Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
How literature shapes culture
Character analysis of sammy from a
The influence of society on the behavior of the individual
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: How literature shapes culture
Every human being has their own perception, which creates a unique way in which they see the world and the people that surround them. Additionally, the perception of most people is influenced by life experiences, interactions with other people and individual knowledge about the world. With that being said, is openly understood that Sammy, in the story “A & P”, has quite a banal perception of the world and the people around him that reveals his lack of maturity, knowledge, and experience in life. However, more importantly, is that Sammy’s perception, described by the way he portrays, speculates, and judges the other characters in the story, is clearly impacted by the way he places them into social categories and dehumanizes them.
Without a
…show more content…
The way he refers to girls, in general, insinuating that girls are not smart when he says, “You never know for sure how girls’ mind work (do you really think it’s a mind in there or just a little buzz like a bee in a glass jar?)” (Kennedy 17). Then, he several times dehumanizes the customers when he references them as “sheep”. For instance by him saying, “The sheep pushing their carts down the aisle…” (Kennedy 17), or “I could see Lengel in my place in this slot, checking the sheep through” (Kennedy 20). Furthermore, he also references them as other things such as “houseslaves” and “pigs”. His constant degrading of the customers is noticeable and contributes not only to dehumanization but also to the moral exclusion of those others …show more content…
The girl he calls her “the chunky one” or “the fat one”, is portrayed by him as the typical bulky girl who loves to eat but wants to be skinny like the other two girls when he states, “The fat one with the tan sort of fumbled with the cookies, but on second thought she put the packages back” (Kennedy 17). Afterward, he describes the second girl or “the tall one” as the type of girl that is egocentric just because the way she looks, “you know, the kind of girl other girls think is very "striking" and "attractive" but never quite makes it…” (Kennedy 17). Then he calls the third girl “Queenie”, implicating that she was the one with power, the one who has the money, or the one who ruled over the other two girls. In other words, “The nickname assigned to her by Sammy points out the stereotypical snap judgment that Sammy makes about her personality and social status… [He] consistently portrays the girl as a stuck-up, spoiled rich kid who is just out to ‘shake up’ the middle-class A & P” (Smith). In spite of not knowing anything about these girls’ lives or personalities Sammy infers things about them just by the way they looked and act. By making these assumptions about the girls, mostly about Queenie, he is placing them into categories and he comes to conclusions according to the
In “A&P”Sammy demonstrates the ability in both watching others and gathering bits of knowledge from those perceptions, however the young ladies propose to him the genuine riddle of different personalities. At the point when a client censures Sammy for an oversight, Sammy portrays the lady as a witch straight out of Salem and considers, "I know it made her day to outing me up." For Sammy, the clients at the “A&P” are very straightforward. The same holds valid for the administrator, who Sammy accepts he has completely made sense of. At the point when the young ladies enter the store, on the other hand, Sammy ponders what on earth they're considering. Despite the fact that Sammy attempts to comprehend the young ladies, particularly Queenie, and accepts that he is fruitful, his certainty is undermined by his activities toward the end of the story. His excellent motion of sensitivity for the young ladies his stopping goes unnoticed, and his inspirations are tangled and confounded. He is left with a feeling that, for all his capacity to watch and comprehend others, he should now turn his curious eye on
Luckily, the narrator and Sammy both realize their deficiency after the situations with the other characters. In “A&P” the narrator’s turning point in his life is when he finds the bikers body in the lake next to him. In “Greasy Lake” the realization occurs after Sammy quits his job and tries to be the “hero” to those girls. In both stories, the protagonists’ have no idea what the real world is like, or how it works.
"A & P" is told from Sammy's point of view. Sammy presents himself as a nonchalant and flippant young man. He appears to be somewhat contemptuous of the older people shopping in the store. However, near the end of the story, we see that he does take responsibility for his conscience-driven behavior and decision, revealing his passage out of adolescence into adulthood through the courage of his convictions.
This story represents a coming-of-age for Sammy. Though it takes place over the period of a few minutes, it represents a much larger process of maturation. From the time the girls enter the grocery store, to the moment they leave, you can see changes in Sammy. At first, he sees only the physicality of the girls: how they look and what they are wearing, seem to be his only observations. As the story progresses, he notices the interactions between the girls, and he even determines the hierarchy of the small dynamic. He observes their actions and how they affect the other patrons of the business. Rather, how the other people view the girl's actions. His thought process is maturing and he starts to see things as an adult might see them.
From the beginning of the story, it is clear that Sammy in no way likes his job, nor is he fond of the customers and people he is surrounded by each day. To Sammy, they are nothing more than "sheep" going through the motions of life. "I bet you could set off dynamite in an A&P and the people would by and large keep reaching and checking oatmeal off their lists and muttering Let me see, there was a third thing, began with A, asparagus, no, ah, yes, applesauce!' or whatever it was they do mutter." (Updike, 693). He view them negatively; to him they are boring and useless, living mundane and unimportant lives and it's obvious through Sammy's portrayal of them that he doesn't want to ever become one of them, nor does he want to be around them any longer.
Sammy’s decision in the end to break away from the conformity that is in the A&P to establish himself is a raw truthful decision. He has chosen to follow his heart which Updike shows is what every person should do. This story is great for readers of all ages, because Sammy could be any person in modern contemporary society who is struggling to find themselves in a world dominated by conformity, rules, and standards of norms. Updike’s story is a powerful message to seek individualism. Although sometimes the road to self-identity is not known the journey getting there is worth all the while.
A reader can tell that Sammy likes the main girl that he gives the nickname “Queenie” to. He thinks that she is the leader of the girls and also that she is the prettiest. The way that Sammy thinks about these girls really puts the story into perspective. A person would think that a few girls going into a grocery store to grab some snacks is just a part of life, but to hear it in the words of Sammy, it seems quite fascinating. At one point a reader might think of Sammy as sexist, because in his own words, “You never know for sure how girls’ minds work (do you really think it’s a mind in there or just a little buzz like a bee in a glass jar?)[…] (370). All in all, this is just the way that Sammy’s’ mind works; it is how he thinks about people. This is what makes it be known that he a younger man not from the current
Sammy is a product of his generation. In the 1960s the social climate was changing. The new ideas of the youth were taking over the traditions of their parents. Music and the drug culture began to change the perspective as more people were listening to rock and roll music and experimenting with mind-altering drugs in an effort to free themselves from the strict societal demands of the 1950s. Sammy demonstrates this as he describes his work uniform - the bow tie and apron. This can also be observed when Sammy's manager, Le...
In John Updike's short story, "A & P," the main character, Sammy, is a cashier at a small grocery store. He is seen by many to be a sexist pig, describing in detail how he sees the three girls that walk in to the store. Sammy is in fact a sexist pig by what he says about them. With evidence and quotes from the story, Sammy can be determined to be a sexist pig. He describes the first girl he sees walking in the store as "a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it..." (421). Although the comment was kept to himself, in mind it is a sexist comment. Though the girl was in a bathing suit and there was no beach around, she probably wasn't trying to get the attention of young guys. She was just there to "pick up a jar of herring snacks" (423). Describing the girl's "can" (421), meaning her backside, gives Sammy some credit of being a sexist pig. Sammy slowly begins to see the other two girls follow the first. He notices not only what they're wearing, but what the little clothing that they have on covers up. "This clean bare plane of the top of her chest down from the shoulder bones like a dented sheet of metal tilted in the light" (421). With this quote, he is describing how the bathing suit was slipping off the girl, but in a more demeaning manner. "With the straps pushed off, there was nothing between the top of the suit and top of her head except just her..." (421). Sammy describes that he just sees the girl, a one-nighter type. He doesn't see that she's a human, but just a plaything. One other quote/thought that Sammy has while these girls (whom remain nameless throughout the story), is when the one he calls Queeny takes her money from "the hollow at the center of her nubbled pink top" (423). He begins to get excited as he uncreases the bill as "it just having come from between the two smoothest scoops of vanilla [he] had ever known there were" (424). Sammy seems to be more of a sexist pig, as the reader proceeds through the story.
Sammy is astounded by three young girls that walk into his store in their bathing suits. He follows their every move as they peruse over the cookies and other goods. The first thing this typical nineteen boy recognizes is the one girl’s “can”. But then he goes on to say that this girl is one that other girls seems to think has potential but never really makes it with the guys. One girl though especially catches his eye. He starts to call her “Queenie” because of the way she carries herself and that she seems to be the leader of the pack. Sammy does nothing but watch her every move as they parade about the store. He even daydreams about going into her house with her rich family at a cocktail party. He notices everything about her and thinks there was nothing cuter than the way she pulls the money out of her top. His immature infatuation with this girl is one of the reasons Sammy makes the hasty decision to quit in the end.
Going against the norm almost always brings trouble. Much more so when the norms relate to gender in our society. From our formative years straight up to adulthood, society upholds certain distinct expectations of behaviors both male and females. Young men and woman are thus expected to follow and fit into these gender roles that are meant to guide and govern their behavior. The theme of gender and gender roles can be examined in the short story, “A & P”, written by John Updike. Through examination it can be seen that various characters go against the expected gender roles of that time period. Specifically the main character and narrator of Sammy. It is through the analysis of Sammy’s behavior that we discover what happens when you go against
As the student develops his essay, Sammy begins to compare the girls to other customers in the store. From “houseslaves in pin curlers” to “an old party in baggy gray pants” (2192 ), Sammy negatively characterizes customers in contrast to the leader of the girls, Queenie. To Sammy, the girl is someone that is not from their town. She is everything that every girl envies and wants to be. In contrast to Sammy, she will spend her summer vacationing while he spends it working. It is clear to Sammy that their worlds are different, however it is also obvious that he would like to explore hers.
Although one’s good deeds may often not be acknowledged, the inevitable lesson of maturity can be taught through such experiences. In “A&P”, Sammy is a teenage clerk who is not acknowledged for accomplishing what he thinks is a good deed. During a hot day, three teenage girls walks into the A&P grocery store, wearing only their bathing suits. The image of the girl’s revealing attire provides an absolute contrast to both the simple interior of the store and also of the other conservative customers. Sammy describes the customers as “sheeps” because they look mindless as they follow each other around the aisles in continual, constant motion. However, these three girls conflict with the imagery of “sheeps” by breaking the norms of what the A&P grocery store, and society in general, has proclaimed as acce...
He knows that he is young but entering into the realm of adult responsibilities; thus, Sammy is in a transition from a teen to an adult. Sammy equates himself with his co-worker Stokesie who is an adult. Even though "Stokesie’s married, with two babies chalked up on his fuselage already" (Updike 1027), Sammy sees Stokesie and himself equal, with Stokesie’s family life as "the only difference" (Updike 1027). Sammy also seems to be pretty worldly for working in an A&P. Sammy hints on life existing beyond the A&P.
The women in Jack Kerouac's work, On The Road, are portrayed as superficial and shallow, while the men display depth in character. Women are stereotyped as falling into one of three categories; virginal, maternal or promiscuous, and, throughout the novel, are referred to in a facetious, derogatory manner. ‘Sal’, the protagonist, expresses sexist attitudes, which are a result of both his upbringing and societal attitudes of the time. Although the novel does highlight the problem of sexism, ultimately it does nothing to criticise it, but in fact projects it.