied by Duncan, very infirm (in 1974 he was blind), dressed in white and accompanied by church organ music, set against the black magic of the witches, who even chanted 'Double, double to the Dies Irae. (283)
In "Macbeth as the Imitation of an Action" Francis Fergusson states the place of darkness in the action of the play:
It is the phrase "to outrun the pauser, reason [2.3]," which seems to me to describe the action, or motive, of the play as a whole. Macbeth, of course, literally means that his love for Duncan was so strong and so swift that it got ahead of his reason, which would have counseled a pause.
The eugenics movement started in the early 1900s and was adopted by doctors and the general public during the 1920s. The movement aimed to create a better society through the monitoring of genetic traits through selective heredity. Over time, eugenics took on two different views. Supporters of positive eugenics believed in promoting childbearing by a class who was “genetically superior.” On the contrary, proponents of negative eugenics tried to monitor society’s flaws through the sterilization of the “inferior.”
The suffering of Macbeth throughout the play is a disconsolate process. Throughout the stages of his grievous downfall essential truths about humanity are dubiously displayed. Macbeth’s ordeal reveals the ev...
Galton, David J., and Clare J. Galton. "Francis Galton: And Eugenics Today." Journal of Medical Ethics, 24.2 (1998): 99-101. JSTOR. Web. 8 Mar. 2010.
Perhaps the most fundamental theme of Shakespeare’s Macbeth is the inherent corruptibility of even a seemingly good man when ambition turns to greed, and Macbeth himself exemplifies this concept throughout the play. While at the outset he is seen to be loyal to his king, generally considered trustworthy, and displaying numerous other laudable qualities, Macbeth ultimately succumbs to the influence of those around him and becomes unequivocally evil, setting aside all his previously held morals and coming to be driven only by his lust for power. This transition is brought about by a wide variety of factors and plays an integral role in the development of the plot. In his tragedy Macbeth, William Shakespeare employs
The legendary plot of Macbeth, like those of many Shakespearean plays, relies heavily on the influence of the supernatural. The play itself reflects on the dark inane tendencies of humans to be evil, especially when faced with a thirst for power. Throughout its course, the reader is able to witness a man’s transformation from a brave soldier to a murdering madman. Without the impact of certain apparitions, hallucinations, and three bearded witches, the events of the story would not have unfolded as they did. The root evil is first planted in the minds of two ambitious people, creating in their minds a projection of how things will turn out. Unbeknownst to our two leading lunatics, the eventual outcome of the play will not be the scenario drawn up in their twisted minds.
She uses exact details and wordings in a very matter-of-fact tone, giving off the impression that she is not surprised by the brutality of these “infidels”(27) and that she was raised to expect this kind of behavior from them. Rowlandson recounts this practice of “knocking” people on the heads often, particularly when describing how others were taken into captivity. This causes the reader to question why her force into captivity included reasoning: “They answered, if I was willing to go along with them, they would not hurt me” (28). This act uncovers that the natives did not want to harm when unnecessary, hinting that the “savages” could in fact listen to reason. During a plundering, one of the natives was able to take a Bible which they then gifted to Rowlandson. When the natives show acts of kindness, Mary Rowlandson accredits these favors to God : “I cannot but take notice of the wonderful mercy of God to me in those afflictions, in sending me a Bible” (33). This shows that Rowlandson sees the natives as subhuman, unable to process that they could be kind at this point in her journey. We learn more about the natives further into the autobiography. When overcome with emotion, Rowlandson began to weep for the first time in front of her captors. They responded by reassuring her that she would not be harmed: “No, said he, none will hurt you” and then consoled her by feeding her (40). The natives acted
Seven-foot, blonde haired, blue-eyed super-humans bearing the swastika and marching in perfect Aryan rhythm, bred to be smarter, stronger, superior. This is a typical image when people hear the word eugenics, but there are two distinct branches: negative eugenics, which looks at removing undesirables and degenerates from society, and positive eugenics, which looks to promote the positive hereditary traits within society. In this essay I will Look at both sides of the eugenics argument in order to find a conclusion.
One of the more famous power struggles takes place between Miss Pross and Madame Defarge, towards the end of the novel. When Madame Defarge, who because of her evil nature and devilish appearance is compared to "the wife of Lucifer", appears at the Manettes' residence to accuse the remaining members of the household of ridiculous crimes, she is confronted by Miss Pross. The result is a struggle between these two magnificent women, who are complete opposites of each other: "It was in vain for Madame Defarge to struggle and to strike; Miss Pross, with the vigorous tenacity of love, always so much stronger than hate, clasped her tight…" (p. 360). Miss Pross loves Lucie with all her heart and would never allow any harm to come to her. Madame Defarge, on the other hand, does not just hate Lucie, but she hates the Manettes and all Evremondes. One would think that such a strongly fueled hatred would permit Madame Defarge to overpower Miss Pross, but, as the reader finds out, Miss Pross' determination to keep her darling "Ladybird" safe, from any harm that might come to her or her family, allows her to overpower and kill her enemy. This time, the power of good overcomes the power of evil due to Miss Pross' true love and dedication for Lucie.
"Eugenics". Unified Medical Language System (Psychological Index Terms). National Library of Medicine. 26 September 2010.
After a long and hard battle, the Sergeant says to King Duncan, “For brave Macbeth,-well he deserves that name,- disdaining fortune, with his brandish’d steel, which smok’d with bloody execution , like valour’s minion carv’d out his passage till he fac’d the slave;” (1.2.16) . This quote shows that Macbeth is viewed as a valiant soldier and a capable leader. However, it does not take long for the real Macbeth to be revealed- a blindly ambitious man, easily manipulated by the prospect of a higher status. His quest for power is what drives his insanity, and after having been deemed the Thane of Cawdor, Macbeth’s ambition can immediately be seen. In a soliloquy, Macbeth says, “Present fears are less than horrible imaginings; my thought, whose murder yet is but fantastica, shakes so my single state of man that function is smother’d in surmise, and nothing is but what is not” (1.3.140). Macbeth has just gained more power, and his immediate thought is of how to gain an even higher status as king. He imagines how to kill Duncan, and then is troubled by his thoughts, telling himself it is wrong. This inner struggle between Macbeth’s ambition and his hesitation to kill Duncan is the first sure sign of his mental deterioration. Although Macbeth does kill Duncan, he questions whether or not he should to do so, which is far different from how Macbeth feels about murder later in the play. Macbeth becomes king, and this power leads
The topic of eugenics is a controversial one, but through research it is evident that there are both positive and negative aspects. In 1926, the American Eugenics Society was founded by Harry Crampton, Harry H. Laughlin, Madison Grant, and Henry Fairfield Osborn. The main goal of the organization was to distribute accurate scientific information on genetic health, draw attention to eugenics, and promote eugenic research. “Between 1907 and 1937 thirty-two states required sterilization of various citizens viewed as undesirable: the mentally ill or handicapped, those convicted of sexual, drug, or alcohol crimes and others viewed as degenerate" (Larson).
...en she goes home to her family and friends, her attitude toward Indians in general changes greatly. At first, living with Indians is the most appalling thought that she could ever have. Over time, she realizes that she must somewhat befriend them in order to survive adequately. In the end, she even appreciates the Indians, and the experiences she has had with them. Her captivity also brings her closer to God, because during every hardship, she turns to her faith to help her through it. Her time with the Indians also gave her the affliction that she had always hoped for. Mary lived in prosperity before, and had too many comforts of the world around her. The journeys with the Indians give her a kind of reality check, because she sees that not everyone lives in prosperity as she did. The biggest lesson that she learns is to “look beyond present and smaller troubles, and be quieted under them, as Moses said, Exodus.xiv.13, Stand still, and see the salvation of the Lord.”
When created in 1923, the American Eugenics Society exemplified an air of reform with a seemingly positive purpose, however this cannot be further from the truth. In reality, the society polluted the air with myths of weeding out imperfections with the Galtonian ideal, the breeding of the fittest (Carison). The founder of the society, Charles Davensport , preached that those who are imperfect should be eliminated(Marks). From the school desk to the pulpit, the fallacies of the eugenics movement were forced into society. Preachers often encouraged the best to marry the best while biology professors would encourage DNA testing to find out ones fate (Selden). A...
A.C. Bradley’s interpretation of Macbeth finds him human, conflicted, and comparable to his wife, Lady Macbeth, in many respects. They share a common ambition and a common conscience sensitive enough to feel the effects of their ambition. But the story, Bradley contends, is built upon the traits that set them apart. He focuses mainly on Macbeth. Macbeth is a character of two battling halves: his reason, or ambition, and his “imagination.” Bradley attributes the hysterical nature of Macbeth’s visions, the dagger, the specter of Banquo, and other ghosts, to his wild imagination. He “acts badly” (Bradley, 136) and loses his composure whenever his imagination triumphs over his practical side; however, Bradley also asserts that Macbeth’s imagination is “the best of him, something usually deeper and higher than his conscious thoughts” (133). Macbeth is therefore unable to make use of the “better” imagination with which he was endowed and instead only appears “firm, self-controlled and practical” when he is “hateful” (136). A product of these clashing sides, Macbeth’s murder of Duncan is borne of his inability to properly acknowledge the conclusions drawn by his imagination. In his soliloquies and in...
Shakespeare’s “Macbeth” explores a fundamental struggle of the human conscience. The reader is transported into the journey of a man who recognizes and acknowledges evil but still succumbs to its destructive powers. The character of Macbeth is shrouded in ambiguity that scholars have claimed as both being a tyrant and tragic hero. Macbeth’s inner turmoil and anxieties that burden him throughout the entire play evoke sympathy and pity in the reader. Though he has the characteristics of an irredeemable tyrant, Macbeth realizes his mistakes and knows there is no redemption for his sins. And that is indeed tragic.