Robin Thicke And Pharrell Song Analysis

485 Words1 Page

The music of today has many songs in which there is a hidden meaning or stories behind the song. The song " Blurred Lines" by Robin Thicke and Pharrell is a song with a hidden meaning given much to talk about , another song which has a similar meaning with previous song is "You Do Not Even Know It " by Rick Ross. The intent of this paper is to compare song to song through its similar meaning. Both of these songs have a very rough meaning. These songs are inspired in hidden personalities , lies , appearances, violation , drugs , sex, etc. In " Blurred Lines" by Robin Thicke and Pharrell it talks about rape and sexual assault and all of these because of the use of alcohol and drugs. In "You Do Not Even Know It " by Rick Ross it also talks about how some people appearencess are not what they really are in …show more content…

In the song talks meanly about how a guy pretends to be someone who he isnt so that people get along whith him. Based upon a research about the song, its basically about how a guy takes to dinner pretndending to be a good person, in conclusion he drugs her so that he can take her to a hotel and raped her. That nigga sold you that re-rock, you ain't even know it I die over these Reeboks, you ain't even know it Put Molly all in her champagne, she ain’t even know it http://www.azlyrics.com/lyrics/rocko/uoeno.html In " Blurred Lines" by Robin Thicke and Pharrell it talks about how a men humiliates a women.This song talks a about sexiest men and how he caresless about womens rigths or feelings, this song made alot of people angry becaause of how it talks about women.This song actually compares womens rigths and feelings to animals Tried to domesticate you But you're an animal Baby, it's in your nature Just let me liberate you You don't need no papers

Show More
Related

  • Summary Of Rap Poetry 101 By Adam Bradley

    1110 Words  | 3 Pages

    In Adam Bradley’s “Rap poetry 101” he shows us how rap is more than just songs being sung, it is poetry; it is something that has an empowering ability to make the familiar unfamiliar.In this chapter Bradley creates a new viewpoint too rap. Bradley shows us how rap and poetry has become a very similar piece of art that should be further appreciated. In the chapter poetry 101 Bradley describes how rap is a form of public art, and how rappers have become our greatest public poets. The importance of rap as poetry is shown throughout Bradley's book as well as the evidence behind the reasons rap is poetry.

    Read More

  • Project Respect: Da Baddest B*tch by Rapper Trina

    826 Words  | 2 Pages

    The very title of the song endorses the use of the expression “bad b*tches”. In the music industry, the used of the word “b*tch” is not uncommon. It is most commonly used by men as a means of degrading women. Female rappers, like Trina, try to change what is a degrading word and turn it into a compliment. Female rappers like herself use this “bad b*tch” persona as a defense mechanism. They call themselves these distasteful words before a man has the chance to do it. They see it as strength and rejoice in beating them to the punch. It is a dangerous game they are playing. Throughout Trina’s song “Da baddest b*tch” she referred to herself as a bad b*tch multiple times. “I'm representin' for the bitches/All eyes on your riches” Trina’s depiction of a “bad b*tch” in this song is a woman that is concerned with money and the possession of money; A woman that would do anything to make money no matter the cost. This message is a harmful one. The word “b*tch” is not empowering; it is demeaning. Women give men an excuse to refer to them as “b*tches” because women call themselves’ and other women “b*tches” and “bad b*tches”. Women need to wake up and really that they will not be respected by men or either other women with such behavior. Calling yourself a “b*tch” or “bad b*tch” is a welcome mat to disrespect. Women should resist the catchy lyrics and clever hooks of the songs both me...

    Read More

  • Erykah Badu Bag Lady Essay

    900 Words  | 2 Pages

    This song talks a lot about the baggage of the past that people hold onto instead of letting it go. All that baggage is only going to end up hurting you more and more instead of helping you in any way possible. An example is the opening

    Read More

  • Homophobia, Violence And Sexism In Tricia Rose's Hip Hop War

    1998 Words  | 4 Pages

    The song is set around Chief keef being on the phone and talking to a woman, he refers to the woman on the song as a bitch, hoe, and thottie. The word thottie is derived from the word thot, which is an acronym for “that hoe over there”. The song states “You wanna Glo up, baby, Keef got you/You's a gold bottle, these hoes pink Moscato/Baby I'm the owner, you can be my castle”. This line right here compares the woman to other women by saying she is a better bottle of liquor than other women and calls her his property when he says you can be my castle. Then he goes on to say in the song “ Baby cause I like you/Only reason I text you and why I Skype you/I just wanna fuck on you, I don't wanna wife you/But you gotta brush your teeth and do what I say though/(Hello?)/Bitch can you hear me?/Keep your pussy in park, no 360... I don't wanna smell you/Cause I'ma cut/you off, quicker than I met you/I'ma swipe your name up off my schedule/And if smoke this blunt, girl, I'm gon' forget you”. The lyrics basically says the women is just there for his sexual pressure and he does not plan on making her more than that; he also tells the women that he has to be the one in control if she wants to continue this relationship; then he tells her, he will completely stop communicating/seeing her, if she does not do what he wants her to do and she can be

    Read More

  • Shifting Representations of Women in 80's Hip-Hop Music

    1048 Words  | 3 Pages

    In the lyrics of male R&B/Hip-Hop artists in the early 1980’s, there is a noticeable shift in the language used to portray women and then themselves. The language shift is in choosing words that are filled with love and emotion to overbearing words that aim to separate men and women by social status. During the 1980’s, many of the popular songs by male hip-hop artist tend to focus on the relationship aspect of male and female interactions. This observation is similar to Frith’s (1986) finding, where most successful pop songs centers around being “happy in love”, “frustrated in love” as well as having sex interests. The “happy in love” factor that Frith notices in pop songs is seen in early R&B/Hip-Hop music. Instead of using derogatory terms

    Read More

  • Hip Hop's Song Analysis

    2066 Words  | 5 Pages

    Hip-Hop’s criticism of George W. Bush is a good example of hip-hop’s reflection of Black public opinion. The Republican candidate who already had a low approval rating of 57% amongst African-Americans received an even lower approval rating after his lackluster efforts to support Louisiana after Hurricane Katrina in 2005 (Jones, 2003; Cillizza & Sullivan 2013).

    Read More

  • Wrong With Society In The Michael Jackson And The Society

    1284 Words  | 3 Pages

    In the song she shoot him because she is sick of his stuff like him with the beating her and taking avenge “He’s drunk again, it’s time to fight same old s***, just on a different night she grabs the gun, she’s had enough Tonight she’ll find out how f***in’ tough is this man pulls the trigger fast as she can, never again “ This is a quote that make sense because he was beating her and she had no power to hit him back because she not as strong as him in any way shape or form. As this girl is going through this it show us how life really is because violence goes on every day because the world is a place no one want to be in. If you look at violence statists it clearly shows you how violence in pacts us. “Fathers a name yet haven’t earned yet you’re just a child with a temper Haven’t you heard don’t hit a woman kicking’ you’re a** would be a pleasure” this is a good one because some people like me take this to heart because if you hit a woman in front of me boy I tell you want and theirs many other people who think the same way. Most people were born and raised not to hit a woman because a lot of people are like this doesn’t mean there not people like (the man who hit her) out there and this what cause violence even more in the world this take it to the highest

    Read More

  • Masculinity In The Song

    858 Words  | 2 Pages

    In this music video the use of his soft tone voice, and the choice of clothing. are used to the subtly fool women into believing they “love” the them. Where as their only true intention is to have sexual intercourse with them. In reality it 's just another woman used for satisfaction, in plain English a player. It 's awkward to think that a genre with singers who have some of the most soft tone voices can be so derogatory. It 's a contradiction for sure, but I think this contradiction isn 't even a contradiction to begin with, they uses feminine strategies to attract woman, which only further proves their masculinity. Why? The soft voice easily attracts the women into falling for them, and once they have them in the palm of their hands that 's when the player mentality comes out. An article done by Kristie A. Ford speaks on how “fake masculinity can be used to achieve real masculine behavior” (Ford 13). In other words the fake masculinity which is the soft voice and the choice of clothing, are used to achieve real masculine desires which is sex. So even though Devor says that men are viewed as masculine by looking aggressive, intimidating who carry a heavy voice, R&B singers use tactics which contradict that masculinity Devor speaks of in order to achieve something regarded as much more masculine, Sexual intercourse with multiple women. Adding to this One article

    Read More

  • Music Censorship In Music

    1319 Words  | 3 Pages

    As David Machin stated in 2010, “lyrics are not only about artists telling stories but also communicating discourses about their identity.” (Machin D, 2010: 78) indeed, the lyrics of a song play an important role in connecting with people and providing people with reflexive identities, when people listen to the music, the linguistic meaning offers the audience with better representation of the music and creates more emotional connection between the singers and the audiences. Also, as different music genre has different representational characteristics, the lyrics also differ from each other within different genre, meanwhile, the composition of lyrics also changes along with the development of the social movement, as Kaufmann discussed, “the recording industry has been blamed for causing morally or socially unacceptable behavior, thereby placing it in an uncomfortably defensive position.” (Kaufmann, W B, 1986: 225) Thus regulation of music lyrics gradually becomes problematic to the music creation and the necessity of the music regulation or the censorship seems to be increasingly important to the music industry. As a matter of fact, the history of music censorship has already emerged in early times, and developed from the self-regulation into government-regulated regulation these years. This essay will mainly discuss the historical root of the lyric censorship from early ages, explain why the censorship is needed in this industry and finally analyze the censored issue in Cee Lo Green’s song, Forget You (also known as Fuck You) which was released in 2010.

    Read More

  • Music Censorship

    1285 Words  | 3 Pages

    Healthy debates have been caused by today's music. Generally, foul language has rapidly increased within modern popular song lyrics, especially among rap and heavy metal artists' songs. An increase in explicit violence and misogyny in popular music lyrics has been recorded. These lyrics have been judged to be inspirations for violent, suicidal, and criminal acts. For example, Mr. Raymond Kuntz referred to his son's incident. ''When his wife went to wake their son for school, they found him dead of a gunshot wound, still wearing his headphones with Marilyn Manson's Anti-Christ Superstar CD still in the player. The boy's favorite song was ''The Reflecting God (Nina Crowley, ''Senate Hearings on Music, Newsgroup at page 2, November 15, 1997).'' However, the artists and producers defend the musical lyrics, and claim that these acts come purely from self-inspiration, not extrinsic influence such as their music. If this were true, then why would 59 % of substance abusers name heavy metal as their favorite type of music? ( Javier Martin, ''Separating Fact from Fiction: Rock Music and Violence'' November 28, 1997, page 2). Most teenagers listen to popular music, and learn from the words of the artists. Therefore, if an artist sets an example of being ''cool'' and performing harmful acts, a listener may reproduce his learned actions. ''Rappers call on their fans to kill, dismember, and smash the heads of teachers, and dumb cops (Peter Viles, ''Bulgaria's racist rap.'' World Press Review June 1996: Page 41).'' The entire world is affected by this reoccurring theme, since adolescents are influenced by music on a daily basis. Although almost everyone is directly affected, some people do not admit to profane music having a personal influence. ''People perceive media content to have greater impact on others than on themselves.'' (Douglas M. McLeod, ''Support for Censorship of Violent and Misogynic Rap Lyrics.'' Communication Research, April 1997: page 153). Naturally, the majority of youth is heavily influenced by music, and needs to be protected from the harm of obscene artists. Due to its negative affects upon society, I believe the government should further restrict music that has been specified as dangerous to the well being of the listeners.

    Read More

  • The Effect of Hip-Hop on Female AAE Speakers

    1043 Words  | 3 Pages

    “He don't smack that ass and pull your hair like that” is a rather vulgar and demeaning statement, yet it is freely sung in Blurred Lines by Robin Thicke, a song that was in the top ten on the Billboard list of the most popular R&B/Hip-Hop songs in 2013. Because hip-hop is a very large part of the African American culture, and many speakers of African American English (AAE) are portrayed through these songs, women are often highly influenced by the objectification of their bodies in hip-hop songs. Since the emergence of the hip-hop genre in popular culture in the 1960s and 70s, women’s bodies have been sexually objectified through this music. Although the impact of the sexualization of women’s bodies in hip-hop songs is still very prevalent, the effect of this in recent years has decreased because of a learned linguistic way to navigate the misogynistic words that diminish the humanity of women.

    Read More

  • Analysis Of A Kindly Reminder By Donald Trump

    977 Words  | 2 Pages

    The chorus lines, saying ‘And if I could offer a kindly reminder / It’s not okay to grab women by the vagina’ refers to the offensive comments that Trump made about women during a recording for a television show in 2005. On a leaked tape, he said: ‘Grab them by the pussy. You can do anything.’ The use of the word ‘vagina’ instead of ‘pussy’ - like Trump did - emphasises the vulgarity of Trump’s

    Read More

  • The Influence Of Hip Hop

    1370 Words  | 3 Pages

    This song represented the time in 1993 when women in the hip hop culture were not taken seriously as males, so Queen Latifah had to call the judgmental people out. U.N.I.T.Y has the significance impact of feminism, just like her first two albums as an artist. How every man, she states calls a women “ho” or “bitch” she defends by saying “Who you calling a bitch?”. Another song that has been recalled as an importance of women in hip hop is the song (9) “Give It To You” by Da Brat. “So let it go, Cause my shit is tight, Take it how I give it, And enjoy the night”, she is talking about the males, if they have something to say about the women in the rap industry they should let it go before things get out of hand. The importance of this song was that ladies in hip hop are able to fight back stronger. In the song (10) “Lost Ones” by Lauryn Hill is about her talking about a person she has a brutal honest message to. This song has an important impact on women who would want to be in the hip hop culture because it is the woman's choice to decide what she wants to do. In 1998, she releases this song to brings an influence to women, if feeling threatened by men, women should refuse to be treated in any type of way that is

    Read More

  • Critical Analysis Of Dosess And Mimosas By Cherub

    1516 Words  | 4 Pages

    The relevance of the song was portraying that using drugs and alcohol will help you escape life situations. Regardless of how hard or tough it is. All you need to do is to get drunk or get high, than your problems will flush away. But the video don’t explain the reality of the outcome of how drugs and alcohol will or could affect your lifestyle and how it could lead you to lose your job, family and life. All it shows is the fun side of being intoxicated. Which, it raises a big flag on kids or teens that do have access to the media like the

    Read More

  • Sociological Concepts in "Where's the Love"

    939 Words  | 2 Pages

    In essence, this song carries various sociological concepts. It concentrates on the main idea about the social construction of reality and talking about how reality is changing. The song questions the actions and mentally of individuals violating the norms and values of society. The band takes into consideration various factors of why it is happening including the media and religion. As a result they talk about such influences taking control building and developing a sense of self. This is a great song about present day problems and how society changes with them.

    Read More

More about Robin Thicke And Pharrell Song Analysis

Open Document