Shakespeare
Who was Shakespeare? Was he a man from Stratford-Upon-Avon who started with little and became the greatest English author to ever live; or was he a privileged Earl who was a favorite at Queen Elizabeth’s court? That is the great mystery. This particular mystery is difficult to solve because of the lack of documentary evidence. The Elizabethans did not believe in getting everything in writing as people do today. Therefore, the truth may never be known with certainty. However, evidence does exist to support at least two theories about the Shakespearean authorship: one that the man from Stratford wrote the works, the other that Edward de Vere the Earl of Oxford was the author. The question then becomes, which argument does the majority of the evidence support? Could a writer as prolific, insightful, and universal as Shakespeare have been an actor with only a basic grammar school education? Other examples of genius from meager beginnings do exist. For instance, Albert Einstein got poor grades in high school, yet he turned the scientific community on its ear with his groundbreaking theory of relativity. Abraham Lincoln had little or no formal schooling, and he became the president of the United States and wrote the moving and eloquent Gettysburg Address. Perhaps education and social standing are overrated when it comes to intellectual virtuosity. Though the evidence for Oxford as the author of the Shakespearean canon is impressive, the lowly man from Stratford remains the true Bard.
In an article for the New York Times, William Niederkorn, a playwright and editor, notes that Edward de Vere, Earl of Oxford was first nominated as a candidate for the Shakespearean authorship in 1920 by J. Thomas L...
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Tron could be viewed as a movie that has two heroes because Allan and Flynn both fulfill key elements of the Monomyth in A Hero with a Thousand Faces. However, Allan faces different challenges opposed to Flynn, but their heroic paths parallel each other with the trials that they face. Allan’s journey is overlooked because he is not considered a user, but rather a program. Allan’s program, Tron, could be considered a heroic being because as the movie states “Tron fights for the users.” Also, Tron follows the Monomyth very closely with his own elements of the departure, the initiation, and the return. Even though Flynn is considered a “God” within the system, Tron cannot be understated because he could be considered the brave knight that serves the users.
A few examples of cel based animation is any of the Disney movies especially Snow White and the Seven Dwarfs. All cels were hand drawn and painted in the film.
Vickers, Brian. 1993. Appropriating Shakespeare: Contemporary Critical Quarrels. New Haven and London: Yale University Press.
Vickers, Brian. 1993. Appropriating Shakespeare: Contemporary Critical Quarrels. New Haven and London: Yale University Press.
In today’s world the quality of the art form called writing is said to be somewhat diminishing, it is important for English literature to keep some studies of classic literature, such as Shakespeare. I think well rounded education must have a strong foundation in both modern and classical literature, for the foundation in classical literature, an in-depth study of Shakespeare’s works would be more than sufficient. Not only was Shakespeare so skilled in his writing that he has become a significant point in the history of literature, but a majority of his works were written on such basic human themes that they will last for all time and must not be forgotten.
Edward de Vere was the Lord Great Chamberlain and the seventeenth Earl of Oxford. He was raised as a Royal Ward and from a very young age was educated in the sports and arts of nobility. Although disgraceful for a nobleman to waste time writing frivolous plays, Oxford as a young man wrote and staged the entertainment for the court. As an adult, he became engrossed in theatrical performances and frittered away his fortunes in support of several writers and actors (Friedman 13). During this time, De Vere also began writing several poems and plays. Much like Samuel Clemens, who wrote under the name of Mark Twain, Oxford adopted the pseudonym Shakespeare. Soon after plays appeared under the name of "Shakespeare," poems by de Vere ceased (Russell 5). Coincidently, the coat of arms of Lord Bulbeck, a third title of Edward de Vere, is a lion shaking a spear (Ogburn 10). De Vere was also known by the people as the "spear-shaker" because of excellence at the tilts and at jousting (Russell 5).
It is thought that since everyone in Shakespeare’s family was uneducated that he also would not have had proper schooling and would be uneducated. If shakespeare was uneducated he could not have written 198 pieces of work ranging from sonnets, poems, and plays. With a vocabulary of over 13,000 words used overall in all of his pieces of work combined, if he was uneducated it is completely impossible for him to have written all of the plays, poems, and sonnets.
Looney, J. Thomas. "Shakespeare" Identified in Edward De Vere, the Seventeenth Earl of Oxford. New York: Frederick A. Stokes Company, 1920. Print.
“William Shakespeare (26 April 1564 – 23 April 1616) was and English poet and playwright, widely regarded as the greatest writer in the English language and the world’s preeminent dramatist” (vodppl.upm.edu 2). He was born in Stratford-Upon-Avon, UK, he also passed away in his hometown. “When Shakespeare died in 1616 the event was barely noticed” (Epstein 7). “Shakespeare’s family was initially prosperous but began having financial difficulties in the 1570’s” (Allen 325). “Shakespeare gained his education by attending the local grammar school, King’s New School, where the curriculum stressed a classic education of Greek mythology and roman comedy”(shakespeareinamericancomunites.org 1). He never carried his educational career to a higher level as in a university. “William Shakespeare was not recognized as an actor, poet, and playwright until 1592” (Allen 346).
There has been a long and on going discourse on the battle of the sexes, and Simone De Beauvoir’s The Second Sex reconfigures the social relation that defines man and women, and how far women has evolved from the second position given to them. In order for us to define what a woman is, we first need to clarify what a man is, for this is said to be the point of derivation (De Beauvoir). And this notion presents to us the concept of duality, which states that women will always be treated as the second sex, the dominated and lacking one. Woman as the sexed being that differs from men, in which they are simply placed in the others category. As men treat their bodies as a concrete connection to the world that they inhabit; women are simply treated as bodies to be objectified and used for pleasure, pleasure that arise from the beauty that the bodies behold. This draws us to form the statement that beauty is a powerful means of objectification that every woman aims to attain in order to consequently attain acceptance and approval from the patriarchal society. The society that set up the vague standard of beauty based on satisfaction of sexual drives. Here, women constantly seek to be the center of attention and inevitably the medium of erection.
In Simone De Beauvoir’s book, The Second Sex, the term the other is used in reference to women. Women are regarded as the inessential and the dependent sex who needs the one in order to exist (De Beauvoir, 1989). The one is referred to as man who is the norm that we need to conform to or else we will be marginalized if we fail to do so. This ideal norm has been present in society since the very beginning of time. Maybe it is because man was created first before woman in the creation story of Genesis and how the religion, Christianity, has a man as their Savior. This is why women are regarded as the weak ones as they are incapable to comply with the norm and are alienated in society. In addition, those men who fail to prove their manliness and do not meet the standards of what it means to be a man are often referred ...
The impeccable style and craft of Shakespeare’s writing has always been looked upon with great respect, and it continues to serve as an inspiration to writers and thinkers today even as it did when it was being first performed in London. Shakespeare’s modern audience, however, is far less diverse than the one for which he originally wrote. Due to the antiquity of his language, Shakespeare’s modern readership consists mostly of students and intellectuals, whereas in Shakespeare’s own time, his plays were performed in playhouses packed with everyone from royalty to peasants. Because of this, Shakespeare was forced to write on many different levels, the most sophisticated of which appealed to his more elite audience members, while the more straightforward and often more crude of which appealed to his less educated viewers, and the most universal of which still appeals to us.
The Review of English Studies, January 1945, 21(81): 52-56. Print. The. Shakespeare, William. The.
Filmmaking is an art like no other. It brings people together to create magnificent stories that people can view either on their television or on the big screen. The creators of film could not have imagined how far filmmaking would go and how much it would impact the world of entertainment. The invention of filmmaking has evolved over a long period of time and will continue to impact the world of entertainment.
William Shakespeare’s life has brought much curiosity to many. This is natural as he is considered to be the greatest figure of English Literature. William Shakespeare, in terms of his life and work, is the most written-about author in the history of Western civilization. His works include 38 plays, 154 sonnets, and 2 epic narrative poems, the First of which was published after his death in 1623 by two of Shakespeare's acting companions, John Heminges and Henry Condell. Since then, the works of Shakespeare have been studied, analyzed, and enjoyed as some of the finest work of art in the English language.