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Character analysis on a streetcar named desire by tennessee williams
Character analysis on a streetcar named desire by tennessee williams
Character analysis on a streetcar named desire by tennessee williams
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Scene Analysis of Scene Seven of A Streetcar Named Desire As a connection to Stanley’s questioning Blanche about her affair in the “Hotel Flamingo” in Scene Five, Scene Seven starts with his revelation of Blanche’s past life in Laurel. Having “thoroughly checked on [the] stories” (187) about what Blanche has done there, Stanley is confident to nail the “pack of lies” (186) that are used so skilfully to deceive Stella and Mitch – she has never been kissed by a fellow and she quits her job because of her poor nerves. The competition between the two extreme, dominating powers of Blanche and Stanley is one of the main concerns in the development of the play. In Scene Seven, Tennessee Williams, the playwright of the play, delicately renders the shift of dominating power from Blanche to Stanley through the Stella’s response about the “stories”. At first, Stella reacts strongly to the stories about Blanche’s past life, stating them as “contemptible lies” (187); however, her strong defence of Blanche is gradually defeated by Stanley’s powerful statements and reliable evi...
The text from A Streetcar Named Desire and The Glass Menagerie, both written by the renowned author Tennessee Williams, deal with the topics of life's pressures, and the desire to succeed in everything we do. Oftentimes, people place unrealistic expectations upon us and set the bar higher than we can achieve, or even want to reach. People end up developing mechanisms to deal with these stressors and tensions that have been created. We find other unhealthy habits and vices to supplant the reality we are trying to escape, that hopefully will take away this pain and suffering we are experiencing. In both of these plays, the characters are not able to live in their present realities. Two of the main characters are closely linked in their characterizations
Ken Kesey's award-winning novel, "One Flew over the Cuckoo's Nest", was adapted into a film in 1975 written and directed by New York City native Bo Goldman and Czech director Milos Forman. Towards the end of the novel and film, Chief Bromden escapes from the ward. This scene is conveyed differently in the novel and film; however, there are evident similarities between each form of media. This scene is important to the plot because it wraps up the entire storyline. In the film and novel, similarities within Chief Bromden’s escape from the ward include the way Chief escaped, how he couldn't hear anyone in the ward due to being deaf, and how McMurphy assisted Bromden with gaining his confidence to lift the panel and throw it through the window. McMurphy essentially changed Bromden to help him break out of the asylum and back into the real world.
I chose to view and analyze the film The Boondock Saints. There were many different things I focused on while viewing the film. I decided to brake them down into the following categories: narrative, theatrical elements, cinematography, sound, and the overall experience. I will begin with stating my personal interpretations and understandings of the narrative.
Delicate Blanche, virile Stanley. Dynamic Maggie, impotent Brick. Williams' protagonists are distinctly different in temperament. In "A Streetcar Named Desire" Blanche exemplifies the stereotypical old south: educated, genteel, obsolete. Stanley is the new south: primitive, crude, ambitious. Blanche, a fading beauty, uses her sugary charm and soft southern ways to attract men. In comparison, Stanley "sizes women up at a glance, with sexual classifications" to "determine the way he smiles at them" (Williams, Street 29). Course and deliberately aggressive, he is a "survivor of the stone age" (Williams, Street 72). Despite their differences they both possess a raw sensuality. In their first confrontation, Blanche's thick display of charm angers and attracts Stanley. He wants her to be truthful and "lay her cards on the table" but simultaneously would "get ideas" about Blanche if she wasn't Stella's sister (Williams, Street 40-41). Their relationship overflows with sexual tension as they battle for Stella. Stanley, the new south, defeats Blanche, the old south. After destroying her chance for security, his sexual assault erases her last traces of sanity.
From well-respected Director Craig Ross, the film Blue Hill Avenue is a story about four tight knit friends living in the streets of rough a 1980’s Boston. The main characters of the film are Tristan, E Bone, Simon, and Money, these four characters grow up together hustling the streets. After finding a way to make money the four characters go from small time hustlers to big time dope dealers under the guidance of their supplier, Benny who is the main villain of the film. Through the adventure of the storyline, these four friends highlight the characteristics of what it is to embrace traditional masculinity and what it is to be a man.
Chinatown is regarded by many as one of the best films ever created. In 2007, The American Film Institute named “Chinatown” as #21 on their list of 100 greatest films! Chinatown is a great film because it is able to show how far people are willing to go to obtain riches and how a detective is willing to go to great lengths to solve the mysteries in front of him. The movie has been talked about in abundance and has even been influenced by real life events from the water company in Los Angeles. It is closely related to corruption and the 1% which people still talk about till this day. In the movie “Chinatown” directed by Roman Polanski, a private detective hired to expose an adulterer finds that he is caught up in a web of deceit, corruption, and murder. Somewhat relating to this is the article “Of the 1%, by the 1%, for the 1%” written by Joseph E. Stiglitz. In the article Stiglitz writes about how democracy in America is a mirage and that the rich
The movie Norma Rae is a 1979 drama film about a textile worker from Alabama that becomes involved in labor union activities in the factory where she works. Though it is a film, it is based on the true story of Crystal Lee Sutton, a textile worker from North Carolina, who worked for J.P. Stevens textile plant, and was fired from her job for trying to organize a union (southerstudies.org, 2009)…………… The analysis and information provided will provide a summary of the movie, detail the motives of the workers to join a union, show managements reaction to the organizing, and discuss what the workers were hoping to achieve by gaining union representation, describe the union representation process,…………….
Half an hour later, as dinner is finishing up, the lights go out. Tom feigns ignorance of the cause. Amanda, unfazed, continues to be as charming as she can be. She lights candles and asks Jim to check the fuse box. After Jim tells her that the fuse box looks fine, Amanda suggests that he go spend time with Laura in the living room.
Scene One of A Streetcar Named Desire What is the dramatic significance of scene one of the play A Streetcar named Desire? Scene 1 of this play has great dramatic significance. In this essay, I will be looking at key points throughout the scene that reveal the key features of the plot, characters, theme and imagery plus how it is used to give the audience a taster for what is to come.
The Lady From Shanghai is a timeless film that captures how a black and white film can be interesting for viewers. The overall film was effective with the help of the mise en scene, cinematography and editing. Each of the three parts put together brought out the complexity and intensity of this film and they made The Lady From Shanghai the classic film that it is today.
...think that the play is about desire between people and the different ways they can express it, which the title, A Streetcar Named Desire, informs us. Blanche came to town on a streetcar because she was ostracized in her old home as a result of her desires. Blanche had a desire for sex in general to cope with her divorce and the loss of her family; she just needed to feel loved. Stanley expressed his hidden desire for Blanche by being cruel to her through the whole story, and then having sex with her. Mitch showed his desire for Blanche by asking her to marry him. Stella had a desire for Stanley’s love and for Blanche’s well being. The play is a display of the drama involved in families, and it shows that sometimes people have to make decisions and choose one relationship over another. In Stella’s case, she chose her relationship with Stanley over her sister.
The use of this dramatic irony is made to give a hint of suspense to the reader because they are aware that Stanley is around meanwhile Stella and Blanche do not. Blanche continues to speak her mind about Stanley saying that he appears to be “sub-human” and have animal like qualities. Stella lets Blanche have her time to rant about Stanley even though she does not have a problem with him. When Stanley finally enters the room, he grins through the curtains at Blanche and stares at her. Blanche now realized that he was listening to her whole conversation meanwhile the audience had known the whole time.
In Tennessee Williams play "A Streetcar Named Desire" two of the main characters Stanley and Blanche persistently oppose each other, their differences eventually spiral into Stanley's rape of Stella.
“There once was a time in this business when I had the eyes of the whole world! But that wasn't good enough for them, oh no! They had to have the ears of the whole world too. So they opened their big mouths and out came talk. Talk! TALK!” (Sunset Boulevard). The film Sunset Boulevard directed by Billy Wilder focuses on a struggling screen writer who is hired to rewrite a silent film star’s script leading to a dysfunctional and fatal relationship. Sunset Boulevard is heavily influenced by the history of cinema starting from the 1930s to 1950 when the film was released.
These strong drama and dramedy plots are structured around two strong dramatic women who emphasise the importance of character to act as a vessel through which a drama can be represented in a variety of settings. In both, 1940s New Orleans set A Streetcar Named Desire and the Illyria-based Twelfth Night, the plot is centred around a woman hiding her identity, in A Streetcar Named Desire Blanche is the catalyst for the plot as is Viola for Twelfth Night, though women in very different times, they are similar in their affect on the audience but differ in how they deal with loss.