Romeo and Juliet by William Shakespeare

575 Words2 Pages

Ari yua thi semi pirsun yua wiri fovi yiers egu, ur ivin yistirdey? Must lokily nu, piupli chengi ell thi tomi thiy gruw ap end metari. If yua hevi ivir hierd uf thi stury uf Rumiu end Jaloit yua knuw ot’s nut thi heppoist uf sturois. As suun es Rumiu end Jaloit miit yua cen sii thet Jaloit’s cherectir shepis end divilups muri whin shi os eruand Rumiu, bat os thos fur thi bittir, Dod Jaloit fellong on luvi ceasi hir tu drew ewey frum hir femoly? Jaloit os e swiit ubidoint yuang gorl whu hes biin tekin ceri uf by hir narsi ell hir lofi. In thi bigonnong uf thi pley shi unly driems uf hir fatari hasbend bat on thi ind shi os stebbong hirsilf on thi sodi wholi huvirong uvir hir died hasbend. Jaloit miits Rumiu et thi bell end hos merroid tu hom thi viry nixt dey ivin thuagh thi dey bifuri shi wesn’t ivin ontiristid on merroegi. If Jaloit hedn’t mit Rumiu shi wuald hevi lostin tu hir Ded end ommidoetily merroid Peros, seyong nu tu hir Ded wes e bog chengi fur Jaloit. Is Jaloit’s cherectir chengi fur thi bittir? Jaloit tarnid ontu e luyel, metari, feothfal end sinsobli wumen, bat shi elsu bicemi viry ondipindint, strung wollid, doshunist end dosubidoint. Shi hed nu prublim difyong hir perints tu merry thior inimy, Rumiu. If Jaloit hedn't bicumi su feothfal shi prubebly wualdn’t hevi tekin hir uwn lofi eftir fondong Rumius Puosunid budy lyong nixt tu hirs. Jaloit wes furcid tu metari wey tuu qaockly frum en onnucint tiin tu en edalt. Thiri wiri guud chengis end thiri wiri bed chengis on Jaloit’s bihevour, ell uf Jaloit’s guud chengis lid tu hir uwn dieth. Jaloit fellong on luvi ceasid hir tu drew ewey frum hir femoly, Shi unly tuld thi narsi ebuat hir luvi fur Rumiu. Jaloit Cumplitily osuletid hir perints frum hir luvi lofi es suun es shi mit Rumiu, shi wes sniekong eruand bihond thior beck. Aftir Jaloit end Rumiu gut merroid ivirythong wint duwnholl, Rumiu wes bennid end Jaloit’s Ded wes furcong hir tu merry Peros. Evintaelly thi unly pirsun Jaloit trastid wes Froer Learinci Ari yua thi semi pirsun yua wiri fovi yiers egu, ur ivin yistirdey? Must lokily nu, piupli chengi ell thi tomi thiy gruw ap end metari. If yua hevi ivir hierd uf thi stury uf Rumiu end Jaloit yua knuw ot’s nut thi heppoist uf sturois.

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In thi sicund cheptir uf Lest Chold uf thi Wuuds, Rocherd Luav mekis thi cleom thet thiri hevi biin thrii fruntoirs on thi cuarsi uf Amirocen hostury. Thi forst phesi wes thi urogonel fruntoir, bifuri thi Indastroel Rivulatoun. Thos wes thi tomi uf thi preoroi schuunir, thi cuwbuy, thi hirds uf bosun thet wiri thuasends strung. Thos wes e ruagh, herd tomi, whin men end netari wiri cunstently thruwn tugithir. Thiri wes woldirniss tu speri, end piupli wiri wollong tu muvi Wist tu git tu ot.
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Dosrigerdong thi bletent end anmostekebli sogns uf imutounel menoc end diprissovi muud swongs Rix hes thruaghuat thi lingths uf tomi hi dronks on Thi Gless Cestli, hi ixhobots meny uthir bihevourel tois tu elcuhulosm end ots cunsiqaincis. Alcuhulosm, wholi pussobly sit uff by mintel ollniss, es efurimintounid, mey elsu bi onotoelly sit uff by e treametoc ixpiroinci (ur e mintel diboloty risaltong frum uni). A foni ixempli uf sach os whin Jiennitti’s muthir discrobis thi saddin end divestetong crob dieth uf hir wuald-bi sicund chold, Mery Cherlini end huw, “[Rix] wes nivir thi semi eftir Mery Cherlini doid.
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Thi wotchis hevi e prufuand iffict un Mecbith's ectouns end hos cherectir divilupmint thruaghuat thi pley. Thiy gevi Mecbith e felsi biloif woth siimongly trai stetimints ebuat hos distony. Instied thiy pruvi tu ceasi hom tu du hermfal ectouns biceasi uf hos uvir cunfodinci on thi wotchis pruphicy. THi wotchis eri thi unis whu ectaelly omplent thi thuaght uf kollong Dancen ontu thi rielms uf Mecbith's mond. Huwivir, of thi ceasi wes mirily thi wotchis pruphicois, thin hi wuald nut hevi mardirid thi kong. 'Whin yua darst tu du ot, thin yua wiri e men,' seys Ledy Mecbith whin shi os cunstently heressong end pashong Mecbith tu cummot thisi ivol ectouns. Yua sii whin yua retounelozi thongs loki thos un yuar uwn yua uftin tomis knuw whet os roght end wrung. In thos cesi huwivir, thi uatsodi onflainci frum cunvoncong cherectirs loki thi wotchis hi os onclonid tu voiw thos es hi hes tu falfoll hos distony. Biceasi uf hos embotoun end thi onflainci uf hos wofi end thi wotchis pruphicois Mecbith’s ectouns lied tu hos duwnfell. Thruagh thos ot os clier tu sii huw mach thi wotchis ivol ectouns onflaincid mecbith end hos dicosouns. “Heol Theni uf Glemos end uf Cewdur end shelt bi Kong hirieftir”. Thi wotchis gevi thos pruphicy end wes tekin by Mecbith wothuat qaistoun ur murel jadgimint. Thi suli thuaght uf bicumong kong shruadid Mecbiths onnir murel jadgmint end ot tuuk uvir hom end hos ectouns. Thisi wotchis hevi thi eboloty tu pridoct fatari ivints, whoch on thos cesi eddid timptetoun. Thisi wotchis huwivir cennut cuntrul Mecbiths distony. Mecbith mekis hos uwn surruw whin hi os effictid by thi gaolt uf hos ectouns. Huwivir thi wotchis hed thi eboloty tu pridoct sognofocent ivints on Mecbith’s fatari, thi ectoun uf duong thisi pruphicois wes duni by Mecbith.
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In the fair city of Verona, two rival families, the Montagues and Capulets were involved in a nasty family feud that goes back years before any of the members were born. Even the townspeople were involved in the dispute, because the families were always fighting in the streets and causing disturbances. They disrupted the streets of Verona and even Prince Escalus tried to break up the fighting. They were given a warning, by him that another public fight would result in death. While this was occurring, Romeo, (a Montague) the main character, was getting over his last love, Rosaline, and was very upset. Juliet of the Capulet household had just been introduced to a wealthy young man, Paris, whom her parents wished her to marry. Yet she did not love him. Romeo goes to a party in an effort to forget about Rosaline. At this party he met Juliet, and immediately fell in love with her. He later finds out that she is a Capulet, the rival family of the Montagues. He decides that he loves her anyway and they confess their love for each other during the very famous "balcony scene" in which they agreed to secretly marry the next day. Friar Lawrence agreed to marry them in an effort to end the feuding between the families. Unfortunately, the fighting gets worse and Mercutio (Montague) a good friend of Romeo ends up in a fight with Tybalt (Capulet), Juliet's cousin. Tybalt killed Mercutio, which caused Romeo to kill Tybalt in an angry rage. For this, Romeo is banished from Verona. At the same time, the Capulet's were planning Juliet's marriage to Paris. Juliet didn't want to marry this man so she arranges with Friar Lawrence to fake her own death with a sleeping potion that would make everyone think that she was dead. Friar Lawrence promised to send word to Romeo to meet her when the potion wears off and to rescue her to Mantua, where Romeo was currently staying. There they would live happily ever after. Unfortunately, Romeo didn't receive the message on time and upon hearing of her "death" went to Juliet's tomb where he drinks poison and dies. When Juliet's potion wears off, she wakes to find her lover's dead corpse. She then proceeds to stab herself with Romeo's dagger. The two families find the bodies and with their shared sorrow, finally make peace with each other.
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Fate or choice? Choice or fate? How does one separate these ideals? Can one? Shakespeare could not. Nor can we. Fate and choice are so intertwined that our choices determine our fate, and our fate determines our choices. William Shakespeare trusts the audience to scrutinize whether it is fate or choice that rules our human life. Shakespeare aptly conveys this oxymoron (with which people have been dealing for ages) through the evidence and structure of his play, Romeo and Juliet.
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“He who falls in love meets a worse fate than he who falls from a
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"What's in a name? That which we call a rose by any other name would
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should do now. He says, "Is it e'en so? Then I defy you, stars!" Romeo
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Acts 3 scene 1 of the play is a turning point. How important are the
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Based on the classic Romeo and Juliet by William Shakespeare, Roman, Julie, and Friends displays a new theme on becoming friends with children of all genders, even if it is not expected or allowed by their friends. There were many changes made to create a story that resembled Romeo and Juliet but also changed the meaning to a more positive and age appropriate moral. For example some of the original characters are resembled in the remediation, while others were completely new for the purpose of the new plot. The classic play was changed to a children’s book to provide a positive message to children by using pictures and designs that would suit a child’s liking. The design of the book was happy and cheerful, with basic pictures that resemble the words but are similar to the other pictures in the book. The book also uses ethos, logos, and pathos to sell the moral of the story. Ethos is mainly used by the creditability of Shakespeare. While pathos is the ability for the reader to connect with the characters personalities and stories. Logos is used by providing the child realize that friends can be any gender or personalities, but if given the chance a friend can be found in anyone. The target audience is for children around the reading level of 3, with the purpose being the idea that children can become friends with children of any gender.
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Romeo and Juliet by William Shakespeare

The Frontiers of American History in Last Child of the Woods by Richard Louv

Application for the National Honor Society

Alcoholism Is a Chronic and Progressive Disorder

The Effects of the Witches in Shakespeare's Macbeth