Seeking Truth in A Doll's House.
The characters, in Henrik Ibsen's A Doll's House, are hiding from each other and seeking the truth about each other and about life. The game of hide and seek that Nora plays with her children, she also plays with her husband. She hides her actions and her true personality from him. He also hides his life from her. Thinking that she would never even understand, he keeps all the business of their relationship secret from her. Although Nora hides from her husband, she also plays the role of seeker. Nora wants to seek out the truth of her life. Much of the play is a game of hide and seek. Excellent.
Nora plays a game of "hide and seek"(Ibsen 506)* with her children. The simple game can be seen also as a symbol of real life in the play. Nora is playing hide and seek with the adults in her life. Nora is trying to keep something away from public knowledge and especially away from her husband. She hides the fact that she borrowed money to save his health. She was afraid that if Torvald knew that she had taken initiative to borrow money to help him that it would be "painful and humiliating"(Ibsen 501) for him. She knows that Torvald needs to feel in control of everything. So she hides her actions from him.
Nora hides the fact that she has done something illegal from Torvald. She is given the opportunity to tell Torvald and maybe get his support or advise on the situation, and she lies to him to hide the truth. She claims that the reason that she does not want Torvald to fire Krogstad is that "this fellow writes in the most scurrilous newspapers...he can do [Torvald] an unspeakable amount of harm"(Ibsen 519). Nora hides the truth and replaces it with lies. Torvald does not know that if he fires Krogstad that the consequences will affect his whole family. Nora could have told him, but instead she decided to hide the truth from her husband.
She also hides her own strength. She plays the part that she has come accustomed to, being the doll. The first time in the play that Torvald refers to Nora, he calls her a "little lark"(Ibsen 493). Throughout the play, he refers to her as a cute little animal, never with any word that might imply a situation of his peer.
Juliet's Nurse is first introduced to the play in Act I Scene 3. It is
Nora clearly represents the doll of the house and Torvald's dehumanization of her is flagrant throughout the story. He relentlessly refers to his wife through the use of pet names such as "my little skylark" and "my helpless little squirrel." In addition Torvald uses the possessive "my" often to reflect the notion that she belongs solely to him. She is his plaything, his toy, and his possession. Torvald even states to Nora that it was "quite expensive for him to keep such a pet." Once Torvald becomes aware of his wife's transgressions he reduces even her further calling her a miserable creature and a heedless child.
The nurse has raised Juliet since she was a baby. She plays more of a
Nora is perceived as a helpless women, who goes out and wastes money that was earned by her husband. To Torvald, Nora is merely a plaything, which could be what the title of the play, "A Doll House", was hinting at. He found her helplessness to be attractive, because he was the one that was in control. For instance, when they received the Bond from Krogstad, Torvolld said, "I wouldn't be a man if this feminine helplessness didn't make you twice as attractive to me" followed by "It's as if she belongs to him in two ways now: in a sense he's given her fresh ...
Three Sources In A Doll's House, the author explores the topic of the "social lie". The setting is the sacred institution of the home. Nora is the beloved, adored wife of Torvald Helmer. He is an admirable man, rigidly honest, of high moral ideals, and passionately devoted to his wife and children. In short, a good man and an enviable husband. The main character, Nora, considers herself fortunate to be married to such a man. Indeed, she worships her husband, believes in him implicitly, and is sure that if ever her safety should be menaced, Torvald, her idol, her god, would perform the miracle.
In the play, the audience sees it from Nora’s perspective. Nora is Torvald’s little squirrel, his little, insignificant squirrel. Nora is worthless to Torvald and she only realizes in the end how foolish she is to think that he will
Nora Helmer was a fragile character that relied on her husband for her own identity. This dependence has kept her from having her own personality in so many different ways. Throughout the story Nora portrays the perfect housewife who stays at home to take care of her family and please her husband. From early childhood Nora has always held the opinions of either her father or Torvald, only hoping to please them. Nora’s upbringing was so easy that she only needed to make a cute noise and someone would come running over to serve her. It’s no wonder that when she got married that Torvald followed the same routine. Ibsen even states that, “she was merely a doll, a plaything, passed from papa’s hands onto Torvald’s” (1610). I believe that these actions made her look extremely infantile, showing that she had no thoughts of her v...
Torvald is constantly referring to her through the use of pet names such as (quote pet names from book) and only ever refers to her by name when he is scolding her. Not only does Torvald see her as his doll, but also as her child (quote near end of story). By keeping Nora dependent and obedient to him, he plays the role of Nora’s second father. Nora eventually sees that her daughter is being treated in the same manner that she was her entire life, as a doll. In comes Mrs. Linde, Nora’s childhood best friend, whom she greats rather hesitantly.
In spite of this, is certain that the Nurse played a serious role in encouraging the lovers? relationship to blossom. Instead of advising Juliet on the dangers of a love that is ?too rash, too unadvis?d, to sudden?, she continues to place Romeo upon a pedestal, proclaiming his ?face be better than any man?s, his leg excels all men?s, his [body parts] are past compare?. Her haste for Juliet to ?hie hence to Friar Lawrence? cell?, and preparations for ?cords? to be brought for Romeo to ?convoy [to Juliet] in the secret night?, are gestures that illustrate her desire for their relationship to progress quickly. Therefore by offering her approval of Romeo, the Nurse inadvertedly strengthens Juliet?s devo...
The Nurse possesses many qualities. For example, she is very hearty towards Juliet, kind, protective, compassionate and a loving lady. In some parts of the play The Nurse can be long-winded, insensitive, arrogant, insecure and stupid at times but she loves Juliet very much, partially as she imagines that Juliet is a substitute for her own daughter Susan. She has a bawdy sense of humor, which brings out the naturalness of sex and childbearing. This is seen when she tells Juliet to look for love, - “Go girl, seek happy nights to happy days';. This displays a realistic attitude to love. Such bawdy realism is, like the ribaldry of Mercutio and company, a contrast with the tender, romantic and passionate feelings of Romeo and Juliet. The Nurse is a practical but rather stupid woman at times. She loves Juliet like her own child. Throughout the play The Nurse is very talkative. She will usually do what she believes is right or what Juliet wants, like secretly meeting with Romeo and arranging the wedding of Romeo and Juliet.
The play Romeo and Juliet by William Shakespeare, the nurse is Juliet’s lower-class nurse. She is a loquacious, insolent trusting but yet dishonest character in the play. The only character that Juliet trusts and usually is seen cracking dirty jokes
The play A Doll House (1879), by Henrik Ibsen, has a realistic feel that compels the reader to identify with the main characters and the situation that they find themselves facing. The wife, Nora, is in all but one scene, and nearly all the scenes occur in a single room. She is the main character, and it is her unraveling and self-discovery that the reader is spectator to.
ghost of his father wants him to kill his uncle and send him to hell,
Henrik Ibsen once said, “Never wear your best trousers when you go out to fight for freedom and truth.” In his play A Doll’s House, Nora is seen by surrounding friends and family as a housewife and idea mother, but she is fighting for independence and recognition. Ibsen’s A Doll’s House presents an image of an ideal marriage to demonstrate that the 19th century social expectations on husband and wife were unrealistic.
Nora and Torvald's relationship, on the outside appears to be a happy. Nora is treated like a child in this relationship, but as the play progresses she begins to realize how phony her marriage is. Torvald sees Nora's only role as being the subservient and loving wife. He refers to Nora as "my little squirrel" (p.1565), "my little lark" (p.1565), or "spendthrift"(1565). To him, she is only a possession. Torvald calls Nora by pet-names and speaks down to her because he thinks that she is not intelligent and that she can not think on her own.