Setting in Yann Martel’s Life of Pi and The Yellow Wallpaper” by Charlotte Perkins Gilman
1032 Words5 Pages
Surroundings affect how one participates in everyday life. Two settings seem entirely different, yet they create similar situations through availability of freedom offered by each setting. Life of Pi by Yann Martel possesses corresponding situations and distinct differences with “The Yellow Wallpaper” by Charlotte Perkins Gilman. Both compositions utilize confinement to intensify their settings, but the means of confinement have different bounds, and the things they can interact with are extremely separate. Characters of both works communicate with other beings based entirely on their setting. These stories revolve solely around the place of occurrence.
Life of Pi explores the limits of confinement in two different settings. Piscine, the character referred to as Pi whose story is shared with readers, lived at the Pondicherry Zoo in India, and he also survived in the Pacific Ocean for a period of time. At the zoo, Piscine does not directly face confinement, but he witnesses it with the animals his father keeps in captivity. “Closed and locked” cages with “bars and a trapdoor separate” the animals’ dwellings from one another (Martel 34). The creatures remain dependent on their keeper’s to supply them with the essential amount of food, water, attention, and care since they are unable to fend for themselves in their new habitat. Pi later experiences all that the zoo animals do as he becomes stranded in the middle of the Pacific Ocean in a lifeboat after his family’s boat sinks while moving to Canada. Confinement possesses a different meaning in his experience. He relies heavily on what few resources he has been graced with on the lifeboat. His situation escalates as he realizes that a Bengal tiger, which he refers to as Richard...
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...ased on the setting. Her husband and sister provide all the food and nourishment, shelter, and clothing possibly needed for a healthy life. The possibility of them neglecting her seems scarce because they care enough about her well-being to help her with her illness with “phosphates or phosphites” (Gilman 408).
Confinement intensifies the settings of Life of Pi by Yann Martel and “The Yellow Wallpaper” by Charlotte Perkins Gilman. These stories rely strongly on the element of setting to define the bounds of their freedom and survival as human beings. Both possess similar situations with restrictions because of the place of occurrence, but their interactions with other things vary with their setting. Each characters’ situation corresponds with the other, but differences appear. No matter their setting or interactions, their territories remain beyond their control.