From Akira Kurosawa’s 1954 film Seven Samurai, to the recent box office sensation, The Last Samurai, the famed Japanese warrior, the samurai, has been the subject of hundreds of films. Classically depicted as carrying two swords and sporting a top knot (chonmage), the samurai has been portrayed not only as a warrior and expert swordsman, but as a man of discipline and principles consistent with the bushido.
Samurai films exhibit two basic dramatic styles. The jidai-geki (period drama) which are stories based on characters and how they negotiate a variety of political, personal and romantic situations and the chanbara (sword fighting films) which are action packed with dramatic sword fighting scenes. Films in the samurai genre which deal with ‘ronin’ (masterless samurai), demonstrate strong elements of both styles as exhibited in Akira Kurosawa’s Seven Samurai (1954) and Yojimbo (1961), as well as the many films about the legendary Musashi Miyamoto.
In addition to Seven Samurai and Yojimbo, Kurosawa’s samurai classics, The Hidden Fortress (1958) and Sanjuro (1963) all star ‘samurai incarnate,’ actor Toshiro Mifune. While Kurosawa’s later films, Kagemusha (1980) and Ran (1985), are not based on the samurai, they are set in feudal times in which the samurai played a significant role.
Kurosawa’s films greatly influenced the film industry in both Japan and the West – however during his career he gained greater notoriety and even support for his motion pictures overseas than he did at home. The Seven Samurai was the basis for American film director John Sturges’ The Magnificent Seven (1960); Yojimbo for A Fist full of Dollars (1964) – the first in a series of 3 ‘spaghetti westerns’ created by Italian film director, Sergio Leone; and The Hidden Fortress which influenced George Lucas’ Star Wars (1977). The parallels between the samurai and cowboy archetypes and the influence one had on the other is as evident in Kurosawa’s Yojimbo as it is in Clint Eastwood’s Unforgiven (1992).
During his career, Toshiro Mifune (1920-1997) starred in 134 films and played either a classic samurai or a common man of ‘samurai principles’ in nearly half of them. Besides his Kurosawa films, Mifune also starred in a number of Hiroshi Inagaki’s samurai films including the classic, Musashi Miyamoto (1954). His reputation worldwide landed him a number of starring roles in Western productions including the award winning television mini-series, Shogun (1980) based on the James Clavell novel.
As learners of Europe and Japan, the question “ who would win a battle-a samurai or knight” is commonly kept in mind. A samurai and knight are similar in many ways. A samurai would mostly win the battle because they have better weapons, armor, and training. While knights and samurai have many similarities, in a one on one battle, the advantage would be to the samurai and this can be seen in weapons, armor, and training.
Horror genre conventions are evident in both films and the way they are directed has given me obvious indications on the effect the horror conventions can have on a film when used well, and the adverse effect when not used well. Both Japanese and American society are evident in these films, and the style of the films are similar to the nationality of the two directors. Horror conventions are used in both films, but the way they are used are quite different, and these contrasting styles are key in how effective the two films are to their audience.
Joseph Conlans “State of War; The Violent Order of Fourteenth Century Japan” is an depth look at Japans emerging warrior class during a time period of constant warfare in Medieval Japan. His work however doesn’t revolve around the re-fabrication and in-depth analysis of battles sieged like many contemporary examinations of wars and battles won and lost. Instead the author vies to navigate the reader on journey into the warrior class’s lives and how they evolved through a statistical analysis of records. This illustrates how warfare changed and transformed with the constant evolving of the Samurai, but it also includes how their actions affected their Political environment as well as the society in which they dwelled from the bottom up. Through his survey of records and documents, Conlan is able to give readers a compelling look into the Warrior class and at times shatters in the process many of the pre-conceived general notions that one may hold about this ancient class of professional warriors. Many of the notions & common misconceptions debunked in this scholarly piece include the idea that the Samurai was a male only fraternity, reserved for those of impeccable candor and loyalty. When truth be known, woman and young men (boys) were also trained in the art of war and thus were as likely to be found on the battle fields as men when times were tough and solider numbers were depleted. Further, another misconception (Generally thought to be caused by the popular and well known; “The Bushido Code: The Eight Virtues of the Samurai”) of the warrior class is that all of these men were truly Samurai which translated to “one who serves” when really, loyalty for the warrior class as Conlan points out only went as far as ones right to ...
Akira Kurosaw’s Seven Samurai is a film that encompasses various ideologies in order to allow the audience to understand the lives of Japanese people during the 1600’s. The film delves deep in social issues of the roles of the people within the society, the expectations as well as the obligations within the respected castes and elements within groups of ; suffering, working together, protecting family and working for the better good of the community.
Musui’s Story is the exciting tale of a low class samurai’s life towards the end of the Tokugawa era. Although one would normally imagine a samurai to be a noble illustrious figure, Musui’s Story portrays the rather ignominious life of an unemployed samurai. Nonetheless, this primary account demonstrates the tenacity of samurai values and privileges present at the end of the Tokugawa shogunate. The social status of samurai had been elevated to such a state that even someone like Musui was easily able to gain influence in everyday affairs with his privileges. Not only that, but he had retained his values as a warrior and still kept great pride for his arts in weaponry.
Throughout History, there have been many different groups or events that are still widely known today. Groups of people such as the Indians or Vikings are popular groups which are referenced constantly in today’s society. However, none of these groups is more known or referenced than the Japanese Samurai. Originating in 646 AD, these Japanese warriors developed from a loose organization of farmers to the dominant social class in Feudal Japan. Along with their dominant military and political standing, the samurai brought with them a unique code or moral belief that became the core of Samurai culture. Because of this, the Samurai and their principles still affect modern day Japanese society with social customs today deriving directly and indirectly from the beliefs of the Samurai.
The key to Miyazaki’s work lies in his knack of transformation and transfusion. He transforms and reinvigorates the tenets of Shinto and also elements of Japanese myth such as dragons and gods. His films do not rework specific stories – rather he creates a hybrid Japanese ‘modern myth’ that is accessible (in different ways) to post-industrialised audiences all over the world. Film critics have praised his films: many appearing to share the sentiments of American film writer Chris Lanier that ‘ultimately, when the movie is over, one doesn’t chiefly savour its sequences or incidents, or even the audacity of its imagination. One rather savours the world-view that seeps through it, which is an eminently kind one’ (2002). I would suggest that Miyaza...
Kurosawa creates a masterpiece with the Seven Samurai. This film was created in 1954, it is a Japanese film and it has English subtitles. The Seven Samurai is a story about a small farming village in 16th century Japan that is under constant threat from traveling groups of outlaw bandits. The elders that live in the village decide to hire a defense force to protect them from these outlaws. They enlist a variety of samurai for hire and samurai are willing to work for their food. The mission of the seven samurai is to protect the village against almost impossible odds.
The samurai are a type of warrior class in Japan similar to the European knights. They were not only used as soldiers for combat in war but they also replaced the court government in terms of managing the local government. They pledged to keep the peace and stay loyal to their master. This is how they were used for most of history until the end of the Tokugawa period. Their rise all begins in the Kamakura period.
Akira Kurosawa, legendary Japanese filmmaker who directed films like The Hidden Fortress which was a major inspiration for Star Wars, Yojimbo, Rashomon and many more, but his most well known film, The Seven Samurai is his best movie, it is rank 19 of Top Rated Movies in IMDB, so of course after the release of the film in America, Hollywood remade the film and titled it The Magnificent Seven. Because it is a remake The Magnificent Seven and The Seven Samurai both have many similarities in terms of the plot, characters, and theme. Ultimately, due to having more originality and better characters, The Seven Samurai is the better film than The Magnificent Seven. The Seven Samurai takes place in 1586, at that period, there was a lot of conflicts between the civilian and the emperor because the Emperor was the leader and had problem keeping peace, the
Prince, Stephen. "Viewing Kurosawa." The Warrior's Camera: The Cinema of Akira Kurosawa. Princeton, NJ: Princeton UP, 1999. 24. Print.
McDonald, Keiko I. Cinema East: A Critical Study of Major Japanese Films. Rutherford, NJ: Fairleigh Dickinson Press, 1983.
The “spaghetti” western, Sergio Leone’s conscious departure from what had come to be known as the “classic” western formula, became a modification of the conventions of the traditional genre. In the film For A Few Dollars More (Per qualque dollaro in più, 1965), Leone’s formula is developed through a reformed narrative structure, slight changes in the traditional characters, his unique style, and the simple use of language, which revolutionized the western.
The films of Japanese director Akira Kurosawa have had wide ranging influence over contemporary films, with his ronin films Seven Samurai and Yojimbo influencing countless westerns and mob movies. Arguably, however, Rashomon has been the most instrumental of all Kurosawa’s films because it asks a question that lies near the heart of all cinema: what is reality? Today, any consumer of television or cinema has seen various permutations of the plot of Rashomon numerous times, probably without realizing it. In the film, a rape and consequent murder are told five different times, by a woodcutter (Takashi Shimura) who seems to have witnessed the event, a bandit (Toshiro Mifune) who committed the rape, the wife of a samurai (Machiko Kyo) who was raped, and the ghost of the samurai (Masayuki Mori), who is channeled by a medium after his murder. In each telling, the viewer is presented with five realities that, through the use of various frame stories, are totally incompatible with one another.
There are many historical aspects of the Japanese, but the most interesting is the history of the Samurai. In Japans history war played a large role in the country. Controlling clans fought for parts of the land and overall control of the country. These clans were powerful families that resided in the country and who all wanted power and control of Japan for themselves. The families that would be in control were known as Shoguns. These shoguns would have warriors that fought for them if any of the other clan families would try to attack him in order to overthrow him and take his power from him. The Samurai followed a code that developed from Chinese beliefs when in battle. The Samurais code was known as the Bushido. This code was also known as “The Way of The Warrior” which was the main belief s...