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Violence in film essay
Violence in the movies
Violence in film essay
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Screenplay Excerpt from Nightmares SCENE 4: INT. ABANDONED BUILDING - NIGHT [Nightmare sequence: Angelica steps forward, her flashlight flickering in the darkness of the cluttered room. Her feet trip over a broken chair, she falls to the ground with a dull thud. Her flashlight slips out of her grasp, and rolls away. It skitters to a stop several feet away, next to a man. He lays face down on the floor, his eyes lifeless. Blood pools out of the wound in his throat. She screams. Angelica scrambles away from the corpse. In her haste, her hands unwittingly become coated in the victim’s blood. Noting this, her agitation grows. The teenager blindly stumbles forward. A shadow appears by her side, and a clawed hand strangles her. Angelica struggles against her assailant. She kicks him in the shins. The claw releases her throat. She stumbles to the ground, gasping for breath. The attacker advances towards her, knife in hand. The assailant lunges, and Angelica screams as she’s pulled away from the blades trajectory. A teenage boy with burgundy hair shoves her behind him. The teenager tackles her assailant. The knife slices the boy’s forearm, and falls to the ground. Her vision blurs. Honk! Honk! Honk! ] SCENE 5: INT. BUS - LATE AFTERNOON [Angelica wakes at the sound of a loud horn.] BUS DRIVER: Hey Kid! Are you going to sleep there all day or get off my bus? ANGELICA [Her eyes shift around, as she takes notice of the empty vehicle. She regains composure. Her voice raspy]: Sorry sir, I didn't mean to fall asleep. BUS DRIVER [annoyed]: Yeah, yeah, yeah, just get going kid. [As Angelica grabs her backpack, she notices blood on her hands and shirt. Her eyes widen.] BUS DRIVER [gruffly]: Hey Kid! Sometime today would be nice. [Her s... ... middle of paper ... ...he arm, and begins to drag her towards the Reed residence.] TRISTAN [irritated]: Oh, no you don't! Mom forced me to bring you. We’ve gotten you this far and there's no way in hell I'm just going to let you stay in the car. ANGELICA: But you don't - TRISTAN [angry]: Look, we both don't want you to be here. Now, because of you I have to spend a perfectly good Friday night babysitting you. If I have to suffer, so do you. You're going in, deal with it. ANGELICA [scared]: You don't understand! TRISTAN [exasperated]: No, you're right, I don't understand. Why don't you explain it to me? [The two stop at the entrance of the house. Tristan releases his hold on Angelica and crosses his arms in a sign of annoyance. Angelica remains silent, Tristan rolls his eyes.] That's what I thought. [He shakes his head, grabs her arm once more and forces her through the entrance.]
"You're afraid of your own son," she cried, struggling. "Let me go. I'm coming, Herbert; I'm coming."
It is not until her unfortunate murder that Angela's imprisonment gets unraveled. Her distorted emotions are revealed as this relatively unknown young woman's death is investigated. Journalists trample inside Ms. Bari's life without any regards to her in an attempt to solve this murder mystery (17). Angela's body was discovered by the porter of her apartment who is 'astonished that there should be so little blood on the floor'; when he discovers that she is lying on the ground dead after being stabbed several times (18). This is the first clue that Angela is cornered in her own little world. She has little blood, which is regarded as the seat of emotions, and her lack of such nourishment suggests that perhaps she was never nurtured. Furthermore, her cause of death, internal hemorrhage, suggests that those feelings imbedded within her were lost rapidly and uncontrollably (19). The obscure grasp Angela has of her emotions is just one facet of her imprisonment.
death. The girl and her abuser are at the back of the classroom in the
... sins, but she can’t take back what she did so she will forever have blood on her hands. This guilt and all of the lies she has told is giving her true trepidation and in the end she decided to end her terror by taking her life.
“Carisi, I’m really sorry about the situation you got into the other day. I was in the wrong for leaving you alone in there.”
"Get over here!" The angered and scratchy voice bellows from deep within the strong, mean-spirited ninja. The ninja throws forth a blade that is fastened to the end of a long, black rope. The sharp point of the spear pierces the skin and takes root deep within the stomach of a screaming, young woman. Blood splatters from the impact, and the ninja forcefully retrieves the blade by pulling on the rope to which it is attached. The shrieking, young woman is lurched forward, attached still to the steel blade and without the ability to defend herself. Currently, she stands paralyzed and helpless at the hands of her attacker.
John saw a glimpse of her body on the floor of the basement just at the bottom of the steps. His hand trailed the wall in search of the light switch as he called out to her again but she would not answer. With a flick of his the light turned on; a knot formed in John's stomach at the horror in front of him. Tanya laid there motionless with her body face up on the smooth gray concrete floor, the dangling light at the bottom of the stairs illuminated her body as though she was on a
By witnessing the events of through the eyes of the young girl, the reader can better understand her pain and
The teenage girl, steadying herself against Gage for a few moments before regaining her balance, sees the knife and moves in front of Gage as if to protect him. She tries to grab the knife, seeing the sharpness of it and knowing it would hurt the boy, screaming again as the knife goes straight through the palm of her hand.
“I'm not gonna risk you getting hurt again I hate it,”Tristan yelled after he already yelled something else.
She left the party before the man even got his turn she came to her sense and saw the rage on the man's face she fled swiftly and impatiently. The man and his goons chased after her. She tripped over her long gown and tried to rip it so she can run she was running so fast she forgot where she was going. Then all of a sudden she felt a thud on her head. Barely keeping her eyes open she felt her being strangled by a rope. She gets choked to
When she came to, Katherine’s body was racked with an insurmountable amount of pain. She felt like she’d topple over at the slightest gust of wind. The girl knew she’d have to call 911. She’d have to explain that her mother had attacked her, that she’d tried to gut her with a bread knife. Her movements were slow, jerky, and painful, and every breath, every step she took caused a wave of searing pain throughout her
Anger flared blinding white in her mind then, driving away the few shreds of common sense she had. Darlene tightened her fingers around the fork she’d forgotten she still held, maneuvered her wrist so it hovered inches above Scabby Ball-Tickler’s right thigh, and stabbed the tongs deep into his flesh. Scabby Ball-Tickler squealed and let her go. Darlene scrambled off him and whipped her head around, trying to spot the bouncer, Daryl Harsted, in the poorly lit club.
“He’s not asleep,” Said a gravely male voice which caused Shawn’s heart to skip a beat. “Look at his heart monitor, Lilith; it proves he is awake.” The man said. Shawn heard light feminine footsteps get closer to his bed and a hand grabbed his chin by one hand and a slightly damp rag was placed over his nose and mouth by the other. Shawn’s eyes snapped open and he saw a young woman with slightly crazed blue eyes and a large just as crazy grin holding the damp rag over his mouth. Shawn started to struggle but soon his struggles weakened and he slipped into darkness.
Quick to react, one girl steps forward from the crowd and takes control of the situation. Preventing Al from further injury by grabbing both sides of his head, the brave young senior moves with the seizing boy, fighting to hold him steady. She does not cry nor do anything but instruct a teacher to “YES, call an ambulance.” Al thrashes, not breathing, upon the white speckled linoleum.