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+analysis of Sandra Cisnero/ the house on Mango Street
+analysis of Sandra Cisnero/ the house on Mango Street
The house on mango street essay introduction
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In Sandra Cisneros’ novel, The House On Mango Street, the houses portrays both illusions of affluence and contentment and indignity of the characters barbarous reality. Fantasies of prosperity and actuality of character’s financial state influence the characters philosophies and behavior. For example, Esperanza is not appeased because she is lacking the entirety of her longings for a more flourishing and lucrative fate and desires to escape “far away from Mango Street”(82). Dreams that meet reality of an insufficient amount of magnificent opulence add sorrow to the character’s mentality to feel disheartened. Materialism, an inhuman idea that demoralized the chaste and youthful adolescents, began to diminish the children creating a vacuous void
In The House on Mango Street by Sandra Cisneros, there is an emphasizes on how rough it is to be part of the low economic class . Through her words you can create an image about the way poverty affects children. She goes through the book making great remarks on the topic. The different experiences that Esperanza goes through have a lot to connect with her family's financial status. She specifically describes her feelings about the poverty they live in through three of her short stories. The three short stories in which poverty seems to be an obstacle are The House on Mango Street, Our Good Day, and Chanclas. When the book begins the downgrading of Esperanza's esteem begins with it.
matter how hard people wish on a star or on a candle, the wishes never seemed to be
Sally wears make-up to school and skirts that she pulls up, but when she goes home
The writing style is difficult to categorize throughout the novella. One can view The House on Mango Street as a novella made of series of congruent related short stories about a neighborhood where the young girl Esperanza lives. The vignettes are as chapters of the book, each vignette means something different either about or to Esperanza. The recurring image of a home or house becomes a metaphor for the independence that Esperanza desires. The vignettes have no specific order, the first one and the last one are permanent and the rest of the vignettes in between can go in any order. Not only did Cisneros relate every chapter back to Esperanza's neighborhood, but as every vignette relates to Esperanza wanting a home to live in, not a house.
In the book The House on Mango Street, written by Sandra Cisneros, the main character, Esperanza, was affected by many external forces, including family. Esperanza is a young teen who just moved to Mango Street, and she doesn’t like her house because it’s ugly, and she dreams of another house that her family has promised one day. “I have inherited her name, but I don’t want to inherit her place by the window (Cisneros 11). This was in reference to her great grandmother who didn’t want to marry, but Esperanza’s great grandfather kidnapped her and forced her to marry, where Esperanza’s great grandmother never forgave him and looked out a window for the rest of her life. Esperanza didn’t chose her name, her family did, and she didn’t chose who her family is either. The external force of family is an issue in real life just as it is in this novel, and the teens learn to either love it or hate it.
Sandra Cisneros' strong cultural values greatly influence The House on Mango Street. Esperanza's life is the medium that Cisneros uses to bring the Latin community to her audience. The novel deals with the Catholic Church and its position in the Latin community. The deep family connection within the barrio also plays an important role in the novel. Esperanza's struggle to become a part of the world outside of Mango Street represents the desire many Chicanos have to grow beyond their neighborhoods.
While writing the book House on Mango Street Sandra Cisneros uses unusual language throughout the story to highlight the theme, characters, setting, and conflict. For example, on page eight during the Boys and Girls vignette, Cisneros uses the word we to show the contrast between the girls and the boys that live on Mango Street.
Sandra Cisneros uses personification and symbolism to affect the theme of the struggle self-consciousness and loss of innocence in a book full of short stories, The House on Mango Street. A young Hispanic preteen named Esperanza, uses a fortune of five dollars to buy a flimsy bicycle. Along with these two other young girls named Lucy and Rachel. The sense of owning a bike is a luxurious dream to them since they live near the poverty line. So, when they receive their bike, Esperanza loves riding it until she rides past her house, which is “sad and red and crumbly in places” (Cisneros 16). The author uses personification to bring down Esperanza to the reality of her situation by portraying her house negatively, which is a reflection of her
The House on Mango Street written in 1984 by Sandra Cisneros, is a novel about a young girl called Esperanza Cordero. This literary analysis will discuss how women are treated and what impact it has on the protagonist’s life. The Male Dominance and violence towards women is a topic present throughout the whole book. Cisneros wants to portrait an image of the society through Esperanza’s experiences. Women occupy a central role in this novel. Growing up, the protagonist sees and understands many things about being a woman in a male dominated society.
Analyzing The House on Mango Street, by Sandra Cisneros, through a Postcolonial perspective, main categories begin to emerge among the different characters in the novel in relation to colonial hegemony. Throughout the work the characters are viewed through one or more of the categories gender roles, social class, culture, religion and power. All of the experiences discussed in the book are presented through the eyes of a young girl, the narrator.
In the book The House on Mango Street by Sandra Cisneros, a society where women are treated very badly and poverty is in abundance, is presented. After reading this book I have come to the conclusion that this book is a wonderful, yet depressing bildungsroman that contains important life lessons as well as the reality of life is like for a poor Hispanic girl growing up. Throughout the book there are many vignettes that are full of dreams that are never satisfied. The main character’s name in English means hope in Spanish. Throughout the book she is living hope.
The House on Mango Street is a novel of vignettes created by Sandra Cisneros. She wrote the novel in a way that each vignette was a different story that seemed like it could stand alone, and I believe that doing so almost makes the novel appear more approachable to all readers. The narrator of the story is Esperanza, a name that means hope in Spanish. I think that Cisneros wrote this novel to share background information about Latinos with those who may not know much about their lives, and shed light on some of the discrimination they face.
As the chapter opens, the first impression of Sire is one of a James Dean type of character. Sire and his friends are just sitting on their bikes, pitching pennies, or in other words, gambling. Esperanza tells us that she is scared of them, which makes me wonder why she would be afraid of them? She then says how her dad calls him a “punk.”
Sandra Cisneros's writing style in the novel The House on Mango Street transcends two genres, poetry and the short story. The novel is written in a series of poetic vignettes that make it easy to read. These distinguishing attributes are combined to create the backbone of Cisneros's unique style and structure.
The short story, Geraldo No Last Name, comes from a collection of many stories written in the book The House on Mango Street. The narrative is about a young Puerto Rican woman named Marin. Marin enjoys dancing and tends to go out to different dance halls around the city, one night she meets a young, attractive Mexican man named Geraldo. Although they dance and talk together for hours Marin only learns two things about the young gentleman. One, he worked at the restaurant and two, his name was Geraldo. Later that night, Geraldo dies in a hit and run accident and is brought to a hospital’s emergency room. Being that Marin was the last person with Geraldo and he has no form of identification on his person, Marin has to come to the hospital to