Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Sex and the City analysis by women perspective
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Sex and the City analysis by women perspective
Sexuality and The City
The film Sex and The City represents women’s personal freedom in sexuality, by presenting four successful women living in New York City dealing with love, marriage, and sex. The film, based on the television show, Sex and The City, follows the lives of 4 women who are expressing women hood, and their freedom, through marriages, families and sexual exploits. Many of them possessing different ideologies about love, each with their own pieces of feminism and independence. Sexuality within Sex and The City demonstrates how people should be confident and empowered by their sexuality and freedom.
Sex and the City revolves around ‘white, middle class, heterosexual women who define themselves primarily as oppressed victims of patriarchy’ (Brasfield 253), based upon this statement, it is obvious to observe the oxymoronic styles presented in the film. The women are attempting to reach a level of freedom that they already possess, they are under the impression that they cannot be truly free and independent as women until they are involved in a relationship with a man. Brasfield covers a variety of topics regarding Sex and the City and its feminist characters and characteristics. Brasfield also states that in Sex and the City they use sex ‘as a commodity that can be bought and sold’ (Brasfield 256), which is familiar to character Samantha in that she ‘detests relationships with an emotional component’ (Brasfield 252), and would prefer them to only include sex.
Samantha shows this side of her in the movie when she seems very interested in her neighbor, instead of her boyfriend of 5 years. When Smith gives her the ring that she had been dying to have, she wants to return the present in an ‘oral form’, when Smith deni...
... middle of paper ...
... forms of freedom, all of them successful, strong willed businesswomen. The presentation of this freedom allows for a belief that you can be strong within a relationship, as well as strong without a relationship. This demonstrates one more battle women to have gained control of.
Works Cited
Brasfield, Rebecca. "Rereading: Sex And The City: Exposing The Hegemonic Feminist Narrative." Multicultural Film: An Anthology Spring/Summer 2014. Boston: Pearson Learning Solutions, 2014. 251-61. Print.
Schrock, Douglas, and Michael Schwalbe. "Men, Masculinity, and Manhood Acts." Multicultural Film: An Anthology Spring/Summer 2014. Boston: Pearson Learning Solutions, 2014. 153-72. Print.
Sex and the City. Dir. Michael Patrick King. Prod. Sarah Jessica Parker. Perf. Sarah Jessica Parker, Kim Cattrall, Kristin Davis, and Cynthia Nixon. New Line Cinema Corporation, 2008. Film.
In the classical Western and Noir films, narrative is driven by the action of a male protagonist towards a clearly defined, relatable goal. Any lack of motivation or action on the part of the protagonist problematizes the classical association between masculinity and action. Due to inherent genre expectations, this crisis of action is equivalent to a crisis of masculinity. Because these genres are structured around male action, the crises of action and masculinity impose a crisis of genre. In the absence of traditional narrative elements and character tropes, these films can only identify as members of their genres through saturation with otherwise empty genre symbols. The equivalency between the crises of genre and masculinity frames this symbol saturation as a sort of compensatory masculine posturing.
Donna’s father is angry when he finds out and automatically assumes it means she’s going to have sex with many men. This example is representative of the double standard held between men and women. It wouldn’t be an issue if one of the boys had multiple partners or used birth control, but as soon as one of the females does, it is frowned upon. When Jackie hears that Donna is on the pill, she exclaims “you’re going to be so popular,” which implies women can only be well-liked if they please men. Then, Eric’s parents give him “the talk” and while Kitty mentions that foreplay is important, Red disagrees. This implies a woman’s pleasure is not important, as long as men are taken care of. While Laurie is home, Eric finds out that she is failing classes, perpetuating the “dumb blonde”
Smith, Jeff, and Chloe Beighley. "Normalizing Male Dominance: Gender Representation in 2012 Films." Grand Rapids Institute for Information Democracy. N.p., 12 Feb. 2013. Web. 1 Apr. 2014.
“You Know What the Lollipop is for” is an episode of a television Two and A Half Men that demonstrates how prejudice and discrimination based off an embodied identity of a race can indeed lead to feminism in today’s modern world. The trio exercises their stereotypical ideas of women on Walton’s friend Missi who happens to be the spoiled brat. The show helps develop the episode by highlight typical sexual profiling elements for women’s stereotype. This show demonstrates our natural tendency as a society to assume these stereotypes as real life norms for women. Thus explaining why structural functionalism and the ease of putting our race first, happens so frequently in society
...hetypes of these primary characters, both of these novels make a parallel statement on feminism. The expectations of both themselves and society greatly determine the way that these women function in their families and in other relationships. Looking at the time periods in which these novels were written and take place, it is clear that these gender roles greatly influence whether a female character displays independence or dependence. From a contemporary viewpoint, readers can see how these women either fit or push the boundaries of these expected gender roles.
In the past American society and culture has set social norms for women to keep acting and doing things that a proper lady should do. However, women rebelled and changed the rules of what was expected from the past towards their own set of guidelines, because women didn’t want to follow the old rules of American culture anymore. Once women where liberated from some of the rules the “double standard” continues to follow women around especially when it comes to sexual actions. On the subject of this Sex in the City is a show all about sex the 4 main characters dialogues in the show. For illustration, Kim Catrall’s character in the show demonstrates she has quite an appetite for sex and men. The characters stigma affected her profession because the companies she wanted to work with knew of her reputation, as a result, she would lose clients due to being slut shamed. In this case there was the injustice of the double standard and affecting her livelihood because she is a woman. But when a man has this type of behavior whether he’s a prowl to sex in a social environment or at work, he doesn’t have pay the consequences of his sexual actions. For example, Donald Trump was exposed for his behaviors he did in the past, but it only affected him now because he is running for president but was
Four female protagonists’ characteristics created in Sex and the City allows the social constructionist theory have culture influence on modern society instead of essentialism’s idea on human behavior. Accor...
Philadelphia. Dir. Jonathan Demme. By Ron Nyswanger. Perf. Tom Hanks, Denzel Washington, Antonio Banderas, and Joanne Woodward. TriStar Pictures, 1993. Youtube Crackle.
The Trouble with Men: Masculinities in European and Hollywood Cinema - Phil Powrie, Ann Davies and Bruce Babington.
Sexism serves as the constant reminder that, although in our history there have been many changes, we still have much to work on. The equality of all people has yet to be achieved and while the progress made should be noted, there are facts of our culture that demonstrate we still haven’t reached where we need to be. As for how The Bro Code comes into play, Director Thomas Keith explores the aspect that society still harbors and in most ways promotes the inequality between men and women. Director Thomas Keith clearly states in the beginning of the documentary that even he grew up believing that “women were here for our sexual enjoyment” (Keith). His documentary serves to focus that our society has allowed for men to objectify women and to believe that they are better. These thoughts that he presents are not foreign or stretches of the imagination but simply observations of the society in which we live.
As we look around at our women in today’s era, we might ask how did she become so independent, successful, and confidant? Even when I look at my own my mom, she was hired as the first woman to work as a manager at a fortune 500 business, and then created her own business. As well as my friends’ mom, who also has her own business in psychology; accomplishments like these must have originated from somewhere. The answer lies in the 1920’s. A couple years earlier, World War I was waging havoc, killing many men, while allowing women more freedom. The effects of World War I gave birth to the new women, also known as the Flappers, and inspiration for the 19th amendment. The flappers stirred up traditions and launched a new way of living. It soon became very apparent that the new women of the 1920’s helped redefine the social norms of society.
So, according to Griswold’s cultural diamond model, our cultural object is the vibrator, our agents are physicians as inventors/creators/designers, our receivers are women afflicted with Hysteria, and our social world stifles women’s sexuality through the facets of patriarchy and motherly influence. Yet, times are changing, and with entrepreneurs like Dodson and Blank, and authors like Maines, perhaps women will realize their roles as sexual beings and the world will identify femininity not with submission and weakness, but with power and assertiveness.
Sex and the City is a show centered around four beautiful, successful women in their mid-to-late thirties. Although the show focuses on the "love lives" of the four women, the title has been dubbed "Sex and the City," and not "Love and the City." The question is, why? Well, it could be simply that sex does sell. Perhaps Candace Bushnell christened her book Sex and the City because it would attract more readers. However, while this may be a small, superficial factor in the reasoning behind the title, the content of the show suggests a deeper purpose behind the focus on sex. For the most part, the relationship between love and sex is dichotomized throughout the show. Although the characters end up married or in a monogamous relationship at the end of the series, the majority of the show is concentrated on the women's brief sexual encounters and the glorification of their trysts. Only once in awhile do the topics of love and sex come up simultaneously in the characters' post-sex brunch conversations.
The sexual revolution of the 1960’s made a big impact on society as a whole, changing and shaping it to much of what it has become today. Although this change has provided progress for the society it has also created new challenges that civilization must now face. Due to the new issues brought on by the previous sexual revolution it can be said that the sexual revolution is not yet over, as it is still revolutionizing society today. We are currently part of our own sexual revolution, one that deals with issues brought on by the previous one as well as issues that have never been tackled before, such as situations brought on by the relatively new media. This revolution seeks to change the opinions on women’s rights, sexuality and gender, and the social media. The sexual revolution is now, and it is affecting the North American society as a whole. It is widely known that society is ever-changing, so it is inevitable that new challenges will cause change; in a society that can never stay the same there can never be only one revolution. The sexual revolution of the 1960’s only served as a starting point for a plethora of sexual revolutions that are to come.
...heir own sense of independence. But they also present the reality of it all, that in the end they are back to where they started, and that women will never be able to let their guard down, because of the constant struggle of becoming equally self-reliant as men are, which still remains today.