Samurai Attacks Woman Analysis

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I chose to compare and contrast Samurai Attacks Woman by Tsukioka Yoshitoshi and a self portrait by Giuseppe Arcimboldo. Similarities in craftsmanship and mediums used drew me to these pieces. First, I will describe the original piece that caught my eye while perusing through the data base Artstor was Tsukioka’s. His piece was created during the Meiji period of Japan, showcasing the popular forms of artwork at the time. Tsuikoka used many beautiful colours alongside ink to create his masterpieces. However, in this piece he seemed to use a more delicate approach. Instead of using a multitude of colours, he stuck strictly to the use of red. I think that this really plays to the overall feel of the piece. It showcases a samurai reaching out …show more content…

Overall giving the artwork more meaning and life. This is something that I find prevalent in Japanese art. This style of art can be found even in modern day Japanese art. I feel like these works from the past really helped to impact the artwork of this country. The line quality that Tsukioka uses is another aspect that I find really appealing. As you can observe from the piece, the line used for the samurai is very heavy handed. The use of multiple thick lines has created a strong focus surrounding this figure. At first glance you are drawn to the stance of the samurai; this is where the lines are darkest. Then you move your eyes upward to the samurai’s face and shoulders. This I believe is due to the lines becoming thinner as they continue upward. The minimalistic use of line plays up this piece very well. I see this being demonstrated in the face of the man. In actuality it consists of six small lines. That is all that is needed to showcase the emotion put fourth by this figure. After your gaze reaches his face you are directed down the length of his arm and onto the action of him grabbing the woman in front of him. This part draws your attention not only because of the action being put fourth but also by the intense red mark making

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