Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
portrayal of women in american literature
The role of women in doll's house
The role of women in the a doll's house
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: portrayal of women in american literature
The role of women had been defined for centuries as whatever men desired them to be. It was not until the 20th century that women united to become independent from men and dependent on themselves. A Doll’s House by Henrick Isben and Blood Relations by Sharon Pollock are both plays that have a central theme of a woman’s role in the late 1800s. Regardless of what the 19th century society dictated about men being in charge of women; Nora and Lizzie used their roles as submissive women to their advantage to acquire what they truly desired. They are able to successively manipulate the men in their lives to gain what they want. By doing so, they prove that they are smart, capable individuals that can make decisions for themselves.
Henrick Isben wrote A Doll’s House in 1879 based on the life of a friend of his; contrary to Sharon Pollock who wrote Blood Relations in 1980 based on a real life event that took place in 1890. The time period of both of these plays is set in a patriarchal society. Women in the 19th century were supposed to be loyal to their duties as wives and mothers and caretakers of the home. They were to be submissive and obedient to the wants and desires of their husbands and yet remain delicate beings who were not allowed to think for themselves or express their opinions as equals in relationship. If they were not married, they were to be submissive and obedient to their father’s who took care of them. The men were to be the head of the household dealing with money and affairs inside and outside of the house. Women were not allowed to own property or borrow money without the consent of their father or husband. It is on this foundation that Nora and Lizzie were able to use their weaknesses bestowed upon them ...
... middle of paper ...
... independence from men.
Nora and Lizzie are two examples of women who defeated the patriarchal system on their own terms. They believed that women had rights outside of what were accepted by society and proved that women could achieve their rights in a patriarchal society. They believed in the concept of feminism a century before feminism was taken seriously by society. Their stories and many others like it are all part of the feminist movement that finally in the 20th century changed the role of women in society forever.
Works Cited
Isben, Henrick. “A Doll’s House.” The Broadview Introductions to Literature. Ed. Lisa Chalykoff, Neta Gordon, and Paul Lumsden. Toronto: Broadview P, 2013. 529-587.
Pollock Sharon. “Blood Relations.” The Broadview Introductions to Literature. Ed. Lisa Chalykoff, Neta Gordon, and Paul Lumsden. Toronto: Broadview P, 2013. 684-731.
Henrik Ibsen's play A Doll's House is an astonishing, yet accurate portrayal of how women were treated in the 1800s. It is essentially a force runner to women's rights and sets a path for many more feminist works to come. The novel fiercely challenges the modern idea that all women, by virtue of being women, are inclined towards feminist political interests. The roles of women have been a big part of literature and are usually a representation of how the roles of women in real life have evolved and continue to evolve. A Doll's House is an essential part of IBO specifically for the fact that it shows historical realism in the Victorian Era, and continues to challenge the unrealistic expectations of women in marriage.
Feminism is the advocacy of women’s right and is on the grounds of political, social, and economic equality to men. Centuries ago, women did not share the same equality as men. Men and women’s gender roles were practiced with greater acceptance than by today’s standards. More-over, gender roles among women decades ago, were wrapped within the limits of their political, economic, and social rights and freedoms. The man’s role was to work and to make important final decisions for the family. Were-as, the wives were to stay home with the kids and obey her husband. Feminism changed all those aspects in the world for men and women to be treated to have the same rights. “A Doll’s House” is a profound play to make direct connection on why feminism started. The main character in the play Nora is wife and a mother that struggling to gain equality in her life. In
Throughout history, a woman's role is to be an obedient and respectful wife. Her main obligation is to support, serve, and live for her husband and children. In Henrik Ibsen's A Doll's House and Susan Glaspell's Trifles, two different women make a decision to take matters into their own hands by doing what they want to do, no matter what the outcome may be and in spite of what society thinks. These two women come from different homes and lead very different lives yet, these two women share similar situations--both are victims, both are seeking individuality, and initially, both women end up alone. There are many ways that Nora and Mrs. Wright differ. First of all, both come from completely different households. Nora's home is "tastefully [. . .] furnished" and always "pleasant"(917). She lives in a lavish home eating macaroons, drinking champagne, and hosting banquets. Nora often has guests at the house and there are even maids to watch her children. Her husband, Torvald, is often home and has guests over. On the other hand, Mrs. Wright's home is unpleasant, in an "abandoned farmhouse"(977) in a secluded area. Mrs. Wright seldom has company, nor does she have any children. She does not leave the house very often and her husband, Mr. Wright, wants no outside interference. Mr. Wright refuses to get a "party telephone"(978) because he enjoys his "peace and quiet"(978). It is obvious that these two women lead different lives with different types of people, yet they share similar situations that are not so obvious.
Ibsen, Henrik. A Doll House. The Bedford Introduction to Drama. Ed. Lee A. Jacobus. Boston: Bedford/ST. Martin’s, 2001. 659 – 688.
In Henrik Ibsen’s A Doll House, a drama written in the midst of an 1879, middle-class, suburban Europe, he boldly depicts a female protagonist. In a culture with concern for fulfilling, or more so portraying a socially acceptable image, Nora faces the restraints of being a doll in her own house and a little helpless bird. She has been said to be the most complex character of drama, and rightfully so, the pressure of strict Victorian values is the spark that ignites the play's central conflicts. Controversy is soon to arise when any social-norm is challenged, which Nora will eventually do. She evolves throughout the play, from submissive housewife to liberated woman. It seems as though what took women in America almost a century to accomplish, Nora does in a three-day drama. Ibsen challenges the stereotypical roles of men and women in a societally-pleasing marriage. He leads his readers through the journey of a woman with emerging strength and self-respect. Nora plays the typical housewife, but reveals many more dimensions that a typical woman would never portray in such a setting.
Henrik Ibsen paints a sad picture of the sacrificial role of women throughout all social economical classes in his play “A Doll House”. The story is set in the late 19th century and all minor female characters had to overcome adversity to the expense of love, family and self-realization, in order to lead a comfortable life. While the main female protagonist Nora struggles with her increasingly troubled marriage, she soon realizes, she needs to change her life to be happy as the play climaxes. Her journey to self-discovery is achieved by the threat of her past crime and her oppressing husband, Torvald and the society he represents. The minor female characters exemplifying Nora’s ultimate sacrifice.
SparkNotes Editors. “SparkNote on A Doll’s House”. SparkNotes LLC. 2002. SparkNotes.com. 20 Mar 2011. http://Sparknotes.com/lit/dollhouse/themes.html.
Those of you who have just read A Doll's House for the first time will, I suspect, have little trouble forming an initial sense of what it is about, and, if past experience is any guide, many of you will quickly reach a consensus that the major thrust of this play has something to do with gender relations in modern society and offers us, in the actions of the heroine, a vision of the need for a new-found freedom for women (or a woman) amid a suffocating society governed wholly by unsympathetic and insensitive men.
Kennedy, X. J., and Dana Gioia. "A Doll’s House." Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. 4th ed. New York, N.Y. Longman/Pearson, 2008. 881-939. Print
The enforcement of specific gender roles by societal standards in 19th century married life proved to be suffocating. Women were objects to perform those duties for which their gender was thought to have been created: to remain complacent, readily accept any chore and complete it “gracefully” (Ibsen 213). Contrarily, men were the absolute monarchs over their respective homes and all that dwelled within. In Henrik Ibsen’s play, A Doll’s House, Nora is subjected to moral degradation through her familial role, the consistent patronization of her husband and her own assumed subordinance. Ibsen belittles the role of the housewife through means of stage direction, diminutive pet names and through Nora’s interaction with her morally ultimate husband, Torvald. Nora parades the façade of being naïve and frivolous, deteriorating her character from being a seemingly ignorant child-wife to a desperate woman in order to preserve her illusion of the security of home and ironically her own sanity. A Doll’s House ‘s depiction of the entrapment of the average 19th century housewife and the societal pressures placed upon her displays a woman’s gradual descent into madness. Ibsen illustrates this descent through Torvald’s progressive infantilization of Nora and the pressure on Nora to adhere to societal norms. Nora is a woman pressured by 19th century societal standards and their oppressive nature result in the gradual degradation of her character that destroys all semblances of family and identity.Nora’s role in her family is initially portrayed as being background, often “laughing quietly and happily to herself” (Ibsen 148) because of her isolation in not only space, but also person. Ibsen’s character rarely ventures from the main set of the drawi...
In its historical context A Doll’s House was a radical play which forced its audience to question the gender roles which are constructed by society and make them think about how their own lives are a performance for Victorian society.
Those of you who have just read A Doll's House for the first time will, I suspect, have little trouble forming an initial sense of what it is about, and, if past experience is any guide, many of you will quickly reach a consensus that the major thrust of this play has something to do with gender relations in modern society and offers us, in the actions of the heroine, a vision of the need for a new-found freedom for women (or a woman) amid a suffocating society governed wholly by unsympathetic and insensitive men.
Henrik Ibsen’s screenplay A Doll’s House is a tantalizing story between a married couple and their lives during the 19th century; an era which for woman was highly oppressed, period in time where men ruled the household as business, whereas their wife played the docile obedient lady of the home. Therefor they followed their husbands and fathers implicitly until Nora. Nora sets the stage of her life, starting in her father’s home; she is a stage onto herself. According to Ibsen; little secrets told not only to ourselves but to those around us, find a way to resurface. The ability to understand changes as life’s little secret unfold their true meaning is found in A Doll’s House being played out with Nora learning the art of manipulation of lies.
“A Doll’s House” gives the reader a firsthand view at how gender roles affected the characters actions and interactions throughout the play. The play helps to portray the different struggles women faced during the 19th century with gender roles, and how the roles affected their relationships with men as well as society. It also helps to show the luxury of being a male during this time and how their higher status socially over women affected their relationships with woman and others during this time period.
Isben, Henrik. "A Doll's House and Other Plays." Google Books. N.p., 1 Jan. 2010. Web. 06 May 2014.