The truth was that Jay Gatsby of West Egg, Long Island, sprang from his platonic conception of himself. He was a son of God-- a phrase which, if it means anything, means just that-- and he must be about His Father's business, the service of a vast, vulgar, and meretricious beauty. So he invented just the sort of Jay Gatsby that a seventeen-year-old boy would be likely to invent, and to this conception he was faithful to the end (99).
James Gatz was already "about his Father's business" when he carefully sketched out a schedule for self improvement on the back of his "Hopalong Cassidy" book. He had already realized what his dream was and had created his own personal religion, which was one of romantic ideals: wealth, youth, and beauty. Gatsby, "a son of God," strived to obtain the "vast, vulgar, and meretricious beauty," and to incarnate these ideals with reality. Like Jesus Christ came here as an incarnation of man and the divine, "the perfect word entering the imperfect world-- and yet remaining perfect"
(Christensen, 154-155), Gatsby is referred to as "a son of God" because through his invention of Jay Gatsby, James Gatz tried to incarnate his ideal dream with reality. Daisy becomes the embodiment of that dream because she is the personification of his romantic ideals. For him she represents his youth and is the epitomy of beauty. Gatsby, "with the religious conviction peculiar to saints, pursues an ideal, a mystical union, not with God, but with the life embodied in Daisy Fay" (Allen, 104). He becomes disillusioned into thinking the ideal is actually obtainable, and the realization that he will never be able to obtain his dream is what destroys him in the end. Gatsby realizes that Daisy isn't all he thought she was, and with this his dream collapses. The symbolic implications of this can be realized when studying Fitzgerald's religious beliefs and other religious imagery in the novel. Through Gatsby's disillusionment, Fitzgerald makes a profound statement about humanity.
In order to understand the religious imagery in The Great Gatsby, one must first understand Fitzgerald's own ideas on religion. Fitzgerald was a troubled man much of his life, and was a victim of psychological and emotional turmoil. Fitzgerald's friend, John Peale Bishop once remarked he had "the rare faculty...
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...mate sin, the killing of Myrtle. Fitzgerald believed that humanity was hopeless, and Daisy's character is a symbol of that hopelessness. "Aren't we all a little like Daisy--foolish sinners who wander around avoiding reality, hurting and being hurt by those around us, letting others take the punishment for our transgressions?" (Clark, 3/10).
Works Cited
Allen, Joan M. Candles and Carnival Lights: The Catholic Sensibility of F. Scott Fitzgerald. New York University Press: New York, 1978.
Christensen, Bryce J. "The Mystery of Godliness." Major Literary Characters: Gatsby. Ed. Harold Bloom. New York: Chelsea House Publishers, 1991.
Clark, Larry. "*******your essay ideas*******." E-Mail message. 10 March 1996.
Fitzgerald, F. Scott. The Great Gatsby. Charles Scribner's Sons: New York, 1925.
Gindin, James. "Gods and Fathers in F. Scott Fitzgerald's Novels." Modern Critical Views: F. Scott Fitzgerald. Ed. Harold Bloom. New York: Chelsea House Publishers, 1985.
McQuade, Donald, ed. The Harper American Literature. Harper & Row Publishers: New York, 1987, pp. 1308-1311. This paper is the property of NetEssays.Net Copyright © 1999-2002
I suppose he’d had the name ready for a long time, even then. His parents were shiftless and unsuccessful farm people — his imagination had never really accepted them as his parents at all. The truth was that Jay Gatsby of West Egg, Long Island, sprang from his Platonic conception of himself. He was a son of God — a phrase which, if it means anything, means just that — and he must be about His Father’s busin...
Mizener, Arthur, ed. F. Scott Fitzgerald: A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice-Hall, 1963.
In The Great Gatsby, F. Scott Fitzgerald tells the story of a romantic ideal and its ultimate destruction by the inexorable rot and decay of modern life. The story is related by Nick Carraway, who has taken a modest rental house next door to Jay Gatsby's mansion. Jay Gatsby is a young millionaire who achieves fabulous wealth for the sole purpose of recapturing the love of his former sweetheart, Daisy Fay Buchanan. Five years prior to the principal events of the story, Daisy broke off with Gatsby and married the vulgar and arrogant Tom Buchanan because he was rich and came from a respectable family. In the years since, Gatsby turns his memory of Daisy into a near-religious worship. He places her on a pedestal and transforms her into his own romantic ideal. In the process, he also transforms himself. He changes his name from Gatz to Gatsby; he invents a past, saying he was from a wealthy family and studied at Oxford; he affects the speech patterns of an English aristocrat ("old sport"), and stages parties that resemble theatrical productions.
“No one can serve two masters. Either you will hate the one and love the other, or you will be devoted to the one and despise the other. You cannot serve both God and money” (Matthew 6:24). The Great Gatsby, a novel of F. Scott Fitzgerald’s creation, tells the story of Jay Gatsby, a poor midwestern farm boy turned rich entrepreneur through the illegal bootlegging business. He attempts to recapture the long-lost love of his life, Daisy Faye (now Buchanan through marriage), by throwing marvelous parties every weekend. Nick Carraway, Daisy’s second cousin, Gatsby’s neighbor, and the narrator of the novel, gives the reader a mostly accurate depiction of Gatsby and Daisy’s love affair that ends in the tragic murders of Myrtle Wilson and Gatsby, as well as the suicide of George Wilson, the garage owner and Myrtle’s husband. Gatsby’s mansion attracts socialites and is full of emotional infatuation with no conscience or presence of God; while Dr. T.J. Eckleburg’s eyes follow Wilson’s garage, full of dirt, love, and lies.
When looking at Jay Gatsby, one sees many different personalities and ideals. There is the gracious host, the ruthless bootlegger, the hopeless romantic, and beneath it all, there is James Gatz of North Dakota. The many faces of Gatsby make a reader question whether they truly know Gatsby as a person. Many people question what exactly made Jay Gatsby so “great.” These different personas, when viewed separately, are quite unremarkable in their own ways.
The Great Gatsby is the story of one man's journey of trying to achieve what is commonly referred to as the American Dream. Fitzgerald successfully makes the reader become attached to Gatsby by giving the reader some elements of Gatsby’s back story to latch on to. He achieves this by using Gatsby’s love stroking heart to to capture the imagination of the hopeless romantic, and he then uses Gatsby’s deep seeded ambition of becoming better to capture the ambitious reader. Throughout the story Fitzgerald makes Gatsby out to be the hero, and he accomplishes this by having Gatsby’s goals in life become relatable to the common reader, because everyone wants to be able to change their lives around, everyone wants to someday fall so madly in love with someone else that they would follow that person to the ends of the earth, regardless of the obstacles, and Gatsby is the perfect embodiment of these hopes and dreams. What strikes a deeper chord is that the reader can tell that Fitzgerald truly loved his creation and this can be seen by the way he describes him. Sadly, like many other great writers do, Fitzgerald realised that this life like world that he has created, would need to have malevolent forces that are always conspiring against the main character in this case being Gatsby behind the scenes. Fitzgerald does this by embedding these forces into the society that surrounded Gatsby.
Due to patents, Pfizer and other companies in the pharmaceutical industry are not always competing in a monopolist’s competition. When a business has a patent they are the only manufacturer who can produce the product until the product expires, so it is clear that the firm can act as a monopoly while in control of the patent. As a monopolistic company, the company has market power, giving it the capability to adjust the market price of a good. The main goal for a monopolist and business owner is to maximize their profits, however, there are rules they have to abide by. The monopolistic companies still have to keep up with the market demand curve. The point at which they decide to produce will rest on their own acidities of revenue, risk and effort. The company also needs to know the price elasticity of the curve: the greater the price elasticity, the more a company such as Pfizer will struggle to establish high prices and a high volume.
First, we must discuss what is “pop art”? “Pop art,” as defined by the Concise Columbia Electronic Encyclopedia, is a movement that emerged at the end of the 1950s as a reaction against the seriousness of abstract expressionism. (Encyclopedia.com) The term “Pop” stands for “popular art” or even for “pop bottle art, depending on the frequency with which such everyday objects appeared. The movement as a whole originated in England in the fifties and then naturally spread to the United States.
2) Pop culture came from pop art (Danesi 4) and transformed the idea that the art reflected everyday roles and more playful than other artists, eventually it came down to it being a meaning for people as a whole. It evolved over time during the 1940s and 1950s that reflected everyday things in art, like Campbell’s soup (Danesi 5).
Discussion. Merck is a global research-driven pharmaceutical company that develops, manufactures, and markets a broad range of products. Merck has a history or producing successful products beyond the products mentioned above, including VioxxTM, FosamaxTM, and SingulairTM. Both sales and net income rose significantly from 1998 to 1999 with sales surging 22% to $32.7M and net income rising 12.2% to $5.9B in 1999. Short and long-term investments have risen in this period by 57% and 32%, respectively. The development of pharmaceuticals is a high cost business especially for R&D and the long FDA clinical approval process. The approval process can take 7 years, which leaves only a 10-year period of exclusivity within the 17-year patent life.
Trilling, Lionel. "F. Scott Fitzgerald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.
Trilling, Lionel. "F. Scott Fitzgerald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.
Starting at a young age Gatsby strives to become someone of wealth and power, leading him to create a façade of success built by lies in order to reach his unrealistic dream. The way Gatsby’s perceives himself is made clear as Nick explains: “The truth was Jay Gatsby of West Egg, Long Island, sprang his Platonic conception of himself. He was a son of God… he must be about His Father’s business, the service of a vast, vulgar, and meretricious beauty” (Fitzgerald 98). From the beginning Gatsby puts himself beside God, believing he is capable of achieving the impossible and being what he sees as great. Gatsby blinds himself of reality by idolizing this valueless way of life, ultimately guiding him to a corrupt lifestyle. While driving, Nick observes Gatsby curiously: “He hurried the phrase ‘educated at Oxford,’ or swallowed it, or choked on it, as though it had bothered him before. And with this doubt, his whole statement fell to pieces…” (Fitzgerald 65). To fulfill his aspirations Gatsby desires to be seen an admirable and affluent man in society wh...
The pop art movement began mid 1950s and 1960s, it first arose in Britain and later began in the United States. This modern style of art was based on popular culture, it frequently included imagery of advertisements and the news. Artist would use a very straightforward manner to depict everyday items and mass media. They always used
“ Pop art was the first movement to declare the reality that advertising and commercial endeavor were actually forms of art”[Anthony Morley].One of the main ideas behind pop art was the connection between the media and art. Roy Lichtenstein considered pop art was a reflection of what happened in American society. Although inspired by similar ideas, British and American pop art are vastly different. Early pop art in Britain was inspired by popular culture in America, post-war. American artists used what they saw and experienced within their culture they were a part of. In the United States, pop art depicted the real world, quite literally. By using mundane imagery, American pop artists shy away from the emphasis on personal feelings and symbolism that were in abstract expressionism.