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Analysis on the scarlet letter by nathaniel hawthorne
Analysis on the scarlet letter by nathaniel hawthorne
Nathaniel hawthorne critical analysis the scarlet letter
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In Nathaniel Hawthorne’s, The Scarlet Letter, the author uses three scaffold scenes to mark the development of Hester Prynne. The image of Hester atop the scaffolding is a metaphor for her forced solitude; for her banishment from society; and for the futility of her punishment. In the first scene, Hawthorne uses the scaffold to explain how Hester can not believe that the “A'; and the baby are real. In the second scaffold scene, Hawthorne tries to convey to the reader that Hester has fully repented for her sin, however this is not true. In the final scaffold scene, Hester does not yet fully repent for her sin because her love for Dimmesdale is still strong. Through Hester, Hawthorne is trying to communicate to the reader that it difficult for Hester to repent the sin of adultery.
In the first scaffold scene, the author writes “Could it be true? She clutched the child so fiercely to her breast, that it sent forth a cry; she turned her eyes downward at the scarlet letter, and even touched it with her finger, to assure herself that the infant and shame were real. Yes!-these were her realities-all else had vanished'; (page 41) From this quote the reader learns that Hester is just beginning to deal with the shame of her sin. It is evident from this quote that she has not yet come to grips with her actions. She is in an utter state of shock, and it seems as if she is trying to find a way to forget about her sins. What is also learned from this quote ...
In the first scaffold scene Hester Prynne is depicted standing alone while clutching her baby. She has been sentenced to the scaffold for three hours to face public condemnation. In the Puritan society, where this novel is set, public shame is a source of entertainment. On this occasion the townspeople are present to watch the judgment of Hester. As the townspeople are ridiculing her, the narrator is praising Hester for her untamed but lady like beauty (60-61). The narrator goes so far as to compare her to “Divine Maternity” or Mother Mary, the ideal woman, the woman that is looked highly upon by the whole Puritan society (63). However, the conditions are set up to show the change in Hester due to isolation and discredit of the Puritan society. Throughout this scene the Puritans are condemning Hester for her sin as the narrator is condemning the Puritans for their severity.
The central theme in The Scarlet Letter is that manifested sin will ostracize one from society and un-confessed sin will lead to the destruction of the inner spirit. Hawthorne uses the symbol of the scarlet letter to bring out this idea. In the novel, Hester is forced to wear the scarlet letter A (the symbol of her sin) because she committed adultery with the clergyman, Dimmesdale. Because the public's knowledge of her sin, Hester is excluded physically, mentally, and socially from the normal society of the Puritan settlement. She lives on the outskirts of town in a small cottage where she makes her living as a seamstress. Though she is known to be a great sewer amongst the people, Hester is still not able to sew certain items, such as a new bride's veil. Hester also has no interaction with others; instead she is taunted, if not completely ignored, by all that pass her by. Despite the ill treatment of the society, Hester's soul is not corrupted. Instead, she flourishes and improves herself in spite of the burden of wearing the scarlet letter and she repeatedly defies the conventional Puritan thoughts and values by showing what appears to us as strength of character. Her good works, such as helping the less fortunate, strengthen her inner spirit, and eventually partially welcome her back to the society that once shunned her.
In the beginning of the book, Hawthorne paints the picture of a female named Hester who has sinned. Not only is she publicly ostracized for having an affair while unmarried, but her major repercussion, her daughter, receives her punishment as well because she derives directly from sin. It is through these tribulations that Hawthorne exemplifies Hester and Pearl, no matter how young, as strong, independent females. These characteristics were not easily applied to females during this time. Hawthorne’s ability to show Hester collected and under control to the crowd, although she may have felt otherwise inside, while she exits the prison and while she is on the scaffold, exhibits her as a strong woman. The fact that Hester exits the prison “by an action marked with natural dignity and force of character, and stepped into the open air, as if by her own free will”, and the fact that while on the scaffold, under pressure, Hester refuses to give the name of the father of her child, also proves her strength and compassion. She states, “Never!....It is too deeply branded. Ye cannot take it off. And would that I might endure his agony, as well
In The Scarlet Letter, the scaffold symbolizes the torment Hester endures because of her sin. She decides to keep her love with Dimmesdale a secret to protect him. She stands on the scaffold alone every day for three hours, while everyone around her judges and criticizes her. Dimmesdale is not there to support her, and cannot reveal himself as her lover be...
Hester’s sin is that her passions and love were of more importance to her than the Puritan moral code. This is shown when she says to Dimmesdale, "What we did had a consecration of its own. We felt it so! We said so to each other!" Hester fully acknowledged her guilt and displayed it with pride to the world. This was obvious by the way she displayed the scarlet letter. It was elaborately designed as if to show Hester was proud.
In the first scaffold scene, Hester is being led from the prison where she has spent the last few months, towards the scaffold clutching her newborn baby to her bosom, covering the scarlet letter-the two symbols representing truth and her lost innocence. She stands on the scaffold, with the magistrates and ministers standing above her on the pulpit, symbolizing that they will always be closer to God than she will ever be, however, the reader is unaware that Hester?s minister, Arthur Dimmesdale, who also stands above her on the pulpit, which is a bit of dramatic irony, considering the fact that he is the father of the infant, and her accomplice in her sin. Also during this scene, the man the reader comes to know as Roger Chillingworth hides in the shadows, looking up at Hester, the evil already swelling within him, blackening his soul.
The first scaffold scene focuses on Hester and the scarlet letter. Hawthorne is using this to show the value of Hester's public humiliation, the baby, and the letter A. Hawthorne states,” She ascended a flight of wooden steps, and was thus displayed to the surrounding
The first scaffolding scene serves as a revelation to, I believe, everyone in the town. Hester’s crime surely must have touched somebody in the large crowd with a revelation of their own guilt. Shame for a past covered sin or perhaps contempt, as even contempt is a sin that should yield shame, for Hester, herself, was most likely felt in many of the townsfolk that day. Yet, the main revelations coming forth in this scene were brought forth by the realizations of the situations each character found his or herself presently in.
He explains that the scaffold that Hester is sentenced to stand upon as punishment is meant to be a comparison to the famous weapon in the French Revolution, the guillotine. Reynolds points out that it was custom in Puritan New England to refer to such places as to where Hester stood as the gallows, not scaffolds. “[…] the central setting of the novel, the scaffold, is, I believe, an historical inaccuracy intentionally used by Hawthorne to develop the theme of revolution” (619). Here he is saying that Hawthorne purposely misused the term in order to spur up themes of revolution. Although he fails to mention Hawthorne’s motive in doing so, it does credibly show the reader that there are possible and deliberate connections made between the French Revolution and The Scarlet
As a result of not telling the authorities who the father of her child is, Hester Prynne and her daughter, Pearl, are put onto the scaffold at the market place in Boston, Massachusetts for public interrogation. In addition to that, she is also forced to wear the scarlet letter, which represents her sin of adultery. From this, the readers can infer that one of the themes of this novel is that a person should be punished for their wrongdoings and sins. Her emotions and feelings at the moment in time are ignominy, shame, and embarrassment; the scaffold symbolizes humiliation. Thus, by presenting the first scaffold scene to the readers, they are able put together many literary elements in the plot
Hawthorne has perfectly structured The Scarlet Letter around three scaffold scenes. At the first one, located in the very beginning of the novel, Hester openly confesses her sin of adultery in the light of day while Dimmesdale and Chillingworth look on from the crowd that has gathered.
In The Scarlet Letter by Nathaniel Hawthorne, people who commit a crime must face public humiliation by being forced to stand upon a scaffold. One of these people was Hester Prynne who commits adultery and was forced upon the scaffold. Throughout the book, there are three scenes where after standing on the scaffold, the person would feel relieved. The scaffold is a representation of freedom because when someone is standing on it they will be free of their sin.
Hester’s principal qualities of strength and honesty are revealed throughout the novel. Her strength is seen in her actions after her sin is revealed. Foremost, she thinks of her adultery as an act committed out of passion and denies the belief that man’s nature is corrupt
Throughout the existence of mankind, the arduous trail from sin to salvation has been trekked repeatedly. In his novel The Scarlet Letter, Nathaniel Hawthorne discerns the struggles of earning forgiveness. The novel focuses on the aftermath of the sin committed by Hester Prynne and her lover, Arthur Dimmesdale. It chronicles the adversities the duo face and in the process showcases the tough nature of absolution in Puritan society. Hawthorne shrewdly arranges the novel around three key scenes, all of which occur on the scaffold, the center of indignity. Over the course of the novel, the scaffold in the three scenes serves as a dynamic symbol adapting to the changing relationships between the characters and the revelation of their sins. The
In the first scaffold scene, during midday, Hester is standing on the scaffold, Dimmesdale is nearby sharing the platform, and Chillingworth is in the crowd. Hester is holding her baby in her arms quietly. “She was ladylike, too, after the manner of the feminine gentility of those days; characterized by a certain state and dignity, rather than by the delicate, evanescent, and indescribable grace” (51). Hester acted ladylike, and polite towards the punishment she was receiving. She was very resistant and immune to her surroundings, as everyone gathered around to watch her humiliation. She did not act out, she just stood there and waited for her time to be up and to leave the scaffold. Hester stood alone confronting her sin. Dimmesdale shared the