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Review: Roman Holiday
Roman Holiday is a famous and important film for many reasons, probably most for introducing the world to the incomparable Audrey, here in her first major starring role, and one which won her an Academy Award. With lots chemistry, inspired direction by William Wyler, and impressive locale work, shot completely on location in Rome, this ranks as one of the best romantic comedies ever made.
It's a modern-day twist on a fairy tale, where the princess wishes to be a normal young girl, rather than the other way around. Hepburn plays Princess Ann, much beloved royalty whose every move is followed by the country, and every day is completed scheduled with monotonous formalities and appearances, which have begun to grow tedious for a young woman looking to have some excitement in her life. She wants to have some fun and spontaneity in her life, so one night while she is visiting Rome, Ann makes her escape from her handlers and heads to the streets of the city, where a handsome new reporter, Joe Bradley (Peck) stumbles upon her. There appears to be no place for her to go, so Joe takes her to his apartment for the evening, but the next day he discovers he may be onto the scoop of a lifetime when he realizes that the woman in his bed is none other than the most beloved figures in the world. His plan is to entertain her while she is in town, without letting her know he is really just trying to get the inside info on the woman for his article, and she also hides her identity in hopes of being seen as the average girl in the free world.
Perhaps the most impressive aspect of this rather old fashioned romance is how funny it actually is, while still maintaining a sense of subtlety throughout. This is not a story driven plot, but rather, a collection of charming and amusing moments that, when added up for the duration, becomes something quite substantial. The character development involved is flawless, as we grow to like, and in some senses love, the main players, thanks in large part to the terrific Academy Award winning screenplay by Dalton Trumbo here credited as Ian McLellan Hunter due to a blacklisting that forced him to write under a pseudonym. Even with the quality writing, none of this could have worked if overplayed by the director or if stars were cast who weren't as likeable, and on all fronts,
Anna and Ben realize that this short-term solution of starting a band only masks their issues and does not heal them. The conversations the two have on the more dramatic end of the spectrum are performed wonderfully. Trivial events in their lives are brought up, both pressing the narrative and emotional arc of this couple we’ve fallen in love with. The scenes are almost too real, which is one of the best compliments I can give to the actors involved.
The film I chose to view for this Romantic Comedy paper was When Harry met Sally. I enjoyed this movie. The two main characters were Harry (Billy Crystal) and Sally Allbright (Meg Ryan). When first introduced to these characters, Sally is driving to New York, and Harry, who is the boyfriend of Sally's friend, is catching a ride with her.
Cottino-Jones sums up love and the community in this story in her book. She says, "the lovers in this books are constantly faced with violence, death and isolation when their affairs come into conflict with society’s rigid behavior codes "(Cottino-Jones, 79). Lack of communication and social factors made everyone in the story unhappy or dead.
Shumway, David, R. “Cinema Journal.” Screwball Comedies: Constructing Romance, Mystifying Marriage. Texas: University of Texas Press, 1999. 7 – 23. Print.
It is about love, and it is about dreams. The main theme of the movie is the boxing career of Maggie Fitzgerald (played by Hilary Swank) - a 30-year old waitress who lives alone and barely gets by. However, she is strongly determined to become a professional boxer and this is why she seeks the help of Frankie Dunn (played by Clint Eastwood), a boxing trainer and an owner of a gym. Initially, Frankie is unwilling to train her because she is female and too old to have any chance of achieving significant accomplishments in professional boxing. However, Frankie’s friend and associate Eddie Dupris (played by Morgan Freeman), really believes in Maggie and lets her train in a corner of the gym.
Once a successful novel hits the market, producers are inclined to adapt the story into a movie. Since imagination, symbolism, and character psyches are explored in a novel, the movies tend to lack the luster of the original text. Using their imagination, readers are able to conjure up characters and scenes that are unique. This is the case with Tim O’Brien’s, “Sweetheart of the Song Tra Bong.” This is a story where love and war collide after a soldier brings his sweetheart to his Vietnamese post. On the whole, this chapter in The Things They Carried is far superior to the film, The Soldier’s Sweetheart, because it has thorough descriptions of characters’ feelings, including symbolism concerning objects and important events. When the audience is able to draw it's own story around an author's narrative, the experience is more satisfying than when every detail is presented through the cinematic medium - an active audience is happier than a passive one.
Jane Campion's film version of Henry James's novel, The Portrait of a Lady, offers the viewer a sexually charged narrative of a young naive American girl in Victorian era Europe.
I stepped out of the chilly November air and into the warmth of my home. The first snowfall of the year had hit early in the morning, and the soft, powdery snow provided entertainment for hours. As I laid my furry mittens and warm hat on the bench to dry, I was immediately greeted with the rich scent of sweet apple pie, pumpkin pie, mashed potatoes, and the twenty-pound turkey my mother was preparing for our Thanksgiving feast.
...the story. It gives us no insight on why the characters were put in this position and why they would even end up being together if they know there will be no happy end. I don’t think it is a movie about love, just a slice of the lives of the two as it happens during that period. Ben is an alcoholic and because of the amount he is drinking, he can not be fully aware of his actions and decisions about what is going on around him. Sera is just a prostitute that loves having control over her clients and has gone through a lot of abuse and out of desperation takes in any guy that treats her humanely. In return for Ben’s loving, Sera slips in the role of the prostitute at the end when she pours liquor over her breasts and lets Ben lick it off fulfilling his greatest fantasy. The story is very slow at times and is not suitable for every audience. For some, it may be too vulgar, for others just too boring, but I believe Figgis and both actors did remarkable jobs. The story is obviously not meant to entertain or to be the typical Hollywood romance drama, but to show Sera and Ben’s relationship leading to isolation, anxiety and self-destruction because life does not always have a happy end.
The genre of romantic comedies sets up a framework of generic conventions for each film. Although they usually have the construction, each film is developed in their own unique way. The amusing, comical, and dramatic movies follow the basic structure of the unfulfilled desire of love in the lives of the main characters, a situation that they are put in that provides a chance for potential romance, and then though several obstacles, a realization that they are a perfect match and live “happily ever after”.
Since the time of Aristotle, romantic comedies have sought to tell a story about two people, and questions whether or not they would end up together as Billy Mernit (author of Writing the Romantic Comedy)informs. They also make us question what it means to be in a relationship and tell us a little about ourselves. The romantic comedies were extremely popular with moviegoers during its Golden Age of the 1930’s as Daniel M. Kimmel (author of I’ll Have What She’s Having: Behind the Scenes of the Great Romantic Comedies) informs us. The good romantic comedies of this time were referred to as “weepies” or “three hanky pictures (Kimmel). Over time, though, the romantic comedies dwindled to the point where nowadays the romantic comedies seem to be dead (Mernit). Today, the romantic comedy is alive and well, but it goes unrecognized due to it adapting. The appearance of the romantic comedy may have changed, but the key elements have not changed. The key elements of any romantic comedy include two characters who will meet and fall in love with each other, a conflict that will tear the two of them apart, and an ending where love has changed the main characters and they will either accept or deny love such as the events of Philadelphia Story.
In a nutshell: Beautifully written, with a fantastic twisted plot, but I personally wish the love triangle had played a smaller role.
...movie that I fell in love with. But most of all I love how the story line is a great overlap into the cinematically engaging movie. There is a great use of camera, timing, shots and story line that are portrayed in this movie without being too overwhelming. This allows the audience to relax during the movie and just take in the scenes as a story from reality. To this day, and even still doing this paper I still come to find different aspects of the movie that I missed the previous times I have watched it.
Romance movies have this weird love that goes on in them. Some characteristics include; sex scenes, lovey dovey affection, hate (sometimes) that ends up in love, marriages, divorces, new found love, and really anything that can happen between a man and female, female and female, man and man, whichever someone prefers. Romance movies are often seen as “chick flicks” while some may agree, others disagree. The ONLY reason they are considered “chick flicks” is because it’s a romance and theirs sappy love. There is no real evidence of it being labeled as a “chicks only flick”, men actually prefer to watch some of those movies. It doesn’t make them weak, homosexual acting, a pansy, or anything else men might call other men. Romance movies and novels are highly bought in stores. Who knows? It may be bought by your future husband or wife. And, since this paper is describing the differences, parents might look at this and decide whether or not to show the kids these types of
I’ve seen a lot of films, and with a lot of different genres. But I don’t think that romantic films are pretty good. They are too boring. The good films are action or comedy films, but the best films are action and com-edy films mixed together. That’s why I’ve chosen the film Taxi 2. It’s a French produced film, with a lot of action and comedy. It’s a pretty new film, and I saw it in the cinema last month. I’ve looked very much forward to see that film, because Taxi was very good too. It took only 5 weeks to get 10 mil-lion Frenchmen into the cinema. Just for watching Taxi 2.