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The nature and concept of marriage
The nature and concept of marriage
Themes and film techniques
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The film Rear Window is classified as a suspenseful, mystery thriller that focuses on solving the murder of a woman in the main character, Jeffrey’s neighbourhood from his window. However, another topic is prevalent throughout the film, and that is the theme of marriage and relationships. In this scene, the theme of marriage is first showcased, and the audience is introduced to both positive and negative views of marriage that will change throughout the film. The narrative function of this scene in Rear Window is to set up these contrasting views of marriage that run throughout the film. This is shown through the scene’s narrative, as well as the editing, the use of cinematography, the scene’s acting and diegetic sound. In this scene in Rear …show more content…
The framing of the scene is especially important. The natural framing of the window of the newlywed’s apartment help to put focus and emphasis on what is occurring inside that apartment. It becomes like Jeff’s own private viewing, show him what marriage between him and Lisa could possibly be like. The selective focus throughout the scene also helps to show that he really is focusing on what is inside the window, as the tree branches and items in the way of the window are out of focus, and are forgotten about by the audience of the film. Throughout the whole scene, the point-of-view shot is used from Jeff’s perspective when he is looking out the window, as it is consistent with the rest of the film. The audience gets to see exactly what he is looking at through eyeline match shots of the neighbourhood people and of his face. As well, in terms of mise-en-scène, the actors of the newlyweds are specifically placed in the natural framing of the window. All of their action that occurs in this scene is visible perfectly through this window, ensuring both the audience and Jeff see exactly what is happening, and they can fully take in the positively contrasted view of marriage, a view that Jeff previously discussed he disagrees with. Again, he sees what he and Lisa could be like if they were to get married: a perfectly happy couple living in a simple apartment together, which is not necessarily what he wants in
Tom is a very ambitious person when it comes to his work. He is caught up in getting a promotion from work by doing a project. Tom just focuses on the “big picture,” which is his future, rather than the “small picture,” which is what his wife is doing. This trait changes at the end when he decides to go to the movies with his wife. When the paper flew out the window for the second time, he realized that he can do the paper over again but he can never take back that one specific night he could have spent with his wife.
In the film Rear Window directed by Alfred Hitchcock, a significant shift of power is portrayed. This shift occurs between the protagonist of the film, L.B Jeffries and his romantic partner, Lisa Freemont. This shift also aids in outlining the main theme of the film, which is marriage, as all aspects of marriage are observed and taken into account by Jeffries. The change of dominance within Lisa and Jeffries relationship can be broken down into three stages, which develop and change throughout the film. At the beginning of the film Jeffries is shown to have the power within the relationship as he dictates the parameters of the relationship, however he is also intimidated by Lisa 's social standing. Towards the middle of the film the possession
Rowe, Lawrence. "Through the Looking Glass: Reflexivity, Reciprocality, and Defenestration in Hitchcock's"Rear Window"." College Literature 35.1 (2008): 16-37.
As the paradigm in which this curiosity is exposed inhabit the human being, that voyeurism that uncounted of us have inside. Hitchcock is able to use this element to catch the spectator, building a devilish and fascinating tale of suspense set in a microcosm. In which there reflects the intimate and daily life of the current man, where the protagonist observes from his window. The viewer sees what Jeff (the protagonist) observes, has the sensation of being the protagonist, observing through his window.
Many stories talk about relationships, especially the ones between man and woman as couple. In some of them, generally the most popular ones, these relationships are presented in a rosy, sentimental and cliché way. In others, they are presented using a much deeper, realistic and complicated tone; much more of how they are in real life. But not matter in what style the author presents its work, the base of every love story is the role each member of that relationship assumes in it. A role, that sometimes, internal forces will determinate them, such as: ideas, beliefs, interests, etc. or in order cases external, such as society. In the story “The Storm” by American writer Kate Chopin and the play A Doll’s house by Norwegian playwright Henrik Ibsen I am going to examine those roles, giving a special focus to the woman´s, because in both works, it is non-traditional, different and somewhat shocking, besides having a feminist point of view.
Perhaps the first thing the viewer acknowledges in the exposition of the film is the visual aspect, that being the sunlight that is shone through a window in a darkened room. We can also see tree branches and leaves dancing in the wind outside of the window. From this we figure the film is being shot from inside some sort of building. The next shot shows the shadow of what could be the same tree on the paneling of possibly a neighboring house, which supports the idea that the film is being shot form inside of a home. It is possible that Pierce intentionally used shots from outside of the home in the exposition as opposed to inside to give the viewer the idea that the house represents the lead role in the film. By introducing the piece with shots of an empty home, the viewer might expect another role to appear. Pierce then begins to elaborate on his idea of “sensory pleasure of […] a domestic setting” in the visual facet by showing a multitude of shots of inside the home and outside from the perspective of the home. We then begin to appreciate the more insignificant features of both the inside and o...
Stam, Robert & Pearson, Robertson., ‘Hitchcock’s Rear Window: Refluxivity and the Critique of Voyeurism’ in Deutelbaum, Marshall & Poague, Leland A. ed., A Hitchcock Reader (John Wiley & Sons: 2009).
Communication is a vital component of everyday relationships in all of mankind. In plays, there are many usual staging and dialogue techniques that directors use to achieve the attention of the audience. However, in the play, “Post-its (Notes on a Marriage)”, the authors Paul Dooley and Winnie Holzman use both staging and conversation in order to convey the struggles of modern relationships. The play is unconventional in how it attempts to have the audience react in a unique way. The authors use staging and conversation to portray to the audience that there are complex problems with communication in modern relationships.
From an outside view, everything in relationships seems to be wonderful. However, on many occasions, taking a deeper analysis of the women and their daily lives, one can realize the true dangers they face around their husbands. It is important to understand the reasons why the women in the following stories behave and feel the way they do. Firstly, in the story “Hills Like White Elephants” by Ernest Hemingway, the female character is in danger because her boyfriend wants her to have an abortion. Secondly, in the story “The Story of an Hour” by Kate Chopin, Mrs. Louise Mallard is at risk because her husband, throughout years of marriage has limited her freedom. Finally, in the story of “The Chrysanthemums” by John Steinback, it is the frustration Elisa Allen feels towards her life because her husband never shows admiration towards her beauty which leads her to have a melancholic and miserable life. Even though men took an important role in the stories, it is clear they were the cause of the women’s suffering and perilous lifestyles.
There have been many contributors when it came to tackling anti-social behaviour and preventing crime however, the most influential contributors are Wilson and Kelling. They came up with the theory of broken window which will be further explain in this essay. This essay will outline the broken window theory, as well as explain what is meant by broken window. Finally it will give examples that exemplify the broken window theory. (Maguire, Morgan and Reiner, 2012)
In the story, the narrator is forced to tell her story through a secret correspondence with the reader since her husband forbids her to write and would “meet [her] with heavy opposition” should he find her doing so (390). The woman’s secret correspondence with the reader is yet another example of the limited viewpoint, for no one else is ever around to comment or give their thoughts on what is occurring. The limited perspective the reader sees through her narration plays an essential role in helping the reader understand the theme by showing the woman’s place in the world. At ...
The high level of expertise by the author using the third person narrative of the view of the protagonist husband shows that he was oblivious to the fact that his wife was ver...
The short stories “Souls Belated” and “The Yellow Wallpaper” have in common ‘Marriage’ as main theme. However, the marriage is treated quite differently in both short stories. In "Souls Belated", Lydia chooses to take control of her destiny, to deviate from conventions and to choose what is good for her. She is the strongest character of the couple. Whereas, in "The Yellow Wallpaper", the name of the main character who is also the narrator of the story is not known. She is identified as being John’s wife. This woman, contrary to Lydia in "Souls Belated" is completely locked up in her marriage. This essay will first describe and compare the characters of Lydia and John's wife in the context of marriage, and then it will look at how marriage is described, treated and experienced by couples in these two short stories.
This drama portrays that aspirations and dreams are dashed by hardships and cold reality. A couple entangled in a lengthy struggle, destined to end in tragedy. The conflict begins long before we meet Mr. And Mrs. Rowland. The couple was married when Mrs. Rowland became pregnant at a young age. Alfred'...
The marriage between characters Steve Brady and Miranda Hobbs is one of the central relationships focused upon in the 2008 film Sex and the City. The depiction of their relationship is enshrined in the events leading up to Steve’s sexual unfaithfulness to his wife, his admittance of his transgression and the couple’s journey to reconciliation. Prior to Steve’s isolated act of infidelity, audiences see the low marital satisfaction between the couple. Psychological research is able to explain that this low marital satisfaction is derived from an also low sexual satisfaction that their only child was likely to have influenced. The type of infidelity committed by Steve and his justification for doing so is also representative of psychological research results. Studies have shown that males who have extramarital affairs typically commit sexual infidelity and use a sexual reason as causation for initiating the affair. Psychological research can also explain Miranda’s ability to forgive Steve and the absence of her exhibition of jealousy. The relationship between Steve and Miranda is an accurate film depiction of psychological research on infidelity in marriages.