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Machismo in Hispanic culture
Machismo culture among Latinos
What is popular culture in your own words
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Carlos Cuaron’s ‘Rudo & Cursi’ is a story of two brothers and their road to football fame. It stars Mexican actors Diego Luna and Gael Garcia Bernal and tells the story of two brothers Beto, who is known as Rudo, and Tato who is later known as Cursi. The brothers work hard on a banana plantation in Mexico, but they have always had big dreams of fame and fortune for themselves and their family. When the men are not working on the plantation, being with their family and playing football is how they spend their free time. Rudo is the town’s ruthless goalkeeper and Cursi is the striker loved by all. They live in a very rural area of Mexico with not a lot of land and just enough money to get by. However, in the blink of an eye their lives …show more content…
As mentioned in a lecture culture can be described as ideas, customs and social behaviours of a certain group of people, the works and practises of a particular group of people. Popular culture however is slightly different. It usually transgresses social, religious and political boundaries, breaks social rules and is a freer way of life. It is dismissed by political leaders and people of authority as it focuses on the aspect of social class division, it divides people and causes a split between the upper classes and the working/lower classes. In Latin America, popular culture is a strong and long tradition. It is passed down through the centuries and is alive through orality and memory. It gives the people an identity, something to engage with. (Oliviera, G (2017) Popular Culture Lecture [Lecture to Spanish and Latin American studies, Module SPAU9A1, University of Stirling], personal communication, 19th September 2017) Culture and popular culture are important as they are big parts of contemporary Mexico and are linked in with the many great challenges and issues faced by contemporary Mexico. Since colonial times exploitation, drug trafficking and corruption have become major issues in Mexico. Exploitation is an issue we see more closely in Rudo & Cursi. There are a few specific examples of exploitation in different ways throughout the film. The exploitation of the workers on the banana …show more content…
Gender is an important aspect in Rudo & Cursi and male archetypes are shown and developed throughout. “the question of national identity in sport and politics seems to be a domain reserved for the male imagination” - Argentinian Football and Europe from Tribal Identities: Nationalism, Europe, Sport, J.A Mangan (1996). In Latin America, football and politics are both seen as a symbol of masculinity and this is an example of the machismo attitude. The gender boundaries are set very clearly in Latin America, there are certain things considered a man’s job and other things considered a woman’s job. Most of the men in the film are very machismo. “Machismo is widely regarded in Mexico as a constituting part of national patrimony.” (Alejandro Lugo, Bill Maurer, 2000, p.176). This machismo attitude encourages men to be a part of the aggressive, all-powerful, breadwinning role which is extremely sexist yet still the way of life in many parts of the
The film Fernando Nation is a documentary highlighting the Major League baseball Career of Fernando Valenzuela. This movie illustrates a new type of American dream through the eyes of Mexican Americans by showing their historical struggle to be accepted in society, portraying the humble beginnings of Fernando, and highlighting the national fame which he acquired throughout his Major League career. In so doing, Fernando Nation helps viewers to understand the Mexican people’s desire for social equality with others in the United States, as well as what their version of the American dream looked like.
Sandra Cisneros once said “'Hispanic' is English for a person of Latino origin who wants to be accepted by the white status quo. ’Latino' is the word we have always used for ourselves.” In the novel I read, The House on Mango Street, by Sandra Cisneros the main character a twelve-year-old Chicana (Mexican-American girl), Esperanza, saw self-definition as a struggle, this was a major theme in the novel through Esperanza’s actions and the ones around her. Esperanza tries to find identity in herself as a women as well as an artist throughout the novel through her encounters. Esperanza was able to provide the audience an image that was vivid of her surroundings by her diction and tone. Esperanza presents a series of stories that she deals with in her neighborhood as she is growing up. Esperanza arose from poverty and always dreamt of having a house of her own. Sandra Cisneros' strong cultural and gender values have a tremendous influence in The House on Mango Street. Cisneros feels that the Mexican-American community is very abusive towards the treatment of women because men are seen as the powerful, strong figure. Women are seen as failure and can’t strive without men in a Mexican-American community. In this novel you can see a cultural approach which examines a particular aspect of a culture and a gender studies approach which examines how literature either perpetuates or challenges gender stereotypes.
Society has always had the idea that males should participate in masculine activities and females in feminine activities. These activities define the lifestyle that person would have. It was also believed that if a male was not involved in masculine activities, that male was not a man. Sports is a field that has been dominated by males in the past years, and more recently has had a lot of females take part in it. But does playing a sport define one’s masculinity? Michael Messner, the author of Boyhood, Organized Sports, and the Construction of Masculinities, discusses the effect sports has on upcoming young men of different races. The effect of being introduced to a sport at a young age allowed males of different races to gain a sense of masculinity,
“O it’s against the laws of nature for a Dominicano to die without fucking at least once,” (174) said Yunior, during a night in his college dorm room with Oscar Woa. These two characters are from a book titled “The Brief Wondrous Life of Oscar Woa” a story about Oscar trying to find real love for the first and the journey his friends and his family go through during this time. In this book there is a reappearing theme that continues to show itself, that theme is Dominican masculinity. Dominican masculinity is described as a manly man who can pull women and that also has this certain type of mojo that defines their personality. The only things is that this certain masculinity rather than representing a healthy self-esteem and sense of power, Dominican masculinity represents a cocky kind of self-destructive personality that seems to emotionally stunt the men characters. Most of the male characters seem to have this certain masculinity, except our protagonist Oscar.
Never really encouraged or allowed to play ball with the boys. One day on her way to wash clothes at the river Juana passed by some boys playing soccer, “the ball came flying her way and landed near her feet. One of the boys started running toward her to come get the ball, but Juana lifted her foot and then kicked. The ball rose into the air in a perfect arc”(Grande 122). The boys were shocked, at how good Juana was when she kicked the ball. This is a perfect example of gender roles, girls are to stay home and help their moms while boys get to go outside and play and get dirty. Juana, even with something as insignificant as being able to kick the ball, and impressing the boys. Comes to show that she did not allow society to subject her only to roles to be only for women or
My readings suggest the Hispanic culture gender roles are very common and strict. Starting early in life children are taught to follow the strict guidelines of their gender (American Home Resources, 2010). There exists three common gender specific scripts in Hispanic culture; females can either be “Marianismo” or “Hembrismo”, and, males are classified as “Machismo”. The two female roles differ greatly; “Marianismo” defines behaviors of women as being obedient, dependent and caring for their children. The “Hembrismo” role stresses a female’s strength to persist through life’s difficulties; however, this role is not accepted widely in their culture. The “Machismo” role describes behaviors of men as being dominant and independent. This role views the man as being in charge of the family. (Peñalosa,
Marianismo and machismo are the traditional gender roles in Latin America. Marianismo is the aspect of female gender roles while machismo is the aspect of male gender roles. The key belief of machismo is that men hold supremacy over women. For the most part these gender roles conform to traditional understanding of sexuality, masculinity, and femininity. There is only one key contradiction I found when it came to traditional understandings of sexuality, masculinity and femininity. Some people may confuse the meanings of gender, sex, and sexuality. Gender is what a person chooses to define themselves as: masculine or feminine. Sex is biological: male or female. Sexuality is then defined as the expression of sexual interest. These three words connect to one another.
To help me understand and analyze a different culture, I watched the film Selena. The film tells the life story of the famous singer Selena Quintanilla-Pérez. Not only does it just tell personal stories from her life, it also gives insight to the Mexican-American culture. Her whole life she lived in the United States, specifically in Texas, but was Hispanic and because of that both her and her family faced more struggles than white singers on the climb to her success. Even though the film is a story about a specific person, it brought understanding into the culture in which she lived. Keeping in mind that these ideas that I drew about the Mexican-American culture is very broad and do not apply to every single person in the culture, there were very obvious differences in their culture and the one that I belong. Mexican-American culture identifies with their family rather than individualized or spiritual identities and the culture has gone through significant changes because of discrimination and the changing demographics of the United States.
Culture is customs, arts, social institutions, and achievements of a particular nation, people, or other social group. It includes behaviors, attitudes, beliefs, values, and norms that is shared by a group of people to sustain their lives. Mexican culture is influenced by their familial ties, gender, religion, location and social class, among other factors. Today life in the cities of Mexico has become similar to that in neighboring United States and Europe, with provincial people conserving traditions more so than the Mexican living in the city. In the United States Mexican includes any person of Puerto
The ways in which the female and male protagonists are portrayed within a certain telenovela are representative of the gender roles present in that society. In many telenovelas, the traditional female protagonists are naive, innocent, and pure in many ways. While the male protagonists, on the other hand, are very machismo and overflowing with testosterone. In Mexico, the country in which this telenovela was made, women are expected to be amas de la casa (homemakers), caring for the home and the children while men work outside of the home (“Women” 2). There is also a hierarchal power structure in which a woman is often relegated to the demands and desires of her husband (Hirsch 2003). Despite these traditional roles, La Patrona has characters
Culture is one of many common denominators that portrays the beliefs, customs, values, and languages of modern day society. Furthermore, culture serves as a defining principle of how people live and what type of person they develop into throughout the never-ending process of time. Another essential aspect of culture is that it helps outline a definite sketch of the learned and shared human patterns that surround numerous civilizations. Deriving from a predominantly Mexican heritage, one of the most dynamic and influential aspects of Hispanic culture is “Dia de Los Muertos.”
Within the works of “Fiesta, 1980” it takes us in the lives of a Latin American family. We are described a traditional style Latino family were there is a dominate father figure, a submissive mother, and obedient children more or less. There are two boys the eldest Rafa and the youngest Yunior and their younger sister Madai. During the transgression of the story it is conveyed through the eyes of Yunior. And like any typical family it has its own story to tell.
Judith Ortiz Cofer, a professor of english and creative writing, tackles gender roles as well as cultural stereotypes in “ The Myth of the Latin Woman” and challenges them by attempting to replace the stereotypes with the realities. In “The Myth of the Latin Woman” Cofer discusses her life in America as a Puerto Rican woman. She also shares her stories of when she was stereotyped and how gender roles play a role in how Latinos are viewed. Stereotypes will follow you around because of your appearance and how the media portrays Latinas.
Another theme found in both films is the idea of resisting the urge to only look out for yourself. In the last vignette of La Ciudad, a woman working a sweatshop needs money for her sick daughter, but has not been paid for weeks. At the end of the vignette, she stops working in protest and all her coworkers stop working as well in solidarity. By doing this, her coworkers are risking their jobs and income, which is a huge deal because they are already living in poverty. However, they take this risk and resist the pressure to look out for only themselves because they understand the woman’s
The Caribbean culture has a special showcase when it comes to expressing the masculine and feminine aspect of its living society. This paper will be able to introduce the argument of dealing with males and females in a masculine and feminine environment surrounded by the Caribbean culture and lifestyle. The first notion will speak about the author, Julia Alvarez, in turn how she is able to express the feminine aspect of four girls focused on her novel, How the García Girls Lost Their Accents. The second notion will be showcasing the author, Junot Díaz, and his compilations of stories in the work of a novel called Drown to prove that even in the Caribbean culture, it is a hard task to prove to a male that he is masculine to his society. The last notion will introduce a comparative aspect of both males and females, in turn of which is harder to live by in the Caribbean culture, as well as provide some similarities that both genders face. Therefore, this paper will provide evidence based thoroughly on what it is like to experience sexuality through the eyes of a masculine man and a feminine woman, specifically foundered in the Caribbean culture.