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life and works of samuel johnson
samuel johnson essay
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Samuel Johnson's Escape
Samuel Johnson, following in the footsteps of other great English critics, was a great poet. Johnson’s poetry was different from any other writer in the late eighteenth century. He used poetry as a tool for an escape from the reality of life. Johnson would also use poetry as a tool for expression of emotion and praise for accomplishment. When Johnson wrote a poem of praise or to express emotion he would still convey his message beyond reality. He would emphasize an event so immensely that it would seem unrealistic. If being real, or reality, is something sensable, then The Vanity of Human Wishes is the poem in which Johnson best display’s these tools of writing for the purpose of escape. With all of his undertakings, from politics to writing critiques, Johnson used writing poetry as his release from reality and the hardships in his life.
In 1780 Samuel Johnson wrote “A Short Song of Congratulation.” It is a poem of praise to the actions of the nephew of a friend of Johnson. In the poem Johnson depicts the the young man defying the authority of his wealthy family and squandering a substantial inheritance. He is writing about more than the escape of a friend’s nephew, he is writing about his escape from a less than flawless childhood. In the poem Johnson relays to his subject, “If the guardian or the mother / Tell the woes of willful waste, / Scorn their counsel and their pother, / You can hang or drown at last” (25-28). Johnson is using the life and actions of another to relay the struggles he went through as a child to become successful. Johnson’s subject had to separate himself from his prominent family in order to be his own man, or “hang or drown at last,” which symbolizes a freedom to l...
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...his friend’s death. It is difficult to follow Johnson’s manipulation of reality, because he does it so many ways. It is easier to understand why he did it. Everyone would love to escape reality sometime, do we have to write? Or can we just read Johnson? Could Johnson read his own work to escape, or did he have to write to leave reality?
Bibliography:
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Damrosch, David, ed. The Longman Anthology of British Literature. V. 1C. New York:
Addison Wesley Longman, Inc., 1999.
Greene, Donald J. Samuel Johnson: A Collection of Critical Essays. Englewood Cliffs, New
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Greene, Donald J. Samuel Johnson: Updated Edition. Boston: Twayne Publishers, 1989
Lustig, Irma S., ed. Boswell: Citizen of the World, Man of Letters. Lexington, Kentucky:
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"Robert Browning." Critical Survey of Poetry: English Language Series. Ed. Frank N. Magill. Vol. 1. Englewood Cliffs: Salem, 1982. 338, 341.
In the early 1800’s, the United States’ culture of slavery was fostered for a lifespan of forcible enslavement. For all Slaves, this was the normality which was callously endured. In his work, Narrative of the Life of Frederick Douglass, “An American Slave,” Frederick Douglass argues and exemplifies that his fate was destined outside of the walls of slavery.
Johnson begins his poem on behalf of the hardships of African Americans by acknowledging that after all the Africans hardships and pain they’ve been through, they are on the verge of freedom as long as they stick together. The way Johnson uses diction to show his audience how to face hardships with unity, is by the use of the strong phrases or words used. Johnson implies, “Lest our feet stray from the places, our God, where we met Thee,” (28), and “Out from the gloomy past, Till now we stand at last.”(19-20). The outpour of emotions with the use of strong diction words in that quote, informs the reader that as long as we the people
Good poetry provides meaningful commentary. One indication of a poem’s success in this is the depth of thought the reader has as a result of the poem. The poems I anthologized may take different
Literature of the English Restoration offers the example of a number of writers who wrote for a courtly audience: literary production, particularly in learned imitation of classical models, was part of the court culture of King Charles II. The fact of a shared model explains the remarkable similarities between “The Imperfect Enjoyment” by the Earl of Rochester and “The Disappointment” by Aphra Behn—remarkable only because readers are surprised to read one poem about male sexual impotence from the late seventeenth century, let alone two examples of this genre by well-known courtly writers. In fact, Richard Quaintance presents ten more examples by lesser-known poets as he defines the literary sub-genre of the neo-Classical “imperfect enjoyment poem,” written in imitation of Roman poems on the same subject, which is shared by Rochester and Behn (Quaintance 190). Since Rochester and Behn are working along such closely similar lines in terms of the artistic models that their own poems aim to imitate, it is therefore fair to ask the question: what are the main differences in their compositional technique within this tightly-defined literary sub-genre of the neo-Classical “imperfect enjoyment poem”? By examining features of each poem in turn—including form (including this sub-genre they share), but also narrative voice and tone—with some examination of the secondary critical literature on both Rochester and Behn, I hope to demonstrate that there are distinct differences in compositional technique which involve the difference in sex between these two writers. But my conclusion will attempt to problematize the very notion of an authorial sex difference by raising the concept of gender, and in particular the aspect of “performativity”—...
“Roethke was a great poet, the successor to Frost and Stevens in modern American poetry, and it is the measure of his greatness that his work repays detailed examination” (Parini 1). Theodore Roethke was a romantic who wrote in a variety of styles throughout his long successful career. However, it was not the form of his verse that was important, but the message being delivered and the overall theme of the work. Roethke was a deep thinker and often pondered about and reflected on his life. This introspection was the topic of much of his poetry. His analysis of his self and his emotional experiences are often expressed in his verse. According to Ralph J. Mills Jr., “this self interest was the primary matter of artistic exploration and knowledge, an interest which endows the poems with a sense of personal urgency, even necessity” (Contemporary Authors 476).
I do not know how without being culpably particular I can give my Reader a more exact notion of the style in which I wished these poems to be written, than by informing him that I have at all times endeavored to look steadily at my subject; consequently, I hope that there is in these Poems little falsehood of description, and my ideas are expressed in language fitted to their respective importance. Something I must have gained by this practice, as it is friendly to one property of all good poetry, namely, good sense; but it has necessarily cut me off from a large portion of phrases and figures of speech which from father to son have long been regarded as the common inheritance of Poets.
In his letter, eighteenth century writer, Samuel Johnson constructs his rejection of a woman seeking his assistance in convincing the archbishop of Canterbury to admission to an university. Unapologetically, Johnson conveys his unwillingness to fulfill the mother’s request through the implementation of definition, tone shift, and logical appeal.
The way in which Samuel Johnson is depicted in Life of Johnson by James Boswell differs in various way from other biographers of Johnson as well as other works of Johnson. In Jeffrey Meyer’s Samuel Johnson: the struggle Johnson’s relationship with women is shown differently than it was in Life of Johnson. In Life of Johnson Boswell tries to depict a very manly and masculine Johnson. Whereas in Meyer’s biography of Johnson readers are able to see a side of Johnson that isn’t as chauvinistic and is sympathetic towards women. Even though, many might see Johnson as being misogynistic in reality Johnson did support both women and one can see this if examining and inquiring deeper into Johnson’s writing and his relationship with women becomes clearer. Further, Boswell’s depiction at times might be flawed but it was strong enough to provide a lasting impression of Johnson being chauvinist when in reality he did support women in their educational and intellectual interests.
In the poem, he mentions black people that were treated unfairly and how many of those people are not recognized as much. He powerfully wrote: “Names lost. Know too many Trayvon Martins / Oscar Grants / and Abner Louimas, know too many / Sean Bells, and Amadou Diallos / Know too well that we are the hard-boiled sons of Emmett Till” (Lines 53-60). This quote shows how many of our black people are discriminated by their skin color are mistreated. Abner Louimas, Sean Bells and Amadou Diallos were men that were victims of police brutality and were shot several times by police officers. Specifically, Emmett Till and Trayvon Martin’s deaths were great examples as to how people were and still are racist. To take a case in point, Emmett Till who was African-American was tortured and killed because he flirted with a white woman. Trayvon Martin was a teenager who was shot and killed just because he went to grab a bag of skittles from his pocket, which the person who shot him thought he was reaching for a weapon. The many examples that Johnson makes help show how racism and stereotypes play a major role in our society because many people are still victims of discrimination. They are automatically stereotyped into a criminal who is about to do something that is illegal. In the society that we live in, blacks do not have any power, they do not get the benefit of the doubt whether or not
Vivante, Leone. English Poetry and its Contribution to the Knowledge of a Creative Principle. Carbondale: Southern Illinois University Press, 1983. Wesolek, George. "E. E. Cummings: A Reconsideration." Renascence Autumn. 1965: 3-8.
W.H. Auden’s poems are celebrated for their intelligence, detachedness, and musicality. Often, idealism is associated with romanticism and the excessively personal, because it is an attempt at envisioning the world as it ought to be and not as it is. However, Auden successfully blends idealism into his objective poems, and this idealism manifests itself in his “O who can ever gaze his fill,” “Out on the lawn I lie in bed” (“A Summer Night 1933”), and “The Shield of Achilles.”
One of the most interesting aspects of Victorian era literature reflects the conflict between religion and the fast gathering movement aptly dubbed the enlightenment. Primarily known for its prude, repressed, social and family structure beneath the surface of the Victorian illusion many conflicting, perhaps even radical, ideas were simmering and fast reaching a boiling point within in the public circle. In fact writers such as Thomas Hardy and Gerald Manly Hopkins reflect this very struggle between the cold front of former human understanding and the rising warm front know only as the enlightenment. As a result we as readers are treated to a spectacular display of fireworks within both authors poetry as the two ideas: poetics of soul and savior, and the poetics of naturalism struggle and brutality, meet and mix in the authors minds creating a lightning storm for us to enjoy.
The Declaration of Independence contains a snippet about the equality of men; a topic interesting to 18th century authors. The speakers in Gray’s “Elegy Written in a Country Churchyard” and in Goldsmith’s “The Deserted Village” utilize the themes of death and isolation in order to represent the different social classes. Goldsmith’s speaker idealizes and mourns the decay of rural life, while Gray’s speaker equalizes the different classes. . This essay examines the difference between these two depictions and shows how Gray’s use of stylistic features creates a more convincing argument.
In his biographies of Samuel Johnson--Journal of a Tour to the Hebrides (1785) and The Life of Samuel Johnson, LL.D. (1791)--James Boswell has presented a portrait of Samuel Johnson that contemporary audiences found compellingly realistic and that modern audiences continue to find "lifelike." I propose in this current study to study the narrative structure of Boswell's work, examining the elements of story and discourse that make up his his florid yet mild, his outdated but effective, in short, his successful technique. In a careful, comparitive analysis of several works, fiction and non-fictional, I will search for the elusive ingredient that makes Boswell's work "real." The works to be discussed including three by Boswell and one by Henry Fielding.