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NAME : RANEEM ESSAM
ID : 115210105
TMA FOR THE COURSE A230B
Emily Bronte presented “wuthering heights “as a crossover between romanticism and realism. The novel genre is a hybrid and a mixture between romance and the factors of the real world where the situations blow away the Scenario in the very opposite direction. When we hear the word romance novel we directly think of a love battle and the winner is always the love factor. but in that novel Bronte presented the two edged novel in such a great sequence and the flow of the love bond and how it progressed to the extent of feeling that the other partner in your soul mate but at the end of the novel Bronte did surprise us with the
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but the strange thing when saying I am Heathcliff that means that even after marriage she still do have feeling for him and she never forget the love story of her life, they both acted like soul mates and the treated each other heavenly, the also grew up together and that bond was fed and grown by their childhood memories as they were living and growing up with each other in the same house wuthering heights. They really acted like 2 souls in one body and their love bond was very un-destroyable. But Catherine acted very selfish and she hurt herself and hurt everybody else to fulfill her desires toward the civilized and education life that she was willing to …show more content…
Heathcliff was an orphan whom Catherine father have adapted while he was on a business trip, to her he is an outsider he was uneducated. Henry have always tried to bully him he hated him so much. All of those elements have transformed Heathcliff’s personality in 180 degrees and especially when Catherine left him to marry Edgar meanwhile she didn’t even love him, she loved the life he was living.
Heathcliff was uneducated so he took a decision to take revenge from Catherine and of all those whom destroyed his childhood and life. when Edgar father’s died henry started to treat Heathcliff as a servant and that destroyed his relation with Catherine even more and her travelled abroad for 3 whole years and he came back educated and ready to take his revenge . when he came back he was brutal , cruel and abusive , he started losing the people around him but that was all to prove that he was a better man for him love Catherine and that she was hasty to leave him and marry Edgar . another point was included in Heathcliff’s romantic features was how the people used to see him and I quote “he is dark-skinned gypsy in aspect , in dress and manners a gentleman – that is , as much a gentleman as many a country squire … he has an erect and handsome figure – and rather moroe possibly some people might suspect him of a degree of under-bred pride”
...rder to be able to inherit Thrushcross Grange. It seems that Heathcliff is mainly intent in gaining control of the manors to not only gain economically advantageous positions, but to also prove to the ghost of Catherine, which still wandered around the moors, that he would have been worth marrying and that she made the wrong decision. Catherine also had very strong desires for power, which are shown by her telling Nelly that she would never be able to marry Heathcliff because he had been put so far below that she believed it would be degrading to her to marry him, and therefore she decided to marry Edgar Linton instead due to his stability.
From the beginning of the novel and most likely from the beginning of Heathcliff's life, he has suffered pain and rejection. When Mr. Earnshaw brings him to Wuthering Heights, he is viewed as a thing rather than a child. Mrs. Earnshaw was ready to fling it out the doors, while Nelly put it on the landing of the stairs hoping that it would be gone the next day. Without having done anything to deserve rejection, Heathcliff is made to feel like an outsider. Following the death of Mr. Earnshaw, Heathcliff suffers cruel mistreatment at the hands of Hindley. In these tender years, he is deprived of love, friendship, and education, while the treatment from jealous Hindley is barbaric and disrupts his mental balance. He is separated from the family, reduced to the status of a servant, undergoes regular beatings and forcibly separated from his soul mate, Catherine. The personality that Heathcliff develops in his adulthood has been formed in response to these hardships of his childhood.
Heathcliff's love for Catherine transcends the normal physical "true love" into spiritual love. He can withstand anything against him to be with her. After Hindley became the master of Wuthering Heights, he flogged Heathcliff like a slave. Although Heathcliff could have simply run away, his decision to endure the physical pains shows his unrelenting devotion to Catherine. Fortunately, Catherine feels as deeply for Heathcliff as he does for her, explaining to Nelly that "Whatever our souls are made of, his and mine are the same…" Their love for each other is so passionate that they can not possibly live apart. At Catherine's death, Heathcliff hopes that she will not rest, but will haunt him until he dies. This absurdity contradicts the traditional norm that one should pray that the dead rest in peace. Near the end of the novel, we learn that Catherine has haunted Heathcliff, allowing him only fleeting glances of her. This shows that despite their physical separation, nothing can part them spiritually. When Heathcliff dies and unites with Catherine once again, the neighbors see them haunt the moors. We finally see the power of their love; Not only does this love transcend physical barriers, it transcends time as well...
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
Heathcliff is a character who was abused in his childhood by Catherine’s brother, Hindley, because of his heritage as a “gypsy”, and Hindley was jealous of the love that Heathcliff got from Mr. Earnshaw, Hindley’s father. This is also selfishness upon Hindley’s part since he only wanted his father’s love for his sister and himself. So to reprimand Heathcl...
The sympathetic part of Heathcliff shows through when he sees Catherine in the beginning stages of her sickness after childbirth. “He neither spoke, nor loosed his hold, for some five minutes, during which period he bestowed more kisses than ever he gave in his life before, I dare say…” (159). The sympathetic part of Heathcliff kicks in when he sees the woman he loves dying right before him. Heathcliff began to ask Catherine the questions he had not been able to ask her before, whether it had been due to his pride or to his absence - was insignificant., “‘...You loved me - then what right had you to leave me? What right - answer me - for the poor fancy you felt for Linton?” (162). When the novel begins, it is mentioned that Heathcliff is shouting, “‘Come in! Come in!’ he sobbed. ‘Cathy, do come. Oh do - once more! Oh! My heart’s darling, hear me this time - Catherine, at last!’” (28). Heathcliff attempts to get Catherine’s ghost to speak to him, because his main goal is to be united with her in death. Heathcliff’s character changes relatively fast when he sees Catherine dying in her bed. There is a sympathetic side shown that has not been quite expressed before, and also the feelings that Heathcliff kept bottled
Catherine is free-spirited, wild, impetuous, and arrogant as a child, she grows up getting everything she wants as Nelly describes in chapter 5, ‘A wild, wicked slip she was’. She is given to fits of temper, and she is torn between her wild passion for Heathcliff and her social ambition. She brings misery to both of the men who love her, ultimately; Catherine’s selfishness ends up hurting everyone she loves, including herself.
Wuthering Heights is not just a love story, it is a window into the human soul, where one sees the loss, suffering, self discovery, and triumph of the characters in this novel. Both the Image of the Book by Robert McKibben, and Control of Sympathy in Wuthering Heights by John Hagan, strive to prove that neither Catherine nor Heathcliff are to blame for their wrong doings. Catherine and Heathcliff’s passionate nature, intolerable frustration, and overwhelming loss have ruined them, and thus stripped them of their humanities.
Catherine is trapped between her love of Heathcliff and her love for Edgar, setting the two men down a path of destruction, a whirlwind of anger and resentment that Catherine gets caught in the middle of. Catherine is drawn to Heathcliff because of his fiery personality, their raw attraction and one certainly gets the sense that they are drawn together on a deeper level, that perhaps they are soulmates. C. Day Lewis thought so, when he declared that Heathcliff and Catherine "represent the essential isolation of the soul...two halves of a single soul–forever sundered and struggling to unite." This certainly seems to be backed up in the novel when Catherine exclaims “Nelly, I am Heathcliff! He's always, always in my mind--not as a pleasure, any more than I am always a pleasure to myself, but as my own being...” This shows clearly the struggle Catherine feels as she is drawn spiritually to Heathcliff, but also to Edgar for very different reasons. Edgar attracts Catherine predominantly because he is of the right social class. Catherine finds him "handsome, and pleasant to be with," but her feelings for him seem petty when compared to the ones she harbours...
They became very close friends; they were practically brother and sister (Mitchell 122). Heathcliff is intent upon pleasing Catherine. He would “do her bidding in anything” (Brontë 30). He is afraid of “grieving” her (Brontë 40). Heathcliff finds solace and comfort in Catherine’s company.
Emily Bronte, on the surface, appeared to be a very withdrawn woman and is said to be reclusive throughout her entire life. She was even incredibly embarrassed when her sister, Charlotte Bronte, found her book of poetry, even though Charlotte was incredibly impressed by it. Beneath the surface lies a woman full of passion and capable of powerful emotions, though she had never felt such emotions, to write a novel that is still discussed today and is regarded as a literary classic. Novels are often regarded as a window to the souls of the authors, and Wuthering Heights is no exception. Wuthering Heights is often seen as a type of construct of Emily’s life and personality, because of the similarity of characters to people in Emily’s life, and how the events that occur at Wuthering Heights are secluded in their own right, much like Emily’s own life.
During the first half of the book, Catherine showed different types of love for two different people. Her love for Heathcliff was her everything, it was her identity to love and live for Heathcliff but as soon as she found out how society views Heathcliff, she sacrificed their love and married Edgar Linton in the hopes of saving Heathcliff from Hindley and protecting him from the eyes of society. In her conversation with Nelly, Cathy who professed her love for Heathcliff quoted “My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself.” Catherine proved Nelly Dean that the only person who can make her feel pain and sorrow is Heathcliff. The extent of her love was uncovered when she sang her praise of “I am Heathcliff” because this was the turning point in the book that allowed the readers to truly understand and see the depth of Cathy's love for Heathcliff. On the other hand, Catherine's love for Edgar wasn't natural because it was a love that she taught herself to feel. It might have come unknowingly to Cathy but she did love Edgar as she said “My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees.” Cathy knew that it was not impossible to love Edgar for he was a sweet and kind gentleman who showed her the world but unlike ...
Bronte's Use of Language and Setting in Wuthering Heights Between pages 15 and 18 there are identifiable ways in which 'Bronte' uses 'language and setting' to establish the characters and create a distinguishable atmosphere. In this essay, themes, genres and styles will be discussed to show how 'Bronte' establishes the characters; there will also be a discussion of the 'gothic' elements which Wuthering Heights contains. Many people would argue that the style of 'Wuthering Heights' is peculiar and complex, the power of Wuthering Heights owes much to its complex narrative structure and to the device of having two conventional people relate a very unconventional tale. Bronte importantly introduces the element of 'the supernatural' into chapter 3 which is an important technique as it grips the reader. Lockwood has come into contact with the ghost of Cathy, who died 18 years before, Some might argue that she is a product of Lockwood's imagination, and it is clear that Bronte has presented these facts in this way so that the reader can make up their own mind on the subject.
Heathcliff never finds peace through his revenge. In fact, the only time he truly finds happiness is when he gives up his plan for retaliation. Austin O’Malley states “Revenge is like biting a dog that bit you” (O’malley 1). O’Malley’s quote reflects Heathcliff’s immature need to propagate agony in those who have offended him. Heathcliff’s plan for revenge on Edgar and Catherine is to marry Isabella, who is ignorant of love and of men because she has never experienced either. He wants to hurt Edgar because of his marriage to Catherine, and he wants to get revenge on Catherine by making her jealous. Catherine’s death proves that this flawed plan of repayment helps nothing. Heathcliff, haunted by the ghost of Catherine because he is her “murderer,” still is motivated by the need for revenge and tries to get young Cathy away from Edgar by having her marry his son, Linton. Heathcliff never finds peace until he gives up his plan for revenge just before he dies. When Heathcliff gives up his plan for revenge, he meets Catherine in death and truly becomes happy once more.
The scene above truly grasps the idea of Romanticism because Heathcliff is showing his emotions and individuality. His desire to be with Catherine is so powerful that he allows himself to disturb the peace and have enough space available for him to occupy after he has passed. This is very unusual because there are not any characters similar to Heathcliff in this text. This scene makes Heathcliff even more difficult to analyze but at the end we learn that the only thing he sincerely wanted throughout the text was to...