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Metaphors used in the road not taken
The road not taken is about a choice of life
The road not taken theme statement
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Robert Frost's Poem "The Road Not Taken" The poem “The Road Not Taken” by Robert Frost addresses the idea of decision-making and choosing what direction life will take you. The poem is about the speaker arriving at a fork in the road, where both paths are carpeted with leaves. The persona, who is believed to be Frost himself, chooses to take the road less traveled by. He tells himself that he will take the other road another day, although he knows it is unlikely that he will have the opportunity to do so. The poem concludes with the speaker satisfied by his choice in taking the road less traveled by. The poem consists of four stanzas, each containing five lines. The rhyme rigid scheme is ABAAB. Then, in the last line the rhyme is broken with the word “difference” making the ending stand out from the rest of the poem. Each line contains four stressed syllables. Frost uses a metaphor comparing the road to life, and the fork to making decisions. The first stanza conveys a mood of change and introduces the idea of a life altering decision, which is the basis for the poem. First Frost sets the scene with his opening words, “Two roads diverged…” (line 1). The speaker is standing at a junction in the road pondering two choices. The roads in the poem are merged where the speaker is standing but lead in two different directions signifying two different paths in life. Frost begins with the metaphorical meaning as early as the first line with his reference to “…yellow w...
Using the word yellow tells us it takes place in Fall, most likely from all the leaves that fall and change color. Frost then says “And sorry I could not travel both” in the second line, the speaker wants the opportunity of going down both roads but its only possible to go down one road the poet also uses the word “sorry” indicating that there’s some sort of regret. The poet follows this up with “And be one traveler, long I stood” in the third line, the speaker is uncertain on which road to take and takes a long time choosing the line also indicates that he is walking the road
The poem is set in the fall when the leaves are changing colors and beginning to cover the ground. The speaker of the poem is faced with an unfamiliar fork in the road and is forced to decide which direction he or she must go. As the speaker is deliberating, he is “sorry” he cannot just travel both and it appears to be because the speaker has a fear of picking the wrong one (Frost 2). Although he “looked down one as far as I could” there was no seeing the end (4). Just like in a life, it is possible to have an idea of what will happen and there is no telling which choices will turn out beneficial and which will not. The speaker knows that although the paths are similar the outcome of picking the wrong one could be life changing. Even though he is upset he must trust in himself to know which one would be best for him in the long run.
Frost uses a lot of imagery to inform the reader of the other choices. Both roads had been traveled the same, but had different appearances. The grass could have given the illusion that the road in the second stanza would provide better opportunity. There is a saying, “don’t let the green grass fool you,” meaning although the grass is green, it doesn’t have to be the best choice. The yellow wood could represent that it was time for a change to take place in his life just like when the leaves change color in the fall of the year. From a biblical point of view, a chang...
The central image that Frost presents, which is the path, provides a clear picture that the reader can focus on in order to reveal something about the poem. The “two roads diverged in a yellow wood'; vividly portray the fact that it is always difficult to make a decision because it is impossible not to wonder about the opportunity that will be missed out on. There is a strong sense of regret before the choice is even made and it lies in the knowledge that in one lifetime, it is impossible to travel down every path that one encounters. In an attempt to make a decision, the traveler "looks down one as far as I could." The road that will be chosen leads to the unknown, as does any choice in life. As much as he may strain his eyes to see how far the road stretches, eventually it surpasses his vision and he can never see where it is going to lead. It is the path that he chooses that sets him off on his journey and determines where he is going and what he will encounter.
One of Frost most effective methods was his strong use of diction. Frost provides several examples of his technique to set the tone for the rest of the poem. He truly emphasizes his point when he carefully uses the words “equally” and “same” to further show the readers that there was no "road less traveled by" because they were the same. Also, Frost in the second stanza used the word "fair" to further illustrate that he looked down one path as far as it bent in the undergrowth and took the other because it was "just as fair." The man couldn’t distinguish between these two roads because they’re the same.
In the poem “The Road Not Taken” by Robert Frost, the main character has to decide between two roads, he/she have eventually did choose a path and resulted the best decision. First, the narrator sees a fork
Frost realizes that had he taken the other road he would not be where he is today. He was adventurous and choose the road that had been traveled the least recently and that one decision changed his life
In this poem, Frost illustrates that every person has his own opinion. He states “Then took the other, just as fair, and having perhaps the better claim” (line 6-7). What make it better was “it was grassy and wanted wear” (line 8). It was something that was obviously not for everyone because it seems that the other people take the more popular one. “And both that morning equally lay/ In leaves no step had trodden black” (line 11). No one had yet to pass by on this road since the leaves have fallen. “I kept the first for another day” (line 13). The desire to travel down both paths is expressed and is not unusual, but “knowing how way leads onto way” (line 14). The speaker of this poem realizes that the decision is not just a temporary one, and he “doubted if I should ever come back”
Depicted throughout nature and by questioning his return, Frost not only becomes a man on a walk but also the unheard voice of thousands. Perhaps of the many reasons Frost’s poem gained popularity was the irony of a comical poem turning tragically true with the death of his friend and many more. After analyzing Frost’s poem the repetition, strands, and binary are equally important to understanding the history behind The Road Not
The road splitting, is a metaphor for the choice of life. The nature of yellow wood can also be a metaphor for making decision during the fall of your life or when you’re growing up. In line 5 “To where it bent in the undergrowth;” this line can metaphorically mean that in the future your choices can be unclear, but you still have to make a decision. In line 4-5 “And looked down one as far as I could/To where it bent in the undergrowth;” In the woods we can only see a path for so far, this can be a metaphor for the consequences of our decision we make in our life for a short while in the future. In line 6 “Then took the other, as just as fair,” the person is thinking of which road he should take because both roads look similar, but its difficult to choose one path.
The two roads in the poem relate to various paths one might be faced with in life. One path “bent in the undergrowth” (5) which means it had taken many times. However, the other path “was grassy and wanted wear” (8). This is the path in one’s life, which seems “unpopular” at the time. Not many people choose the path that is not typically chosen by others. This is what Frost is doing in his poem as he uses these solid metaphors: challenging his readers to “go against the flow” as the man did.
“Two roads diverged in a yellow wood and sorry I could not travel both and be one traveler” (Page 756 Stanza 1). This is the beginning of an iambic tetrameter by Robert Frost in which he expresses the thoughts of the speaker as they come to a fork in the road. The speaker faces a dilemma of deciding which path to take. Frost uses a closed form with a rhyme scheme of “ABAAB.” The speaker reaching the fork in the road is symbolism for a particular decision that he must make in life. The first stanza is setting up the situation in which the speaker must observe both choices and make a decision and stick with it. This poem allows the reader to use their imagination and is also relatable in everyone’s everyday lives. In “The Road Not Taken,” Robert Frost uses a good rhyme scheme, description, and symbolism to describe an important life decision as well as show the thoughts of the speaker as he makes this decision.
In the poem, a person is walking along a path in an autumn forest in the early hours of the morning, when he stumbles upon a fork in the road. The speaker wishes that he would be able to travel down both of them, but he has places to go, and he does not have enough time. One is worn out from people walking along it so much, and the other is grassy and barely worn from fewer people walking on it. Although neither of them had been traveled on that day, as the leaves were still fresh on the ground, the speaker was compelled to travel the second or grassier path. The speaker fin...
The main theme of the poem that Frost attempts to convey is how important the decisions that one makes can be, and how they affect one’s future. In lines 2-3, he expresses the emotions of doubt and confusion by saying, “And sorry I could not travel/ And be one traveler, long I stood”, which explains how the speaker contemplated their decision of which road to take. In the closing, line 20 of the poem further reestablishes the theme when it states, “that has made all the difference”, meaning that making the decision of which road to take for themselves is the important key for a successful future. Frost helps to express this theme by using symbolism to portray a road as one’s journey of life. Using symbolism, Frost suggests that the speaker of this poem is taking the harder of the two roads presented before them, because the road the speaker chooses, “leaves no step had trodden black” (12...
Frost uses several literary devices in this brief account, such as imagery, personification, metaphor, and alliteration. Descriptions of “yellow wood,” depicting an autumn forest, and “no step [in the leaves being] trodden black,” indicating a fresh and natural recently untrodden environment, are included to create a picture in the reader’s mind and make the situation ore real and easily related to. It is possible that Frost may have purposely used the word “yellow” to imply the splitting paths. ("Cummings Study Guides") When describing the two paths, the narrator mentions that one “was grassy and wanted wear,” using personification to make it seem as if that path is calling to him to travel upon it. In the same phrase, Frost also makes use of alliteration to draw attention to the calling of the first path. ("Use of Literary Devices in Robert Frost's The Road Not Taken")