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Explore the ways Shakespeare presents the idea of romantic love in the play
Characterization in othello
Characterization in othello
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The true test of strength in a person is marriage. Throughout the play Othello, Desdemona is regarded as a strong, independent woman with a sharp tongue and the ability to stand up for herself. She defies the stereotypical mold of a wife during the 17th century, and is not merely an obedient servant of Othello, but a strong life partner with her own ideas and personality. Her passionate, yet rushed relationship to the Moor, Othello, gives readers the opportunity to discover whether or not Desdemona’s strength allows her to achieve her superobjective in the entire play: to maintain a happy, loving relationship with her husband, or if her strength becomes a hindrance.
In the first scene in which Shakespeare introduces the character of Desdemona, a tense, intimidating tone has already been set. The scene opens on Othello’s trial; a trial which readers know has the potential to decide the fate of the two lovers. The scene is also the first which is crucial to the achievement of Desdemona’s superobjective, because it represents the tough switch of allegiance from Desdemona’s father, to her husband, Othello. Because readers have not yet been introduced to Desdemona at the very start of the scene, they have no idea what to expect, yet her first long speech in front of the court immediately defines her personality:
My noble father, I do perceive here a divided duty.
To you I am bound for life and education.
My life and education both do learn me
How to respect you: you are the lord of duty;
I am hitherto your daughter. But here's my husband;
And so much duty as my mother showed
to you, preferring you before her father,
So much I challenge that I may profess
Due to the Moor my lord (I.iii.18...
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... to be mad, the song of The Willow. The Willow song mirrors Desdemona’s situation with her husband, as Othello’s anger (which was provoked by Desdemona’s resilience) is eventually what ends the relationship. Desdemona does everything in her power to maintain a strong relationship with Othello; however, her innately persistent personality obstructs the happiness in the relationship. Even in the few short moments before her death, her strength is not abandoned, and she admits that she, “[has] not deserved this” (IV.i.336). Even though Desdemona is not able to achieve her superobjective, Shakespeare does not allow her to abandon her personality. None of the characters in the play are written so that they change themselves, no matter the circumstance, which shows that Shakespeare believes that no one should sacrifice who they are for the sake of love.
Sometimes people never know how another person’s actions affect them until it is too late. Shakespeare’s Othello rings true to this belief. Ever faithful to the “bro-code”, Othello strongly listens to Brabantio’s sullen advice, and warps Othello’s perception of his marriage to Desdemona. Othello believes every man in this play, but he does not believe in the woman who pledges her life to Othello even though Desdemona allows herself to marry in an unorthodox fashion. If it were not for Brabantio’s negative outburst, Othello’s small mind acquires no seeds of doubt towards his beloved wife Desdemona, and Shakespeare’s Othello premise ceases to exist.
The center of the play is the relationship between Othello and his wife Desdemona. What is initially portrayed as a marriage of love and excitement, was ruined by the influence of Othello's Personality Disorder, which causes constant distrust and suspicion based on benign events (Diagnostic and Statistical Manual of Mental Disorders - 5, 649). After a conversation with Iago on Desdemona's loyalty, Othello begins to have doubts about his marriage, thinking that Iago is also lying to him,
Although Desdemona's father has the right to know that his daughter has married Othello, her father is an old man who should receive the news gently. The fact that he awoke this poor man in the middle of the night, yelled at him, and caused him such trauma all for the sake of being with Desdemona, is yet another indicator that not only is he psychologically impaired, but it is also evidence of how far he is willing to go to be with the object of his obsession.
Desdemona is one of the protagonists of the play contributes to the play and also fleshes out certain aspects of characterisation mainly where Othello and Iago are concerned. Thus her relevance is highlighted consistently throughout Othello, since without her ppresence, Iago would not have succeeded in manipulating Othello, and Othello's drastic transformation would not have been made evident.
It is apparent that Othello idolizes Desdemona, through the language he uses in describing her as well as how he treats her during their interactions. While most female characters in the play are oppressed and demeaned by their male partners, Othello’s respect for Desdemona is a testament of his feeling inadequate and strive to entice her. Although he has an alterior motive of evading a conviction of witchcraft to win Desdemona’s heart, he confesses to many noblemen including Barbantio, Desdemona’s father, that Desdemona does not love him, just his war stories. Incidentally, his war accomplishments were the only way a man of his background would be able to be so close to a prestigious woman such as Desdemona in a time plagued with so much racism. In the second scene of Act V, Othello has been pushed well beyond his breaking...
Othello is a man of romantic nature. He fell in love with the beautiful Desdemona. He was accused of stealing her away from her father. Othello was of a different race and did not fit in with her family. Othello makes a plea for Desdemona and tells his story which wooed her to begin with. Othello tells of the love that her father showed him since his boyish days. This was like a match made in heaven that overcame many obstacles which got in their way. Othello could not understand why he was good enough to work and fight alongside of her father, but was not good enough for his daughter.
Shakespeare illustrates the injustices done to women by demonstrating the treatment Desdemona and Emilia received after having been framed of adultery. Because both women are though of cheating on their husbands, they no longer fit in society’s model of an exemplary wife. Despite having proved their affection for their husbands countless of times, not having a pure image led to Iago and Othello mistreating of the women they once loved. Once both women began to stand up for themselves and challenge the authority of their husbands, the repercussions of their bravery were both women’s death. Which shows, women’s only source of authority was their reputation as a wife. Once they lost that status, they no longer held any form or respect in society or with their husband’s.
Within Shakespeare’s Othello there is an analysis into the context of the female. Brabantio’s rhyming couplet “Look to her, Moor, If thou hast eyes to see/ She has deceived her father, and may thee,” demonstrates his domineering and patronising attitude, as the Elizabethan era was a patriarchal society and the role of the female was to be ‘obedient’ to their father or husband. Brabantio also endeavours into placing a seed of doubt in Othello’s mind as a result of his jealousy. Consequentially Brabantio objectifies Desdemona when he states, “Where has thou stow’d my daughter?” exemplifying how he deems her as a possession, which can be stolen like any other. Othello prolongs this objectification through asserting that he “won his daughter” portraying Desdemona as a prize to be won, and a possession to be owned and argued over by husband and father. Desdemona is depicted early on in the play as the “angel” wi...
These lines are the first hint given that Desdemona may not have always been completely captivated by her husband. These words, not denied by Othello, sit in contrast to his own. Upon hearing her words, Othello seems a changed man, depressed and submissive, his new attitude brought on by “Desdemona’s own honest account of her original feelings for Othello and the role Cassio played in Othello’s winning of her” (Macaulay 269). With just a little concern for Othello’s own pride, Desdemona have chosen to withhold some words or soften their blow. Instead, her own pride continues to lead her headlong onto a destructive
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
Desdemona demonstrates weakness in her love for Othello and by taking his abuse. At the beginning of the play, Desdemona feels she must accompany Othello to Cyprus in war. This can be looked at as her being a strong woman, but she truly is not since the real reason she wants to go is because she can not be seperated from Othello. "If I be left behind A moth of peace and he go to the war, The rites for which I love him are bereft me,And I a heavy interim shall support by his dear absence. Let me go with him." (Act 1, scene 3, line 250) She feels that she loves him so much, she can not be alone or without him. This is a trait of the stereotypical damsel. When Othello hits her in public, she does not get angry with him but begins to cry. " 'Tis very much.Make her amends, she
The main character, Othello, is a very interesting character. He is bold is every wear. He is an insecure person. His only experiences are the ones that he has had on the battlefield. He is a General who is a strong willed and is demanding, in his own way. He is socially inexperienced, and you can tell by the marriage that is apparent. The way that Othello treats Desdemona. You almost feel as if he has a kind of control over her. When Othello thought and suspected that Desdemona was having an affair, he confronts her. That is then followed by her death. [scene 5 act 2]Desdemona "O banish me, my lord, but kill me not!Othello: Down, strumpet! Desdemona: Kill me tomorrow, let me live tonight. Othello: Nay if you strive- Desdemona: But half an hour! Desdemona: But while I say one prayer!- Othello then proceeds to strangle Desdemona. He was best described as " one that loved not wisely, but too well." It almost seemed as if he had so much love and trusted D...
Othello’s own problems lead him to murder Desdemona. He has insecurity issues with himself. In the beginning of the play, Othello is confident. Iago speaks of Othello in a lowly manner oftentimes. He even calls him an “old black ram” and describes him as “tupping your white ewe” (1.1.9) when he wakens Brabantio with news of Desdemona’s marriage to Othello. Othello starts to degrade himself by saying “rude am I in speech” (1.3.96). This loss of confidence puts a dent in his relationship with Desdemona, laying the pavement for her later death. He is gullible for allowing Iago’s remarks to affect him. Therefore, Othello’s own personal conflicts lead to Desdemona’s demise.
The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is....Oh, she deceives me Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the impression Desdemona is a devious imp full of disrespect towards her father. However, surpassing normal tradition of asking of her fathers’ permission to wed, Desdemona ran off and did marry the moor. This in a sense was her emancipation of her father’s possessiveness and oblivion of Othello’s dominance over her. Othello replies to Barbantio’s accusation, sedating or using black magic on his daughter, by saying, “My very noble and approved good masters, That I have ta’en away this old man’s daughter. It is most true.” (1.3.79-81), which brings me to the claim that Desdemona’s character in this tragedy, was only to become and to serve as Othello’s private possession rather than a typical beloved daughter or wife as in modern time. Shakespeare bases this tragedy on the foundation of Desdemona’s character by the symbol of the discrimination of women in the Shakespearean time era. Desdemona even for the first and only time within the play stands up and challenges her inferiority under her father’s aut...
...f her imminent death. She, not Othello, asks Emilia to put her wedding sheets on the bed, and she asks Emilia to bury her in these sheets should she die first. The last time we visually perceive Desdemona afore she arouses to find Othello standing over her with murder in his ocular perceivers, she sings a musical composition she learned from her mother’s maid: “She was in love; and he proved mad / And did forsake her. She had a musical composition of willow. / . . . / And she died singing it. That musical composition tonight / Will not go from my mind” (IV.iii.27–30). Like the audience, Desdemona seems able only to visually examine as her husband is driven insane with jealousy. Though she maintains to the cessation that she is “guiltless,” Desdemona additionally forgives her husband (V.ii.133). Her forgiveness of Othello may avail the audience to forgive him as well.